The Federal Theatre Project, 1935-1939: Engagement and Experimentation
An exciting and engaging investigation of the Federal Theatre Project (FTP) from a transatlantic perspectiveOffers the first comparative study of the history, performances and politics of the FTP in a book formContributes significantly to the study of Hallie Flanagan as the bridge between the FTP an...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
|
| Schriftenreihe: | Edinburgh Critical Studies in Modernism, Drama and Performance : ECSMDP
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 URL des Erstveröffentlichers |
| Zusammenfassung: | An exciting and engaging investigation of the Federal Theatre Project (FTP) from a transatlantic perspectiveOffers the first comparative study of the history, performances and politics of the FTP in a book formContributes significantly to the study of Hallie Flanagan as the bridge between the FTP and the European avant-garde; it will also contribute to the study of Flanagan's own playsDraws and exposes further links between American modernism and its European counterparts (Meyerhold, Brecht, European avant-garde)Concentrates on close reading of unpublished plays (excerpts from scripts included), on the actual performance events but also on archival material collected by the writer and not previously published in a consistent mannerOffers both a historical survey and theoretical analysis based on performance theoriesEngaging and informative, this book presents a comparative study of the history, performances and politics of the FTP by drawing and exposing further links between American modernism and its European counterparts. It concentrates predominantly on the New York division and its following units: the Living Newspaper, the Negro unit, the Children's unit and the Dance unit. Exploring a range of performances, it suggests that the FTP is responsible for an array of theatrical and dramatic experimentations but that it is also indebted to and carries on from the tradition of the European avant-garde and the contemporary modernist theatrical explorations |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022) |
| Beschreibung: | 1 Online-Ressource (256 pages) 30 B/W illustrations |
| ISBN: | 9781474445535 |
| DOI: | 10.1515/9781474445535 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV048195270 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 220503s2022 |||| o||u| ||||||eng d | ||
| 020 | |a 9781474445535 |9 978-1-4744-4553-5 | ||
| 024 | 7 | |a 10.1515/9781474445535 |2 doi | |
| 035 | |a (ZDB-23-DGG)9781474445535 | ||
| 035 | |a (OCoLC)1314901818 | ||
| 035 | |a (DE-599)BVBBV048195270 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-1043 |a DE-1046 |a DE-858 |a DE-Aug4 |a DE-859 |a DE-860 |a DE-473 |a DE-739 | ||
| 082 | 0 | |a 792.0975/09043 |2 23 | |
| 100 | 1 | |a Karoula, Rania |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a The Federal Theatre Project, 1935-1939 |b Engagement and Experimentation |c Rania Karoula |
| 264 | 1 | |a Edinburgh |b Edinburgh University Press |c [2022] | |
| 264 | 4 | |c © 2020 | |
| 300 | |a 1 Online-Ressource (256 pages) |b 30 B/W illustrations | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Edinburgh Critical Studies in Modernism, Drama and Performance : ECSMDP | |
| 500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022) | ||
| 520 | |a An exciting and engaging investigation of the Federal Theatre Project (FTP) from a transatlantic perspectiveOffers the first comparative study of the history, performances and politics of the FTP in a book formContributes significantly to the study of Hallie Flanagan as the bridge between the FTP and the European avant-garde; it will also contribute to the study of Flanagan's own playsDraws and exposes further links between American modernism and its European counterparts (Meyerhold, Brecht, European avant-garde)Concentrates on close reading of unpublished plays (excerpts from scripts included), on the actual performance events but also on archival material collected by the writer and not previously published in a consistent mannerOffers both a historical survey and theoretical analysis based on performance theoriesEngaging and informative, this book presents a comparative study of the history, performances and politics of the FTP by drawing and exposing further links between American modernism and its European counterparts. It concentrates predominantly on the New York division and its following units: the Living Newspaper, the Negro unit, the Children's unit and the Dance unit. Exploring a range of performances, it suggests that the FTP is responsible for an array of theatrical and dramatic experimentations but that it is also indebted to and carries on from the tradition of the European avant-garde and the contemporary modernist theatrical explorations | ||
| 546 | |a In English | ||
| 650 | 4 | |a Literary Studies | |
| 650 | 7 | |a LITERARY CRITICISM / American / General |2 bisacsh | |
| 650 | 4 | |a Federal Theatre Project (U.S.)-History | |
| 650 | 4 | |a Theater |z United States |x History |y 20th century | |
| 700 | 1 | |a Taxidou, Olga |e Sonstige |4 oth | |
