Music, Philosophy and Gender in Nancy, Lacoue-Labarthe, Badiou:
Analyses the role of music in the work of Nancy, Lacoue-Labarthe and Badiou, and the role of gender in the philosophy of musicAnalyses the role or characterisation of music in both well-known and lesser-known texts including Á l'écoute, Le Chant des Muses and Five Lessons on WagnerArticulates t...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
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| Schriftenreihe: | Crosscurrents : CROSS
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Analyses the role of music in the work of Nancy, Lacoue-Labarthe and Badiou, and the role of gender in the philosophy of musicAnalyses the role or characterisation of music in both well-known and lesser-known texts including Á l'écoute, Le Chant des Muses and Five Lessons on WagnerArticulates the stakes of a musico-philosophical interaction, with a central focus on the way gender is deployed, understood or constructed within this nexusAppeals to the growing interest in sound studies and/or sound cultures and an interrogation of the role of music in particular within this broader trendContributes to wider debates about the relation between aesthetics, ethics, philosophy and identity politicsWhat counts as music for contemporary thinkers? Why is music of use to philosophers and how do they use it in their work? How do philosophers decide what music is and what assumptions are uncritically inherited in this move? And what is the philosophical relationship between music and gender?To answer these questions, Sarah Hickmott looks at the way music is used, characterised and understood in the work of Jean-Luc Nancy, Philippe Lacoue-Labarthe and Alain Badiou. Despite the differences in their philosophical-theoretical positions, all of these writers invoke music - both directly and indirectly - to negotiate their relationship to ontology, politics, ethics and aesthetics. Given a longer philosophical history, dating back at least to Plato, of aligning music with the feminine, she also focuses on the way gender is deployed, understood and constructed within the philosophy of music |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022) |
| Beschreibung: | 1 Online-Ressource (256 pages) 5 B/W illustrations |
| ISBN: | 9781474458344 |
| DOI: | 10.1515/9781474458344 |
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| 520 | |a Analyses the role of music in the work of Nancy, Lacoue-Labarthe and Badiou, and the role of gender in the philosophy of musicAnalyses the role or characterisation of music in both well-known and lesser-known texts including Á l'écoute, Le Chant des Muses and Five Lessons on WagnerArticulates the stakes of a musico-philosophical interaction, with a central focus on the way gender is deployed, understood or constructed within this nexusAppeals to the growing interest in sound studies and/or sound cultures and an interrogation of the role of music in particular within this broader trendContributes to wider debates about the relation between aesthetics, ethics, philosophy and identity politicsWhat counts as music for contemporary thinkers? Why is music of use to philosophers and how do they use it in their work? How do philosophers decide what music is and what assumptions are uncritically inherited in this move? And what is the philosophical relationship between music and gender?To answer these questions, Sarah Hickmott looks at the way music is used, characterised and understood in the work of Jean-Luc Nancy, Philippe Lacoue-Labarthe and Alain Badiou. Despite the differences in their philosophical-theoretical positions, all of these writers invoke music - both directly and indirectly - to negotiate their relationship to ontology, politics, ethics and aesthetics. Given a longer philosophical history, dating back at least to Plato, of aligning music with the feminine, she also focuses on the way gender is deployed, understood and constructed within the philosophy of music | ||
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Datensatz im Suchindex
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| author | Hickmott, Sarah |
| author_facet | Hickmott, Sarah |
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| dewey-full | 780.1 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.1 |
| dewey-search | 780.1 |
| dewey-sort | 3780.1 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| doi_str_mv | 10.1515/9781474458344 |
| format | Electronic eBook |
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| index_date | 2024-07-03T19:45:10Z |
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| isbn | 9781474458344 |
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| spelling | Hickmott, Sarah Verfasser aut Music, Philosophy and Gender in Nancy, Lacoue-Labarthe, Badiou Sarah Hickmott Edinburgh Edinburgh University Press [2022] © 2020 1 Online-Ressource (256 pages) 5 B/W illustrations txt rdacontent c rdamedia cr rdacarrier Crosscurrents : CROSS Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022) Analyses the role of music in the work of Nancy, Lacoue-Labarthe and Badiou, and the role of gender in the philosophy of musicAnalyses the role or characterisation of music in both well-known and lesser-known texts including Á l'écoute, Le Chant des Muses and Five Lessons on WagnerArticulates the stakes of a musico-philosophical interaction, with a central focus on the way gender is deployed, understood or constructed within this nexusAppeals to the growing interest in sound studies and/or sound cultures and an interrogation of the role of music in particular within this broader trendContributes to wider debates about the relation between aesthetics, ethics, philosophy and identity politicsWhat counts as music for contemporary thinkers? Why is music of use to philosophers and how do they use it in their work? How do philosophers decide what music is and what assumptions are uncritically inherited in this move? And what is the philosophical relationship between music and gender?To answer these questions, Sarah Hickmott looks at the way music is used, characterised and understood in the work of Jean-Luc Nancy, Philippe Lacoue-Labarthe and Alain Badiou. Despite the differences in their philosophical-theoretical positions, all of these writers invoke music - both directly and indirectly - to negotiate their relationship to ontology, politics, ethics and aesthetics. Given a longer philosophical history, dating back at least to Plato, of aligning music with the feminine, she also focuses on the way gender is deployed, understood and constructed within the philosophy of music In English Philosophy MUSIC / Philosophy & Social Aspects bisacsh Music and philosophy https://doi.org/10.1515/9781474458344 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Hickmott, Sarah Music, Philosophy and Gender in Nancy, Lacoue-Labarthe, Badiou Philosophy MUSIC / Philosophy & Social Aspects bisacsh Music and philosophy |
| title | Music, Philosophy and Gender in Nancy, Lacoue-Labarthe, Badiou |
| title_auth | Music, Philosophy and Gender in Nancy, Lacoue-Labarthe, Badiou |
| title_exact_search | Music, Philosophy and Gender in Nancy, Lacoue-Labarthe, Badiou |
| title_exact_search_txtP | Music, Philosophy and Gender in Nancy, Lacoue-Labarthe, Badiou |
| title_full | Music, Philosophy and Gender in Nancy, Lacoue-Labarthe, Badiou Sarah Hickmott |
| title_fullStr | Music, Philosophy and Gender in Nancy, Lacoue-Labarthe, Badiou Sarah Hickmott |
| title_full_unstemmed | Music, Philosophy and Gender in Nancy, Lacoue-Labarthe, Badiou Sarah Hickmott |
| title_short | Music, Philosophy and Gender in Nancy, Lacoue-Labarthe, Badiou |
| title_sort | music philosophy and gender in nancy lacoue labarthe badiou |
| topic | Philosophy MUSIC / Philosophy & Social Aspects bisacsh Music and philosophy |
| topic_facet | Philosophy MUSIC / Philosophy & Social Aspects Music and philosophy |
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