Main Melody Films: Hong Kong Directors in Mainland China

Provides an in-depth study of Hong Kong directors' participation in Chinese 'main-melody' blockbusters in the 2010sSheds light on the development of cross-border cooperation of Mainland and Hong Kong film industries, and general film studies regarding cross-cultural collaborationsExpl...

Ausführliche Beschreibung

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Bibliographische Detailangaben
1. Verfasser: Chu, Yiu-Wai 1965- (VerfasserIn)
Format: Elektronisch E-Book
Sprache:English
Veröffentlicht: Edinburgh Edinburgh University Press [2022]
Schriftenreihe:Edinburgh Studies in East Asian Film : ESEAF
Schlagworte:
Online-Zugang:DE-12
DE-12
DE-Aug4
DE-473
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Zusammenfassung:Provides an in-depth study of Hong Kong directors' participation in Chinese 'main-melody' blockbusters in the 2010sSheds light on the development of cross-border cooperation of Mainland and Hong Kong film industries, and general film studies regarding cross-cultural collaborationsExplores the move from Mainland-Hong Kong dichotomy, shifting the emphasis to cultural translations across the borderHelps researchers understand changing values in a new era of Chinese film productionMain melody films are propaganda works that pay tribute to the Chinese nation, the party and the army. Since the turn of the century, they have gradually developed into the main genre of Chinese cinema, and its blockbusterization" is arguably the most phenomenal aspect of the 2010s Chinese film industry.As an increasing number of Hong Kong directors are commissioned to direct main melody blockbusters, Chu examines their contributions to this genre, shedding light on the development of cross-border cooperation between the mainland and Hong Kong film industries.
Beschreibung:1 Online-Ressource (280 pages) 1 B/W tables
ISBN:9781474493888
DOI:10.1515/9781474493888

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