New Blood in Contemporary Cinema: Women Directors and the Poetics of Horror
Discusses how contemporary women directors have appropriated horror aesthetics, enlarging its generic scope and expanding its emotional spectrumRevisits themes and concerns of the horror genre, from the perspective of women directorsIncludes case studies of important female directed films, including...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Discusses how contemporary women directors have appropriated horror aesthetics, enlarging its generic scope and expanding its emotional spectrumRevisits themes and concerns of the horror genre, from the perspective of women directorsIncludes case studies of important female directed films, including Raw, Evolution and AtlanticsRevisits feminist themes such as female agency, gender and race relations and affect by returning to the work of feminist directors of the 1970s and 1980s (not necessarily considered as generic horror films), in comparison to contemporary women directorsIncludes women of colour as well as white women directors, thus acknowledges both differences of the specific ethnic and social political contexts and shared concernsSince the turn of the millennium, a growing number of female filmmakers have appropriated the aesthetics of horror for their films. In this book, Patricia Pisters investigates contemporary women directors such as Ngozi Onwurah, Claire Denis, Lucile Hadžihalilović and Ana Lily Amirpour, who put 'a poetics of horror' to new use in their work, expanding the range of gendered and racialized perspectives in the horror genre.Exploring themes such as rage, trauma, sexuality, family ties and politics, New Blood in Contemporary Cinema takes on avenging women, bloody vampires, lustful witches, scary mothers, terrifying offspring and female Frankensteins. By following a red trail of blood, the book illuminates a new generation of women directors who have enlarged the general scope and stretched the emotional spectrum of the genre |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022) |
| Beschreibung: | 1 Online-Ressource (256 pages) 26 B/W illustrations |
| ISBN: | 9781474466974 |
| DOI: | 10.1515/9781474466974 |
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Datensatz im Suchindex
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| author | Pisters, Patricia |
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| doi_str_mv | 10.1515/9781474466974 |
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| index_date | 2024-07-03T19:45:11Z |
| indexdate | 2024-07-10T09:31:41Z |
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| isbn | 9781474466974 |
| language | English |
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| spelling | Pisters, Patricia Verfasser aut New Blood in Contemporary Cinema Women Directors and the Poetics of Horror Patricia Pisters Edinburgh Edinburgh University Press [2022] © 2020 1 Online-Ressource (256 pages) 26 B/W illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022) Discusses how contemporary women directors have appropriated horror aesthetics, enlarging its generic scope and expanding its emotional spectrumRevisits themes and concerns of the horror genre, from the perspective of women directorsIncludes case studies of important female directed films, including Raw, Evolution and AtlanticsRevisits feminist themes such as female agency, gender and race relations and affect by returning to the work of feminist directors of the 1970s and 1980s (not necessarily considered as generic horror films), in comparison to contemporary women directorsIncludes women of colour as well as white women directors, thus acknowledges both differences of the specific ethnic and social political contexts and shared concernsSince the turn of the millennium, a growing number of female filmmakers have appropriated the aesthetics of horror for their films. In this book, Patricia Pisters investigates contemporary women directors such as Ngozi Onwurah, Claire Denis, Lucile Hadžihalilović and Ana Lily Amirpour, who put 'a poetics of horror' to new use in their work, expanding the range of gendered and racialized perspectives in the horror genre.Exploring themes such as rage, trauma, sexuality, family ties and politics, New Blood in Contemporary Cinema takes on avenging women, bloody vampires, lustful witches, scary mothers, terrifying offspring and female Frankensteins. By following a red trail of blood, the book illuminates a new generation of women directors who have enlarged the general scope and stretched the emotional spectrum of the genre In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Feminist film criticism Horror films History and criticism Horror films Women motion picture producers and directors https://doi.org/10.1515/9781474466974 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Pisters, Patricia New Blood in Contemporary Cinema Women Directors and the Poetics of Horror Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Feminist film criticism Horror films History and criticism Horror films Women motion picture producers and directors |
| title | New Blood in Contemporary Cinema Women Directors and the Poetics of Horror |
| title_auth | New Blood in Contemporary Cinema Women Directors and the Poetics of Horror |
| title_exact_search | New Blood in Contemporary Cinema Women Directors and the Poetics of Horror |
| title_exact_search_txtP | New Blood in Contemporary Cinema Women Directors and the Poetics of Horror |
| title_full | New Blood in Contemporary Cinema Women Directors and the Poetics of Horror Patricia Pisters |
| title_fullStr | New Blood in Contemporary Cinema Women Directors and the Poetics of Horror Patricia Pisters |
| title_full_unstemmed | New Blood in Contemporary Cinema Women Directors and the Poetics of Horror Patricia Pisters |
| title_short | New Blood in Contemporary Cinema |
| title_sort | new blood in contemporary cinema women directors and the poetics of horror |
| title_sub | Women Directors and the Poetics of Horror |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Feminist film criticism Horror films History and criticism Horror films Women motion picture producers and directors |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production Feminist film criticism Horror films History and criticism Horror films Women motion picture producers and directors |
| url | https://doi.org/10.1515/9781474466974 |
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