The making of the artist in late Timurid painting:
The first exploration of how artists represented artistic work and authorship in Persian paintingIn the absence of a tradition of self-portraiture, how could artists signal their presence within a painting? Centred on late Timurid manuscript painting (ca. 1470-1500), this book reveals that pictures...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2019]
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| Schriftenreihe: | Edinburgh Studies in Islamic art
|
| Schlagworte: | |
| Online-Zugang: | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-473 DE-739 Volltext |
| Zusammenfassung: | The first exploration of how artists represented artistic work and authorship in Persian paintingIn the absence of a tradition of self-portraiture, how could artists signal their presence within a painting? Centred on late Timurid manuscript painting (ca. 1470-1500), this book reveals that pictures could function as the painter's delegate, charged with the task of centring and defining artistic work, even as they did not represent the artist's likeness. Influenced by the culture of the majlis, an institutional gathering devoted to intricate literary performances and debates, late Timurid painters used a number of strategies to shift manuscript painting from an illustrative device to a self-reflective object, designed to highlight the artist's imagination and manual dexterity. These strategies include visual abundance, linear precision, the incorporation of inscriptions addressing aspects of the painting and the artist's signature. Focusing on one of the most iconic manuscripts of the Persianate tradition, the Cairo Bustan made in late Timurid Herat and bearing the signatures of the painter Bihzad, this book explores Persian manuscript painting as a medium for artistic performance and self-representation, a process by which artistic authority was shaped and discussed.Key FeaturesThe first book-length study of artistic self-reflection in Islamic artExpands artistic self-representation beyond self-portraiture to consider how the artist could be represented through the symbolic possibilities of the mediumExplores the relationship between Persian painting, historical modes of visual experience at the majlis and conceptions of authorship in art historiographical writingsExamines a series of hitherto unstudied features of Persian painting, including the representation of epigraphic inscriptions and the painter's signatureProvides the first complete analysis of one of the most important manuscripts in the history of Persianate book arts, the Cairo Bustan |
| Beschreibung: | Titel der zugrundeliegenden Dissertation ermittelt: Objets de performance : Les peintures du Bustân de Sa'di signées Behzâd (v. 894 H./1488) |
| Beschreibung: | 1 Online-Ressource (xiii, 260 Seiten) Illustrationen |
| ISBN: | 9781474437455 9781474437462 |
| DOI: | 10.1515/9781474437455 |
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Datensatz im Suchindex
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| author | Balafrej, Lamia |
| author_GND | (DE-588)1187860638 |
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| author_role | aut |
| author_sort | Balafrej, Lamia |
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| building | Verbundindex |
| bvnumber | BV048195202 |
| classification_rvk | LO 87145 |
| collection | ZDB-23-DGG |
| ctrlnum | (ZDB-23-DGG)9781474437455 (OCoLC)1314906916 (DE-599)BVBBV048195202 |
| dewey-full | 745.67091767 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 745 - Decorative arts |
| dewey-raw | 745.67091767 |
| dewey-search | 745.67091767 |
| dewey-sort | 3745.67091767 |
| dewey-tens | 740 - Graphic arts and decorative arts |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| doi_str_mv | 10.1515/9781474437455 |
| era | Geschichte 1470-1500 gnd |
| era_facet | Geschichte 1470-1500 |
| format | Thesis Electronic eBook |
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| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| geographic | Timuridenreich (DE-588)4443495-9 gnd |
| geographic_facet | Timuridenreich |
| id | DE-604.BV048195202 |
| illustrated | Illustrated |
| index_date | 2024-07-03T19:45:10Z |
| indexdate | 2025-03-11T15:07:16Z |
| institution | BVB |
| isbn | 9781474437455 9781474437462 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033576324 |
| oclc_num | 1314906916 |
| open_access_boolean | |
| owner | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
| owner_facet | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
| physical | 1 Online-Ressource (xiii, 260 Seiten) Illustrationen |
| psigel | ZDB-23-DGG ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG_Kauf24 ZDB-23-DGG UPA_PDA_DGG |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Edinburgh University Press |
| record_format | marc |
| series2 | Edinburgh Studies in Islamic art |
