Resonant Bodies in Contemporary European Art Cinema:
Provides the first consideration of sound and the body in contemporary European art cinemaOffers detailed analysis of the underexplored dimension of sound in the work of some of the best-known contemporary European art film directorsProvides a stimulating contribution to theories of cinematic specta...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
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| Schlagworte: | |
| Online-Zugang: | BSB01 FHA01 Volltext |
| Zusammenfassung: | Provides the first consideration of sound and the body in contemporary European art cinemaOffers detailed analysis of the underexplored dimension of sound in the work of some of the best-known contemporary European art film directorsProvides a stimulating contribution to theories of cinematic spectatorship showing how sound, noise and listening can rethink all aspects of the filmic experienceExplores the conceptualisation of cinema as a resonant bodyConsiders the sonic dimensions of cinema alongside prescient current debates in European film and criticism about the body, migration and exile, as well as anthropocentrism and anthropocentric modes of representationWhat does it mean to exist, in our experience of cinema, according to listening? How do sound and 'noise' reconfigure relations between spectators and screens, and by extension, spectators and their worlds? How do films raise questions about the ethics and politics of listening to different bodies?Resonant Bodies in Contemporary European Art Cinema answers these questions through an analysis of films by Catherine Breillat, Gaspar Noé, Tony Gatlif, Arnaud des Pallières, Lars von Trier and Peter Strickland. These post-millennial European directors have worked with sound in ways that resist the full-definition and perfect hearing offered by Dolby technology. Instead, they have privileged 'noise' - sounds that take us to the limit of what we can hear - in a move that foregrounds the body on screen and constructs spectators as listening bodies |
| Beschreibung: | 1 Online-Ressource (200 pages) Illustrationen |
| ISBN: | 9781474483476 |
| DOI: | 10.1515/9781474483476 |
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| author | Talijan, Emilija |
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| dewey-full | 791.43024 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43024 |
| dewey-search | 791.43024 |
| dewey-sort | 3791.43024 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| doi_str_mv | 10.1515/9781474483476 |
| format | Electronic eBook |
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| index_date | 2024-07-03T19:45:11Z |
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| isbn | 9781474483476 |
| language | English |
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| spelling | Talijan, Emilija Verfasser (DE-588)1257709569 aut Resonant Bodies in Contemporary European Art Cinema Emilija Talijan Edinburgh Edinburgh University Press [2022] © 2022 1 Online-Ressource (200 pages) Illustrationen txt rdacontent c rdamedia cr rdacarrier Provides the first consideration of sound and the body in contemporary European art cinemaOffers detailed analysis of the underexplored dimension of sound in the work of some of the best-known contemporary European art film directorsProvides a stimulating contribution to theories of cinematic spectatorship showing how sound, noise and listening can rethink all aspects of the filmic experienceExplores the conceptualisation of cinema as a resonant bodyConsiders the sonic dimensions of cinema alongside prescient current debates in European film and criticism about the body, migration and exile, as well as anthropocentrism and anthropocentric modes of representationWhat does it mean to exist, in our experience of cinema, according to listening? How do sound and 'noise' reconfigure relations between spectators and screens, and by extension, spectators and their worlds? How do films raise questions about the ethics and politics of listening to different bodies?Resonant Bodies in Contemporary European Art Cinema answers these questions through an analysis of films by Catherine Breillat, Gaspar Noé, Tony Gatlif, Arnaud des Pallières, Lars von Trier and Peter Strickland. These post-millennial European directors have worked with sound in ways that resist the full-definition and perfect hearing offered by Dolby technology. Instead, they have privileged 'noise' - sounds that take us to the limit of what we can hear - in a move that foregrounds the body on screen and constructs spectators as listening bodies Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Cinematography Special effects Motion pictures Europe History Motion pictures Europe Philosophy Sound in motion pictures https://doi.org/10.1515/9781474483476 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Talijan, Emilija Resonant Bodies in Contemporary European Art Cinema Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Cinematography Special effects Motion pictures Europe History Motion pictures Europe Philosophy Sound in motion pictures |
| title | Resonant Bodies in Contemporary European Art Cinema |
| title_auth | Resonant Bodies in Contemporary European Art Cinema |
| title_exact_search | Resonant Bodies in Contemporary European Art Cinema |
| title_exact_search_txtP | Resonant Bodies in Contemporary European Art Cinema |
| title_full | Resonant Bodies in Contemporary European Art Cinema Emilija Talijan |
| title_fullStr | Resonant Bodies in Contemporary European Art Cinema Emilija Talijan |
| title_full_unstemmed | Resonant Bodies in Contemporary European Art Cinema Emilija Talijan |
| title_short | Resonant Bodies in Contemporary European Art Cinema |
| title_sort | resonant bodies in contemporary european art cinema |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Cinematography Special effects Motion pictures Europe History Motion pictures Europe Philosophy Sound in motion pictures |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production Cinematography Special effects Motion pictures Europe History Motion pictures Europe Philosophy Sound in motion pictures |
| url | https://doi.org/10.1515/9781474483476 |
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