Laugh lines: humor, genre, and political critique in late twentieth-century American poetry
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Jackson
University Press of Mississippi
2022
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | x, 162 Seiten |
| ISBN: | 9781496839527 9781496839534 |
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Datensatz im Suchindex
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| adam_text | Contents ix Acknowledgments з Introduction 19 CHAPTER ONE I The Good Lite The Politics of Hedonism in Marilyn Hacker’s Love, Death, and the Changing of the Seasons 45 Chapter two I Bursting at the Seams Exploding the Confines of Reification with Creative Constraints in Harryette Mufiens Sleeping with the Dictionary 79 chapterthree | But He Aint Never Been Seen! The Protean Howard Hughes and Overlapping Capitalist Narratives in Ed Dorns Gunslinger ios chapter foor I Russeii Edson’s Bestiary Humanists in a Posthuman World 137 coda 143 Notes 149 Works Cited 155 index I Connections and Conclusions
Humor in recent American poetry has been largely dismissed or ignored by scholars, due in part to a staid reverence for the lyric. Laugh Lines: Humor, Genre, and Political Critique in Late Twentieth-Century Ameri can Poetry argues that humor is not a superficial feature of a small sub set, but instead an integral feature in a great deal of American poetry written since the 1950s. Carrie Conners asks readers to consider poetry alongside another art form that has burgeoned in America since the 1950s: stand-up comedy. Both art forms use wit and laughter to rethink the world and the words used to describe it. Humor’s disruptive nature makes it especially whetted for critique. Many comedians and humor ous poets prove to be astute cultural critics. To that end, Laugh Lines focuses on poetry that wields humor to espouse sociopolitical critique. Conners highlights the work of poets working in four distinct poetic genres: traditional, received forms, such as the sonnet; the epic; proce dural poetry; and prose poetry. Marilyn Hacker, Harryette Mullen, Ed Dorn, and Russell Edson provide the main focus of the chapters, but each chapter compares those poets to others writing humorous political verse in the same genre, including Terrance Hayes and Anne Carson.
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| adam_txt |
Contents ix Acknowledgments з Introduction 19 CHAPTER ONE I The Good Lite The Politics of Hedonism in Marilyn Hacker’s Love, Death, and the Changing of the Seasons 45 Chapter two I Bursting at the Seams Exploding the Confines of Reification with Creative Constraints in Harryette Mufiens Sleeping with the Dictionary 79 chapterthree | "But He Aint Never Been Seen!" The Protean Howard Hughes and Overlapping Capitalist Narratives in Ed Dorns Gunslinger ios chapter foor I Russeii Edson’s Bestiary Humanists in a Posthuman World 137 coda 143 Notes 149 Works Cited 155 index I Connections and Conclusions
Humor in recent American poetry has been largely dismissed or ignored by scholars, due in part to a staid reverence for the lyric. Laugh Lines: Humor, Genre, and Political Critique in Late Twentieth-Century Ameri can Poetry argues that humor is not a superficial feature of a small sub set, but instead an integral feature in a great deal of American poetry written since the 1950s. Carrie Conners asks readers to consider poetry alongside another art form that has burgeoned in America since the 1950s: stand-up comedy. Both art forms use wit and laughter to rethink the world and the words used to describe it. Humor’s disruptive nature makes it especially whetted for critique. Many comedians and humor ous poets prove to be astute cultural critics. To that end, Laugh Lines focuses on poetry that wields humor to espouse sociopolitical critique. Conners highlights the work of poets working in four distinct poetic genres: traditional, received forms, such as the sonnet; the epic; proce dural poetry; and prose poetry. Marilyn Hacker, Harryette Mullen, Ed Dorn, and Russell Edson provide the main focus of the chapters, but each chapter compares those poets to others writing humorous political verse in the same genre, including Terrance Hayes and Anne Carson. |
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| author | Conners, Carrie ca. 20./21. Jh |
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| discipline | Anglistik / Amerikanistik |
| discipline_str_mv | Anglistik / Amerikanistik |
| era | Geschichte 1950-2020 gnd |
| era_facet | Geschichte 1950-2020 |
| format | Book |
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| spelling | Conners, Carrie ca. 20./21. Jh. Verfasser (DE-588)1258899795 aut Laugh lines humor, genre, and political critique in late twentieth-century American poetry Carrie Conners Jackson University Press of Mississippi 2022 x, 162 Seiten txt rdacontent n rdamedia nc rdacarrier Geschichte 1950-2020 gnd rswk-swf Lyrik (DE-588)4036774-5 gnd rswk-swf Humor (DE-588)4026170-0 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Lyrik (DE-588)4036774-5 s Humor (DE-588)4026170-0 s Geschichte 1950-2020 z DE-604 Erscheint auch als Online-Ausgabe, PDF 978-1-4968-3948-0 Erscheint auch als Online-Ausgabe, PDF 978-1-4968-3949-7 Erscheint auch als Online-Ausgabe, EPUB 978-1-4968-3950-3 Erscheint auch als Online-Ausgabe, EPUB 978-1-4968-3951-0 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033580900&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033580900&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Conners, Carrie ca. 20./21. Jh Laugh lines humor, genre, and political critique in late twentieth-century American poetry Lyrik (DE-588)4036774-5 gnd Humor (DE-588)4026170-0 gnd |
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| title | Laugh lines humor, genre, and political critique in late twentieth-century American poetry |
| title_auth | Laugh lines humor, genre, and political critique in late twentieth-century American poetry |
| title_exact_search | Laugh lines humor, genre, and political critique in late twentieth-century American poetry |
| title_exact_search_txtP | Laugh lines humor, genre, and political critique in late twentieth-century American poetry |
| title_full | Laugh lines humor, genre, and political critique in late twentieth-century American poetry Carrie Conners |
| title_fullStr | Laugh lines humor, genre, and political critique in late twentieth-century American poetry Carrie Conners |
| title_full_unstemmed | Laugh lines humor, genre, and political critique in late twentieth-century American poetry Carrie Conners |
| title_short | Laugh lines |
| title_sort | laugh lines humor genre and political critique in late twentieth century american poetry |
| title_sub | humor, genre, and political critique in late twentieth-century American poetry |
| topic | Lyrik (DE-588)4036774-5 gnd Humor (DE-588)4026170-0 gnd |
| topic_facet | Lyrik Humor USA |
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