Counter-memories in iranian cinema:
Reassesses the post-revolutionary Iranian Cinema from a new mnemo-political perspectiveEstablishes a new framework of understanding the tensions between hegemonial and excluded aesthetics and rhetorics, between censorship and resistance, carving out resistant points of remembering within and outside...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
|
| Schlagworte: | |
| Online-Zugang: | BSB01 FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UPA01 Volltext |
| Zusammenfassung: | Reassesses the post-revolutionary Iranian Cinema from a new mnemo-political perspectiveEstablishes a new framework of understanding the tensions between hegemonial and excluded aesthetics and rhetorics, between censorship and resistance, carving out resistant points of remembering within and outside state-controlled cinemaExposes silenced experiences and suppressed struggles that nevertheless articulate themselves in cinematic formsLooks for ruptures, frictions and sudden re-distributions within the trauma- and memoryscapes of Iranian CinemaIntroduces new readings of Iranian films and thus suggest a theory of trauma and memory inspired by cinematic procedures and orientated towards specific materialsFarīd ad-Dīn-e ʿAṭṭār's Persian folk tale The Conference of the Birds relates the quest by thousands of pilgrim birds for an ideal king, the mythical bird called Sīmorgh. At the end of the quest, the surviving birds recognise that the longed-for king is nothing other than the reflection of their own existence. But what about those other birds that were not able to become part of the final representation? This groundbreaking book calls them 'counter-memories'; memories that are barred from hegemonic history, but are, nevertheless present in cinematic forms. Due to the strategic and artistic interventions of a range of Iranian filmmakers, such as Abbas Kiarostami and Shahram Mokri, Ali Hatami and Tahmineh Milani, Kianoush Ayari and Rakshan Banietemad, the history of post-revolutionary Iranian Cinema is also structured by counter-memories, with the potential to destabilise officially fabricated success stories of revolution, war and sacred defence. Counter-Memories in Iranian Cinema establishes a new framework for understanding the tensions between censorship and resistance, helping to carve out resistant points of remembering both within and outside state-controlled cinema. |
| Beschreibung: | 1 Online-Ressource (xii, 259 Seiten) Illustrationen |
| ISBN: | 9781474479776 9781474479783 |
| DOI: | 10.1515/9781474479776 |
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Datensatz im Suchindex
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| building | Verbundindex |
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| doi_str_mv | 10.1515/9781474479776 |
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| era_facet | Geschichte 1979-2019 |
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| geographic | Iran (DE-588)4027653-3 gnd |
| geographic_facet | Iran |
| id | DE-604.BV048195447 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T19:45:11Z |
| indexdate | 2024-07-10T09:31:41Z |
| institution | BVB |
| isbn | 9781474479776 9781474479783 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033576569 |
| oclc_num | 1314907407 |
| open_access_boolean | |
| owner | DE-12 DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-B170 |
| owner_facet | DE-12 DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-B170 |
| physical | 1 Online-Ressource (xii, 259 Seiten) Illustrationen |
| psigel | ZDB-23-DGG ZDB-23-DPK ZDB-23-DPK21 ZDB-23-DPK BSB_DPK_EdinburghUniversityPress ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG_Kauf22 ZDB-23-DGG UPA_PDA_DGG |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Edinburgh University Press |
| record_format | marc |
| spelling | Counter-memories in iranian cinema edited by Matthias Wittmann and Ute Holl Edinburgh Edinburgh University Press [2022] © 2021 1 Online-Ressource (xii, 259 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Reassesses the post-revolutionary Iranian Cinema from a new mnemo-political perspectiveEstablishes a new framework of understanding the tensions between hegemonial and excluded aesthetics and rhetorics, between censorship and resistance, carving out resistant points of remembering within and outside state-controlled cinemaExposes silenced experiences and suppressed struggles that nevertheless articulate themselves in cinematic formsLooks for ruptures, frictions and sudden re-distributions within the trauma- and memoryscapes of Iranian CinemaIntroduces new readings of Iranian films and thus suggest a theory of trauma and memory inspired by cinematic procedures and orientated towards specific materialsFarīd ad-Dīn-e ʿAṭṭār's Persian folk tale The Conference of the Birds relates the quest by thousands of pilgrim birds for an ideal king, the mythical bird called Sīmorgh. At the end of the quest, the surviving birds recognise that the longed-for king is nothing other than the reflection of their own existence. But what about those other birds that were not able to become part of the final representation? This groundbreaking book calls them 'counter-memories'; memories that are barred from hegemonic history, but are, nevertheless present in cinematic forms. Due to the strategic and artistic interventions of a range of Iranian filmmakers, such as Abbas Kiarostami and Shahram Mokri, Ali Hatami and Tahmineh Milani, Kianoush Ayari and Rakshan Banietemad, the history of post-revolutionary Iranian Cinema is also structured by counter-memories, with the potential to destabilise officially fabricated success stories of revolution, war and sacred defence. Counter-Memories in Iranian Cinema establishes a new framework for understanding the tensions between censorship and resistance, helping to carve out resistant points of remembering both within and outside state-controlled cinema. Geschichte 1979-2019 gnd rswk-swf Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Memory in motion pictures Motion pictures Iran History 20th century Motion pictures Iran History 21st century Motion pictures-Iran-History-20th century Kollektives Gedächtnis Motiv (DE-588)4639552-0 gnd rswk-swf Zensur (DE-588)4067601-8 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Iran (DE-588)4027653-3 gnd rswk-swf Iran (DE-588)4027653-3 g Film (DE-588)4017102-4 s Kollektives Gedächtnis Motiv (DE-588)4639552-0 s Zensur (DE-588)4067601-8 s Geschichte 1979-2019 z DE-604 Wittmann, Matthias 1976- (DE-588)139448284 edt Holl, Ute 1960- (DE-588)12376310X edt Erscheint auch als Druck-Ausgabe, Hardcover 978-1-4744-7975-2 https://doi.org/10.1515/9781474479776 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Counter-memories in iranian cinema Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Memory in motion pictures Motion pictures Iran History 20th century Motion pictures Iran History 21st century Motion pictures-Iran-History-20th century Kollektives Gedächtnis Motiv (DE-588)4639552-0 gnd Zensur (DE-588)4067601-8 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4639552-0 (DE-588)4067601-8 (DE-588)4017102-4 (DE-588)4027653-3 |
| title | Counter-memories in iranian cinema |
| title_auth | Counter-memories in iranian cinema |
| title_exact_search | Counter-memories in iranian cinema |
| title_exact_search_txtP | Counter-memories in iranian cinema |
| title_full | Counter-memories in iranian cinema edited by Matthias Wittmann and Ute Holl |
| title_fullStr | Counter-memories in iranian cinema edited by Matthias Wittmann and Ute Holl |
| title_full_unstemmed | Counter-memories in iranian cinema edited by Matthias Wittmann and Ute Holl |
| title_short | Counter-memories in iranian cinema |
| title_sort | counter memories in iranian cinema |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Memory in motion pictures Motion pictures Iran History 20th century Motion pictures Iran History 21st century Motion pictures-Iran-History-20th century Kollektives Gedächtnis Motiv (DE-588)4639552-0 gnd Zensur (DE-588)4067601-8 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production Memory in motion pictures Motion pictures Iran History 20th century Motion pictures Iran History 21st century Motion pictures-Iran-History-20th century Kollektives Gedächtnis Motiv Zensur Film Iran |
| url | https://doi.org/10.1515/9781474479776 |
| work_keys_str_mv | AT wittmannmatthias countermemoriesiniraniancinema AT hollute countermemoriesiniraniancinema |