ReFocus - the films of William Friedkin:
Provides the first scholarly study of the films of William FriedkinContextualizes the entire trajectory of Friedkin's work both historically and theoretically, from his first production in 1962, The People vs. Paul Crump, to Killer JoeOffers a comprehensive understanding to his creative oeuvre,...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
|
Schriftenreihe: | ReFocus: The American Directors Series : RFADS
|
Schlagworte: | |
Online-Zugang: | BSB01 FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UPA01 Volltext |
Zusammenfassung: | Provides the first scholarly study of the films of William FriedkinContextualizes the entire trajectory of Friedkin's work both historically and theoretically, from his first production in 1962, The People vs. Paul Crump, to Killer JoeOffers a comprehensive understanding to his creative oeuvre, closely analyzing the director's films and television productionsExplores key theoretical issues around melodrama, the ideological boundaries between good and evil, the formations of modern institutions, problems of sovereignty, transgression, and the phenomenology of his obsessive imageryWilliam Friedkin is the director of genre-defining works such as The French Connection (1971) and The Exorcist (1973), controversial productions like Cruising (1980) and Killer Joe (2011), as well as understudied films including The Birthday Party (1968), Sorcerer (1977) and The Hunted (2003). This book, the first scholarly study of Friedkin's films, reveals how they confront the ambiguities of law and morality, issues of subjectivity and problems of faith, while raising key questions around emotion and narrative in the cinema.Placing his work in the historical contexts of the Vietnam War and Nixon's presidency, ReFocus: The Films of William Friedkin also examines the director's representations of sex and violence after the dismantling of the Production Code and in light of the rise and fall of New Hollywood cinema. |
Beschreibung: | 1 Online-Ressource (viii, 210 Seiten) Illustrationen |
ISBN: | 9781474431392 9781474431408 |
DOI: | 10.1515/9781474431392 |
Internformat
MARC
LEADER | 00000nmm a2200000zc 4500 | ||
---|---|---|---|
001 | BV048195164 | ||
003 | DE-604 | ||
005 | 20220824 | ||
007 | cr|uuu---uuuuu | ||
008 | 220503s2022 |||| o||u| ||||||eng d | ||
020 | |a 9781474431392 |c Online, PDF |9 978-1-4744-3139-2 | ||
020 | |a 9781474431408 |c Online, EPUB |9 978-1-4744-3140-8 | ||
024 | 7 | |a 10.1515/9781474431392 |2 doi | |
035 | |a (ZDB-23-DGG)9781474431392 | ||
035 | |a (ZDB-23-DPK)9781474431392 | ||
035 | |a (OCoLC)1314906733 | ||
035 | |a (DE-599)BVBBV048195164 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-12 |a DE-1043 |a DE-1046 |a DE-858 |a DE-Aug4 |a DE-859 |a DE-860 |a DE-473 |a DE-739 | ||
082 | 0 | |a 791.430233092 | |
100 | 1 | |a Choe, Steve |e Verfasser |0 (DE-588)1058080679 |4 aut | |
245 | 1 | 0 | |a ReFocus - the films of William Friedkin |c Steve Choe |
264 | 1 | |a Edinburgh |b Edinburgh University Press |c [2022] | |
264 | 4 | |c © 2021 | |
300 | |a 1 Online-Ressource (viii, 210 Seiten) |b Illustrationen | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
490 | 0 | |a ReFocus: The American Directors Series : RFADS | |
520 | |a Provides the first scholarly study of the films of William FriedkinContextualizes the entire trajectory of Friedkin's work both historically and theoretically, from his first production in 1962, The People vs. Paul Crump, to Killer JoeOffers a comprehensive understanding to his creative oeuvre, closely analyzing the director's films and television productionsExplores key theoretical issues around melodrama, the ideological boundaries between good and evil, the formations of modern institutions, problems of sovereignty, transgression, and the phenomenology of his obsessive imageryWilliam Friedkin is the director of genre-defining works such as The French Connection (1971) and The Exorcist (1973), controversial productions like Cruising (1980) and Killer Joe (2011), as well as understudied films including The Birthday Party (1968), Sorcerer (1977) and The Hunted (2003). This book, the first scholarly study of Friedkin's films, reveals how they confront the ambiguities of law and morality, issues of subjectivity and problems of faith, while raising key questions around emotion and narrative in the cinema.Placing his work in the historical contexts of the Vietnam War and Nixon's presidency, ReFocus: The Films of William Friedkin also examines the director's representations of sex and violence after the dismantling of the Production Code and in light of the rise and fall of New Hollywood cinema. | ||
600 | 1 | 7 | |a Friedkin, William |d 1935-2023 |0 (DE-588)11899915X |2 gnd |9 rswk-swf |
650 | 4 | |a Film, Media & Cultural Studies | |
650 | 7 | |a PERFORMING ARTS / Film & Video / Direction & Production |2 bisacsh | |
689 | 0 | 0 | |a Friedkin, William |d 1935-2023 |0 (DE-588)11899915X |D p |
689 | 0 | |5 DE-604 | |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Hardcover |z 978-1-4744-3137-8 |
856 | 4 | 0 | |u https://doi.org/10.1515/9781474431392 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-23-DGG |a ZDB-23-DPK | ||
940 | 1 | |q ZDB-23-DPK21 | |
999 | |a oai:aleph.bib-bvb.de:BVB01-033576286 | ||
966 | e | |u https://doi.org/10.1515/9781474431392 |l BSB01 |p ZDB-23-DPK |q BSB_DPK_EdinburghUniversityPress |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781474431392 |l FAB01 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781474431392 |l FAW01 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781474431392 |l FCO01 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781474431392 |l FHA01 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781474431392 |l FKE01 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781474431392 |l FLA01 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781474431392 |l UBG01 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781474431392 |l UPA01 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1804183955351535616 |
---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Choe, Steve |
author_GND | (DE-588)1058080679 |
author_facet | Choe, Steve |
author_role | aut |
author_sort | Choe, Steve |
author_variant | s c sc |
building | Verbundindex |
bvnumber | BV048195164 |
collection | ZDB-23-DGG ZDB-23-DPK |
ctrlnum | (ZDB-23-DGG)9781474431392 (ZDB-23-DPK)9781474431392 (OCoLC)1314906733 (DE-599)BVBBV048195164 |
dewey-full | 791.430233092 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.430233092 |
