Persistent Images: Encountering Film History in Contemporary Cinema
Considers the nature and status of contemporary cinema by way of a series of technological reflections on its pastArgues for a progressive historiography that looks forward, moving beyond the sense of anxiety and loss that has dominated accounts of cinema's postulated demiseDraws on the latest...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Considers the nature and status of contemporary cinema by way of a series of technological reflections on its pastArgues for a progressive historiography that looks forward, moving beyond the sense of anxiety and loss that has dominated accounts of cinema's postulated demiseDraws on the latest thinking on evolving screen technologies and media archaeology and the development of cognate areas such as memory studiesCharts the historical memory of cinema, with a view to considering how our engagement with, and understanding of, this history might be reconfigured in the present.Channelling a focus on the history of cinema into the present and beyond, Persistent Images: Encountering Film History in Contemporary Cinema explores the continuing resonance of the memory of cinema as revealed in the technological and aesthetic expressions of a range of experimental practices. With case studies of films that reflexively foreground and creatively reimagine the past, including Shirin (2008), Goodbye to Language (2014) and Francofonia (2015), the book demonstrates how the medium of film can look simultaneously backwards and forwards, encountering and reframing the past in the present, and offering new ways of thinking about both film history and contemporary cinema alike |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022) |
| Beschreibung: | 1 Online-Ressource (168 pages) 40 B/W illustrations |
| ISBN: | 9781474440745 |
| DOI: | 10.1515/9781474440745 |
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| spelling | Utterson, Andrew Verfasser aut Persistent Images Encountering Film History in Contemporary Cinema Andrew Utterson Edinburgh Edinburgh University Press [2022] © 2020 1 Online-Ressource (168 pages) 40 B/W illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022) Considers the nature and status of contemporary cinema by way of a series of technological reflections on its pastArgues for a progressive historiography that looks forward, moving beyond the sense of anxiety and loss that has dominated accounts of cinema's postulated demiseDraws on the latest thinking on evolving screen technologies and media archaeology and the development of cognate areas such as memory studiesCharts the historical memory of cinema, with a view to considering how our engagement with, and understanding of, this history might be reconfigured in the present.Channelling a focus on the history of cinema into the present and beyond, Persistent Images: Encountering Film History in Contemporary Cinema explores the continuing resonance of the memory of cinema as revealed in the technological and aesthetic expressions of a range of experimental practices. With case studies of films that reflexively foreground and creatively reimagine the past, including Shirin (2008), Goodbye to Language (2014) and Francofonia (2015), the book demonstrates how the medium of film can look simultaneously backwards and forwards, encountering and reframing the past in the present, and offering new ways of thinking about both film history and contemporary cinema alike In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh https://doi.org/10.1515/9781474440745 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Utterson, Andrew Persistent Images Encountering Film History in Contemporary Cinema Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh |
| title | Persistent Images Encountering Film History in Contemporary Cinema |
| title_auth | Persistent Images Encountering Film History in Contemporary Cinema |
| title_exact_search | Persistent Images Encountering Film History in Contemporary Cinema |
| title_exact_search_txtP | Persistent Images Encountering Film History in Contemporary Cinema |
| title_full | Persistent Images Encountering Film History in Contemporary Cinema Andrew Utterson |
| title_fullStr | Persistent Images Encountering Film History in Contemporary Cinema Andrew Utterson |
| title_full_unstemmed | Persistent Images Encountering Film History in Contemporary Cinema Andrew Utterson |
| title_short | Persistent Images |
| title_sort | persistent images encountering film history in contemporary cinema |
| title_sub | Encountering Film History in Contemporary Cinema |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production |
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