The Auditory Setting: Environmental Sounds in Film and Media Arts
Analyses the sonic environment mediated and crafted within the film and audiovisual media artsDefines the generally underexplored but well-used terms ambient sound" and "ambience" - terms that denote an often unnoticed but significant element in the organization of sound in film and m...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
|
Schriftenreihe: | Music and the Moving Image : MMI
|
Schlagworte: | |
Online-Zugang: | DE-12 DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-473 DE-739 Volltext |
Zusammenfassung: | Analyses the sonic environment mediated and crafted within the film and audiovisual media artsDefines the generally underexplored but well-used terms ambient sound" and "ambience" - terms that denote an often unnoticed but significant element in the organization of sound in film and media productionsTraces the use of ambient sound in film and media art production through various technological trajectories leading to the contemporary milieu of digital sound systemsTakes a critical attitude towards the notions of diegetic sound, mimesis, presence, artistic transformations of soundscapes and technological innovationsQuestions the conventional assumptions about sound in film and audiovisual media art (e.g. image-based relationships), and intends to shift the focus on the notion of sculpting a site's presence in the diegetic world of media productions as a vital narrative strategyDraws inputs from prominent media artists and practitioners and their works across the globe as well as from this author's practiceIncludes examples from Indian, European and American films and many artworks from around the worldThe Auditory Setting introduces and investigates how narrative and a sense of place are constructed in film and media arts through the reproduction and mediation of site-specific environmental sounds, or 'ambience'. Although this sonic backdrop acts as the acoustically mediated space where a story or event can take place, there has been little academic study of sound's undervalued role in cinematic setting and production. Drawing on theories of narrative, diegesis, mimesis and presence, and following a varied number of relevant audio-visual works, this book is a ground-breaking exploration of human agency in mediating environmental sounds and the nature of the sonic experience in the Anthropocene. |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022) |
Beschreibung: | 1 Online-Ressource (224 pages) 3 B/W illustrations |
ISBN: | 9781474474405 |
DOI: | 10.1515/9781474474405 |
Internformat
MARC
LEADER | 00000nam a2200000zc 4500 | ||
---|---|---|---|
001 | BV048195415 | ||
003 | DE-604 | ||
005 | 20231123 | ||
007 | cr|uuu---uuuuu | ||
008 | 220503s2022 xx a||| o|||| 00||| eng d | ||
020 | |a 9781474474405 |9 978-1-4744-7440-5 | ||
024 | 7 | |a 10.1515/9781474474405 |2 doi | |
035 | |a (ZDB-23-DGG)9781474474405 | ||
035 | |a (OCoLC)1314897921 | ||
035 | |a (DE-599)BVBBV048195415 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-12 |a DE-1043 |a DE-1046 |a DE-858 |a DE-859 |a DE-860 |a DE-473 |a DE-739 | ||
082 | 0 | |a 777.5 |2 23 | |
100 | 1 | |a Chattopadhyay, Budhaditya |e Verfasser |4 aut | |
245 | 1 | 0 | |a The Auditory Setting |b Environmental Sounds in Film and Media Arts |c Budhaditya Chattopadhyay |
264 | 1 | |a Edinburgh |b Edinburgh University Press |c [2022] | |
264 | 4 | |c © 2021 | |
300 | |a 1 Online-Ressource (224 pages) |b 3 B/W illustrations | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
490 | 0 | |a Music and the Moving Image : MMI | |
500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022) | ||
520 | |a Analyses the sonic environment mediated and crafted within the film and audiovisual media artsDefines the generally underexplored but well-used terms ambient sound" and "ambience" - terms that denote an often unnoticed but significant element in the organization of sound in film and media productionsTraces the use of ambient sound in film and media art production through various technological trajectories leading to the contemporary milieu of digital sound systemsTakes a critical attitude towards the notions of diegetic sound, mimesis, presence, artistic transformations of soundscapes and technological innovationsQuestions the conventional assumptions about sound in film and audiovisual media art (e.g. image-based relationships), and intends to shift the focus on the notion of sculpting a site's presence in the diegetic world of media productions as a vital narrative strategyDraws inputs from prominent media artists and practitioners and their works across the globe as well as from this author's practiceIncludes examples from Indian, European and American films and many artworks from around the worldThe Auditory Setting introduces and investigates how narrative and a sense of place are constructed in film and media arts through the reproduction and mediation of site-specific environmental sounds, or 'ambience'. Although this sonic backdrop acts as the acoustically mediated space where a story or event can take place, there has been little academic study of sound's undervalued role in cinematic setting and production. Drawing on theories of narrative, diegesis, mimesis and presence, and following a varied number of relevant audio-visual works, this book is a ground-breaking exploration of human agency in mediating environmental sounds and the nature of the sonic experience in the Anthropocene. | ||
546 | |a In English | ||
650 | 4 | |a Film, Media & Cultural Studies | |
650 | 7 | |a MUSIC / History & Criticism |2 bisacsh | |
650 | 4 | |a Motion picture music | |
