The selfie, temporality, and contemporary photography:

"This book is a theoretical examination of the relationship between the face, identity, photography, and temporality, focusing on the temporal episteme of selfie practice. Claire Raymond investigates how the selfie's involvement with time and self emerges from capitalist ideologies of iden...

Ausführliche Beschreibung

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Bibliographische Detailangaben
1. Verfasser: Raymond, Claire 1967- (VerfasserIn)
Format: Elektronisch E-Book
Sprache:English
Veröffentlicht: New York ; London Routledge, Taylor & Francis Group 2021
Schriftenreihe:Routledge History of Photography
Schlagworte:
Online-Zugang:KUBA1
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Zusammenfassung:"This book is a theoretical examination of the relationship between the face, identity, photography, and temporality, focusing on the temporal episteme of selfie practice. Claire Raymond investigates how the selfie's involvement with time and self emerges from capitalist ideologies of identity and temporality. The book leverages theories from Katharina Pistor, Jacques Lacan, Rögnvaldur Ingthorsson, and Hans Belting, to explore the ways in which the selfie imposes a dominant ideology on subjectivity by manipulating the affect of time. The selfie is understood in contrast to the self-portrait. Artists discussed include James Tylor, Shelley Niro, Ellen Carey, Graham MacIndoe, and LaToya Ruby Frazier. The book will be of interest to scholars working in visual culture, history of photography, and critical theory. It will also appeal to scholars of philosophy, in particular intersecting with aesthetic theory and theories of ontology, epistemology, and temporality".
Beschreibung:1 Online-Ressource (ix, 178 Seiten) Illustrationen
ISBN:9780429319044
DOI:10.4324/9780429319044

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