| 856 | 4 | 0 | |u https://doi.org/10.1515/9781474445535 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-23-DGG | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-033576392 | ||
| 966 | e | |u https://doi.org/10.1515/9781474445535 |l FAW01 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9781474445535 |l FAB01 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9781474445535 |l FCO01 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9781474445535 |l FHA01 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9781474445535 |l FKE01 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9781474445535 |l FLA01 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9781474445535 |l UPA01 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9781474445535 |l UBG01 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804183955768868864 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Karoula, Rania |
| author_facet | Karoula, Rania |
| author_role | aut |
| author_sort | Karoula, Rania |
| author_variant | r k rk |
| building | Verbundindex |
| bvnumber | BV048195270 |
| collection | ZDB-23-DGG |
| ctrlnum | (ZDB-23-DGG)9781474445535 (OCoLC)1314901818 (DE-599)BVBBV048195270 |
| dewey-full | 792.0975/09043 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.0975/09043 |
| dewey-search | 792.0975/09043 |
| dewey-sort | 3792.0975 49043 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| doi_str_mv | 10.1515/9781474445535 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03964nmm a2200529zc 4500</leader><controlfield tag="001">BV048195270</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">220503s2022 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781474445535</subfield><subfield code="9">978-1-4744-4553-5</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9781474445535</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9781474445535</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1314901818</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048195270</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1043</subfield><subfield code="a">DE-1046</subfield><subfield code="a">DE-858</subfield><subfield code="a">DE-Aug4</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">792.0975/09043</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Karoula, Rania</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The Federal Theatre Project, 1935-1939</subfield><subfield code="b">Engagement and Experimentation</subfield><subfield code="c">Rania Karoula</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Edinburgh</subfield><subfield code="b">Edinburgh University Press</subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (256 pages)</subfield><subfield code="b">30 B/W illustrations</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Edinburgh Critical Studies in Modernism, Drama and Performance : ECSMDP</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">An exciting and engaging investigation of the Federal Theatre Project (FTP) from a transatlantic perspectiveOffers the first comparative study of the history, performances and politics of the FTP in a book formContributes significantly to the study of Hallie Flanagan as the bridge between the FTP and the European avant-garde; it will also contribute to the study of Flanagan's own playsDraws and exposes further links between American modernism and its European counterparts (Meyerhold, Brecht, European avant-garde)Concentrates on close reading of unpublished plays (excerpts from scripts included), on the actual performance events but also on archival material collected by the writer and not previously published in a consistent mannerOffers both a historical survey and theoretical analysis based on performance theoriesEngaging and informative, this book presents a comparative study of the history, performances and politics of the FTP by drawing and exposing further links between American modernism and its European counterparts. It concentrates predominantly on the New York division and its following units: the Living Newspaper, the Negro unit, the Children's unit and the Dance unit. Exploring a range of performances, it suggests that the FTP is responsible for an array of theatrical and dramatic experimentations but that it is also indebted to and carries on from the tradition of the European avant-garde and the contemporary modernist theatrical explorations</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Literary Studies</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">LITERARY CRITICISM / American / General</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Federal Theatre Project (U.S.)-History</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Theater</subfield><subfield code="z">United States</subfield><subfield code="x">History</subfield><subfield code="y">20th century</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Taxidou, Olga</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9781474445535</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033576392</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474445535</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474445535</subfield><subfield code="l">FAB01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474445535</subfield><subfield code="l">FCO01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474445535</subfield><subfield code="l">FHA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FHA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474445535</subfield><subfield code="l">FKE01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474445535</subfield><subfield code="l">FLA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474445535</subfield><subfield code="l">UPA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474445535</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV048195270 |