650 | 4 | |a Sound (Philosophy) | |
650 | 4 | |a Sound in motion pictures | |
856 | 4 | 0 | |u https://doi.org/10.1515/9781474474405 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-23-DGG | ||
940 | 1 | |q ZDB-23-DGG21 | |
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-033576538 | |
966 | e | |u https://doi.org/10.1515/9781474474405 |l DE-12 |p ZDB-23-DGG |q BSB_PDA_DGG_EdinburghUniversityPress |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781474474405 |l DE-1043 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781474474405 |l DE-1046 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781474474405 |l DE-858 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781474474405 |l DE-859 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781474474405 |l DE-860 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781474474405 |l DE-473 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781474474405 |l DE-739 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1824508069031182336 |
---|---|
adam_text | |
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Chattopadhyay, Budhaditya |
author_facet | Chattopadhyay, Budhaditya |
author_role | aut |
author_sort | Chattopadhyay, Budhaditya |
author_variant | b c bc |
building | Verbundindex |
bvnumber | BV048195415 |
collection | ZDB-23-DGG |
ctrlnum | (ZDB-23-DGG)9781474474405 (OCoLC)1314897921 (DE-599)BVBBV048195415 |
dewey-full | 777.5 |
dewey-hundreds | 700 - The arts |
dewey-ones | 777 - Cinematography and videography |
dewey-raw | 777.5 |
dewey-search | 777.5 |
dewey-sort | 3777.5 |
dewey-tens | 770 - Photography, computer art, cinematography |
discipline | Kunstgeschichte |
discipline_str_mv | Kunstgeschichte |
doi_str_mv | 10.1515/9781474474405 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000zc 4500</leader><controlfield tag="001">BV048195415</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20231123</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">220503s2022 xx a||| o|||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781474474405</subfield><subfield code="9">978-1-4744-7440-5</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9781474474405</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9781474474405</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1314897921</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048195415</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-1043</subfield><subfield code="a">DE-1046</subfield><subfield code="a">DE-858</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">777.5</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Chattopadhyay, Budhaditya</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The Auditory Setting</subfield><subfield code="b">Environmental Sounds in Film and Media Arts</subfield><subfield code="c">Budhaditya Chattopadhyay</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Edinburgh</subfield><subfield code="b">Edinburgh University Press</subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2021</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (224 pages)</subfield><subfield code="b">3 B/W illustrations</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Music and the Moving Image : MMI</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Analyses the sonic environment mediated and crafted within the film and audiovisual media artsDefines the generally underexplored but well-used terms ambient sound" and "ambience" - terms that denote an often unnoticed but significant element in the organization of sound in film and media productionsTraces the use of ambient sound in film and media art production through various technological trajectories leading to the contemporary milieu of digital sound systemsTakes a critical attitude towards the notions of diegetic sound, mimesis, presence, artistic transformations of soundscapes and technological innovationsQuestions the conventional assumptions about sound in film and audiovisual media art (e.g. image-based relationships), and intends to shift the focus on the notion of sculpting a site's presence in the diegetic world of media productions as a vital narrative strategyDraws inputs from prominent media artists and practitioners and their works across the globe as well as from this author's practiceIncludes examples from Indian, European and American films and many artworks from around the worldThe Auditory Setting introduces and investigates how narrative and a sense of place are constructed in film and media arts through the reproduction and mediation of site-specific environmental sounds, or 'ambience'. Although this sonic backdrop acts as the acoustically mediated space where a story or event can take place, there has been little academic study of sound's undervalued role in cinematic setting and production. Drawing on theories of narrative, diegesis, mimesis and presence, and following a varied number of relevant audio-visual works, this book is a ground-breaking exploration of human agency in mediating environmental sounds and the nature of the sonic experience in the Anthropocene.