| spelling | Balafrej, Lamia Verfasser (DE-588)1187860638 aut The making of the artist in late Timurid painting Lamia Balafrej Les peintures du Bustân de Sa'di signées Behzâd (v. 894 H./1488) Edinburgh Edinburgh University Press [2019] © 2019 1 Online-Ressource (xiii, 260 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Edinburgh Studies in Islamic art Titel der zugrundeliegenden Dissertation ermittelt: Objets de performance : Les peintures du Bustân de Sa'di signées Behzâd (v. 894 H./1488) Dissertation Aix-Marseille Université 2013 überarbeitete Fassung The first exploration of how artists represented artistic work and authorship in Persian paintingIn the absence of a tradition of self-portraiture, how could artists signal their presence within a painting? Centred on late Timurid manuscript painting (ca. 1470-1500), this book reveals that pictures could function as the painter's delegate, charged with the task of centring and defining artistic work, even as they did not represent the artist's likeness. Influenced by the culture of the majlis, an institutional gathering devoted to intricate literary performances and debates, late Timurid painters used a number of strategies to shift manuscript painting from an illustrative device to a self-reflective object, designed to highlight the artist's imagination and manual dexterity. These strategies include visual abundance, linear precision, the incorporation of inscriptions addressing aspects of the painting and the artist's signature. Focusing on one of the most iconic manuscripts of the Persianate tradition, the Cairo Bustan made in late Timurid Herat and bearing the signatures of the painter Bihzad, this book explores Persian manuscript painting as a medium for artistic performance and self-representation, a process by which artistic authority was shaped and discussed.Key FeaturesThe first book-length study of artistic self-reflection in Islamic artExpands artistic self-representation beyond self-portraiture to consider how the artist could be represented through the symbolic possibilities of the mediumExplores the relationship between Persian painting, historical modes of visual experience at the majlis and conceptions of authorship in art historiographical writingsExamines a series of hitherto unstudied features of Persian painting, including the representation of epigraphic inscriptions and the painter's signatureProvides the first complete analysis of one of the most important manuscripts in the history of Persianate book arts, the Cairo Bustan Behsad, Kemal-ad-Din ca. ca.1450/60-ca.1536 (DE-588)118884565 gnd rswk-swf Geschichte 1470-1500 gnd rswk-swf Islamic Studies ART / History / Medieval bisacsh Art, Middle Eastern Islamic illumination of books and manuscripts Themes, motives Islamic illumination of books and manuscripts Miniature painting, Timurid Themes, motives Representation (Philosophy) Timurids History Künstler (DE-588)4033423-5 gnd rswk-swf Autorschaft (DE-588)4130545-0 gnd rswk-swf Illuminierte Handschrift (DE-588)4120472-4 gnd rswk-swf Buchmalerei (DE-588)4008650-1 gnd rswk-swf Selbstbildnis (DE-588)4054394-8 gnd rswk-swf Timuridenreich (DE-588)4443495-9 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Timuridenreich (DE-588)4443495-9 g Buchmalerei (DE-588)4008650-1 s Illuminierte Handschrift (DE-588)4120472-4 s Geschichte 1470-1500 z DE-604 Künstler (DE-588)4033423-5 s Autorschaft (DE-588)4130545-0 s Selbstbildnis (DE-588)4054394-8 s Behsad, Kemal-ad-Din ca. ca.1450/60-ca.1536 (DE-588)118884565 p Erscheint auch als Druck-Ausgabe, Hardcover 978-1-4744-3743-1 https://doi.org/10.1515/9781474437455 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Balafrej, Lamia The making of the artist in late Timurid painting Behsad, Kemal-ad-Din ca. ca.1450/60-ca.1536 (DE-588)118884565 gnd Islamic Studies ART / History / Medieval bisacsh Art, Middle Eastern Islamic illumination of books and manuscripts Themes, motives Islamic illumination of books and manuscripts Miniature painting, Timurid Themes, motives Representation (Philosophy) Timurids History Künstler (DE-588)4033423-5 gnd Autorschaft (DE-588)4130545-0 gnd Illuminierte Handschrift (DE-588)4120472-4 gnd Buchmalerei (DE-588)4008650-1 gnd Selbstbildnis (DE-588)4054394-8 gnd |
| subject_GND | (DE-588)118884565 (DE-588)4033423-5 (DE-588)4130545-0 (DE-588)4120472-4 (DE-588)4008650-1 (DE-588)4054394-8 (DE-588)4443495-9 (DE-588)4113937-9 |
| title | The making of the artist in late Timurid painting |
| title_alt | Les peintures du Bustân de Sa'di signées Behzâd (v. 894 H./1488) |
| title_auth | The making of the artist in late Timurid painting |
| title_exact_search | The making of the artist in late Timurid painting |
| title_exact_search_txtP | The Making of the Artist in Late Timurid Painting |
| title_full | The making of the artist in late Timurid painting Lamia Balafrej |
| title_fullStr | The making of the artist in late Timurid painting Lamia Balafrej |
| title_full_unstemmed | The making of the artist in late Timurid painting Lamia Balafrej |
| title_short | The making of the artist in late Timurid painting |
| title_sort | the making of the artist in late timurid painting |
| topic | Behsad, Kemal-ad-Din ca. ca.1450/60-ca.1536 (DE-588)118884565 gnd Islamic Studies ART / History / Medieval bisacsh Art, Middle Eastern Islamic illumination of books and manuscripts Themes, motives Islamic illumination of books and manuscripts Miniature painting, Timurid Themes, motives Representation (Philosophy) Timurids History Künstler (DE-588)4033423-5 gnd Autorschaft (DE-588)4130545-0 gnd Illuminierte Handschrift (DE-588)4120472-4 gnd Buchmalerei (DE-588)4008650-1 gnd Selbstbildnis (DE-588)4054394-8 gnd |
| topic_facet | Behsad, Kemal-ad-Din ca. ca.1450/60-ca.1536 Islamic Studies ART / History / Medieval Art, Middle Eastern Islamic illumination of books and manuscripts Themes, motives Islamic illumination of books and manuscripts Miniature painting, Timurid Themes, motives Representation (Philosophy) Timurids History Künstler Autorschaft Illuminierte Handschrift Buchmalerei Selbstbildnis Timuridenreich Hochschulschrift |
| url | https://doi.org/10.1515/9781474437455 |
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