| illustrated | Illustrated |
| index_date | 2024-07-03T19:45:10Z |
| indexdate | 2024-07-10T09:31:40Z |
| institution | BVB |
| isbn | 9781474445535 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033576392 |
| oclc_num | 1314901818 |
| open_access_boolean | |
| owner | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
| owner_facet | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
| physical | 1 Online-Ressource (256 pages) 30 B/W illustrations |
| psigel | ZDB-23-DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UPA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Edinburgh University Press |
| record_format | marc |
| series2 | Edinburgh Critical Studies in Modernism, Drama and Performance : ECSMDP |
| spelling | Karoula, Rania Verfasser aut The Federal Theatre Project, 1935-1939 Engagement and Experimentation Rania Karoula Edinburgh Edinburgh University Press [2022] © 2020 1 Online-Ressource (256 pages) 30 B/W illustrations txt rdacontent c rdamedia cr rdacarrier Edinburgh Critical Studies in Modernism, Drama and Performance : ECSMDP Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022) An exciting and engaging investigation of the Federal Theatre Project (FTP) from a transatlantic perspectiveOffers the first comparative study of the history, performances and politics of the FTP in a book formContributes significantly to the study of Hallie Flanagan as the bridge between the FTP and the European avant-garde; it will also contribute to the study of Flanagan's own playsDraws and exposes further links between American modernism and its European counterparts (Meyerhold, Brecht, European avant-garde)Concentrates on close reading of unpublished plays (excerpts from scripts included), on the actual performance events but also on archival material collected by the writer and not previously published in a consistent mannerOffers both a historical survey and theoretical analysis based on performance theoriesEngaging and informative, this book presents a comparative study of the history, performances and politics of the FTP by drawing and exposing further links between American modernism and its European counterparts. It concentrates predominantly on the New York division and its following units: the Living Newspaper, the Negro unit, the Children's unit and the Dance unit. Exploring a range of performances, it suggests that the FTP is responsible for an array of theatrical and dramatic experimentations but that it is also indebted to and carries on from the tradition of the European avant-garde and the contemporary modernist theatrical explorations In English Literary Studies LITERARY CRITICISM / American / General bisacsh Federal Theatre Project (U.S.)-History Theater United States History 20th century Taxidou, Olga Sonstige oth https://doi.org/10.1515/9781474445535 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Karoula, Rania The Federal Theatre Project, 1935-1939 Engagement and Experimentation Literary Studies LITERARY CRITICISM / American / General bisacsh Federal Theatre Project (U.S.)-History Theater United States History 20th century |
| title | The Federal Theatre Project, 1935-1939 Engagement and Experimentation |
| title_auth | The Federal Theatre Project, 1935-1939 Engagement and Experimentation |
| title_exact_search | The Federal Theatre Project, 1935-1939 Engagement and Experimentation |
| title_exact_search_txtP | The Federal Theatre Project, 1935-1939 Engagement and Experimentation |
| title_full | The Federal Theatre Project, 1935-1939 Engagement and Experimentation Rania Karoula |
| title_fullStr | The Federal Theatre Project, 1935-1939 Engagement and Experimentation Rania Karoula |
| title_full_unstemmed | The Federal Theatre Project, 1935-1939 Engagement and Experimentation Rania Karoula |
| title_short | The Federal Theatre Project, 1935-1939 |
| title_sort | the federal theatre project 1935 1939 engagement and experimentation |
| title_sub | Engagement and Experimentation |
| topic | Literary Studies LITERARY CRITICISM / American / General bisacsh Federal Theatre Project (U.S.)-History Theater United States History 20th century |
| topic_facet | Literary Studies LITERARY CRITICISM / American / General Federal Theatre Project (U.S.)-History Theater United States History 20th century |
| url | https://doi.org/10.1515/9781474445535 |
| work_keys_str_mv | AT karoularania thefederaltheatreproject19351939engagementandexperimentation AT taxidouolga thefederaltheatreproject19351939engagementandexperimentation |