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film, Media & Cultural Studies</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC / History & Criticism</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion picture music</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Sound (Philosophy)</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Sound in motion pictures</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9781474474405</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">ZDB-23-DGG21</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033576538</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474474405</subfield><subfield code="l">DE-12</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">BSB_PDA_DGG_EdinburghUniversityPress</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474474405</subfield><subfield code="l">DE-1043</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474474405</subfield><subfield code="l">DE-1046</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474474405</subfield><subfield code="l">DE-858</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474474405</subfield><subfield code="l">DE-859</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474474405</subfield><subfield code="l">DE-860</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474474405</subfield><subfield code="l">DE-473</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474474405</subfield><subfield code="l">DE-739</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
id | DE-604.BV048195415 |
illustrated | Illustrated |
index_date | 2024-07-03T19:45:11Z |
indexdate | 2025-02-19T17:34:45Z |
institution | BVB |
isbn | 9781474474405 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033576538 |
oclc_num | 1314897921 |
open_access_boolean | |
owner | DE-12 DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
owner_facet | DE-12 DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
physical | 1 Online-Ressource (224 pages) 3 B/W illustrations |
psigel | ZDB-23-DGG ZDB-23-DGG21 ZDB-23-DGG BSB_PDA_DGG_EdinburghUniversityPress ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG ZDB-23-DGG UPA_PDA_DGG |
publishDate | 2022 |
publishDateSearch | 2022 |
publishDateSort | 2022 |
publisher | Edinburgh University Press |
record_format | marc |
series2 | Music and the Moving Image : MMI |
spelling | Chattopadhyay, Budhaditya Verfasser aut The Auditory Setting Environmental Sounds in Film and Media Arts Budhaditya Chattopadhyay Edinburgh Edinburgh University Press [2022] © 2021 1 Online-Ressource (224 pages) 3 B/W illustrations txt rdacontent c rdamedia cr rdacarrier Music and the Moving Image : MMI Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022) Analyses the sonic environment mediated and crafted within the film and audiovisual media artsDefines the generally underexplored but well-used terms ambient sound" and "ambience" - terms that denote an often unnoticed but significant element in the organization of sound in film and media productionsTraces the use of ambient sound in film and media art production through various technological trajectories leading to the contemporary milieu of digital sound systemsTakes a critical attitude towards the notions of diegetic sound, mimesis, presence, artistic transformations of soundscapes and technological innovationsQuestions the conventional assumptions about sound in film and audiovisual media art (e.g. image-based relationships), and intends to shift the focus on the notion of sculpting a site's presence in the diegetic world of media productions as a vital narrative strategyDraws inputs from prominent media artists and practitioners and their works across the globe as well as from this author's practiceIncludes examples from Indian, European and American films and many artworks from around the worldThe Auditory Setting introduces and investigates how narrative and a sense of place are constructed in film and media arts through the reproduction and mediation of site-specific environmental sounds, or 'ambience'. Although this sonic backdrop acts as the acoustically mediated space where a story or event can take place, there has been little academic study of sound's undervalued role in cinematic setting and production. Drawing on theories of narrative, diegesis, mimesis and presence, and following a varied number of relevant audio-visual works, this book is a ground-breaking exploration of human agency in mediating environmental sounds and the nature of the sonic experience in the Anthropocene. In English Film, Media & Cultural Studies MUSIC / History & Criticism bisacsh Motion picture music Sound (Philosophy) Sound in motion pictures https://doi.org/10.1515/9781474474405 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Chattopadhyay, Budhaditya The Auditory Setting Environmental Sounds in Film and Media Arts Film, Media & Cultural Studies MUSIC / History & Criticism bisacsh Motion picture music Sound (Philosophy) Sound in motion pictures |
title | The Auditory Setting Environmental Sounds in Film and Media Arts |
title_auth | The Auditory Setting Environmental Sounds in Film and Media Arts |
title_exact_search | The Auditory Setting Environmental Sounds in Film and Media Arts |
title_exact_search_txtP | The Auditory Setting Environmental Sounds in Film and Media Arts |
title_full | The Auditory Setting Environmental Sounds in Film and Media Arts Budhaditya Chattopadhyay |
title_fullStr | The Auditory Setting Environmental Sounds in Film and Media Arts Budhaditya Chattopadhyay |
title_full_unstemmed | The Auditory Setting Environmental Sounds in Film and Media Arts Budhaditya Chattopadhyay |
title_short | The Auditory Setting |
title_sort | the auditory setting environmental sounds in film and media arts |
title_sub | Environmental Sounds in Film and Media Arts |
topic | Film, Media & Cultural Studies MUSIC / History & Criticism bisacsh Motion picture music Sound (Philosophy) Sound in motion pictures |
topic_facet | Film, Media & Cultural Studies MUSIC / History & Criticism Motion picture music Sound (Philosophy) Sound in motion pictures |
url | https://doi.org/10.1515/9781474474405 |
work_keys_str_mv | AT chattopadhyaybudhaditya theauditorysettingenvironmentalsoundsinfilmandmediaarts |