dewey-search | 791.430233092 |
dewey-sort | 3791.430233092 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
discipline_str_mv | Allgemeines |
doi_str_mv | 10.1515/9781474431392 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04105nmm a2200565zc 4500</leader><controlfield tag="001">BV048195164</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20220824 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">220503s2022 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781474431392</subfield><subfield code="c">Online, PDF</subfield><subfield code="9">978-1-4744-3139-2</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781474431408</subfield><subfield code="c">Online, EPUB</subfield><subfield code="9">978-1-4744-3140-8</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9781474431392</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9781474431392</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DPK)9781474431392</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1314906733</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048195164</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-1043</subfield><subfield code="a">DE-1046</subfield><subfield code="a">DE-858</subfield><subfield code="a">DE-Aug4</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791.430233092</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Choe, Steve</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1058080679</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">ReFocus - the films of William Friedkin</subfield><subfield code="c">Steve Choe</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Edinburgh</subfield><subfield code="b">Edinburgh University Press</subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2021</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (viii, 210 Seiten)</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">ReFocus: The American Directors Series : RFADS</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Provides the first scholarly study of the films of William FriedkinContextualizes the entire trajectory of Friedkin's work both historically and theoretically, from his first production in 1962, The People vs. Paul Crump, to Killer JoeOffers a comprehensive understanding to his creative oeuvre, closely analyzing the director's films and television productionsExplores key theoretical issues around melodrama, the ideological boundaries between good and evil, the formations of modern institutions, problems of sovereignty, transgression, and the phenomenology of his obsessive imageryWilliam Friedkin is the director of genre-defining works such as The French Connection (1971) and The Exorcist (1973), controversial productions like Cruising (1980) and Killer Joe (2011), as well as understudied films including The Birthday Party (1968), Sorcerer (1977) and The Hunted (2003). This book, the first scholarly study of Friedkin's films, reveals how they confront the ambiguities of law and morality, issues of subjectivity and problems of faith, while raising key questions around emotion and narrative in the cinema.Placing his work in the historical contexts of the Vietnam War and Nixon's presidency, ReFocus: The Films of William Friedkin also examines the director's representations of sex and violence after the dismantling of the Production Code and in light of the rise and fall of New Hollywood cinema.</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Friedkin, William</subfield><subfield code="d">1935-2023</subfield><subfield code="0">(DE-588)11899915X</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film, Media & Cultural Studies</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Film & Video / Direction & Production</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Friedkin, William</subfield><subfield code="d">1935-2023</subfield><subfield code="0">(DE-588)11899915X</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Hardcover</subfield><subfield code="z">978-1-4744-3137-8</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9781474431392</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield><subfield code="a">ZDB-23-DPK</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">ZDB-23-DPK21</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033576286</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474431392</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-23-DPK</subfield><subfield code="q">BSB_DPK_EdinburghUniversityPress</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474431392</subfield><subfield code="l">FAB01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474431392</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474431392</subfield><subfield code="l">FCO01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474431392</subfield><subfield code="l">FHA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FHA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474431392</subfield><subfield code="l">FKE01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474431392</subfield><subfield code="l">FLA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474431392</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474431392</subfield><subfield code="l">UPA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
id | DE-604.BV048195164 |
illustrated | Not Illustrated |
index_date | 2024-07-03T19:45:10Z |
indexdate | 2024-07-10T09:31:40Z |
institution | BVB |
isbn | 9781474431392 9781474431408 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033576286 |
oclc_num | 1314906733 |
open_access_boolean | |
owner | DE-12 DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
owner_facet | DE-12 DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
physical | 1 Online-Ressource (viii, 210 Seiten) Illustrationen |
psigel | ZDB-23-DGG ZDB-23-DPK ZDB-23-DPK21 ZDB-23-DPK BSB_DPK_EdinburghUniversityPress ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG ZDB-23-DGG UPA_PDA_DGG |
publishDate | 2022 |
publishDateSearch | 2022 |
publishDateSort | 2022 |
publisher | Edinburgh University Press |
record_format | marc |
series2 | ReFocus: The American Directors Series : RFADS |
spelling | Choe, Steve Verfasser (DE-588)1058080679 aut ReFocus - the films of William Friedkin Steve Choe Edinburgh Edinburgh University Press [2022] © 2021 1 Online-Ressource (viii, 210 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier ReFocus: The American Directors Series : RFADS Provides the first scholarly study of the films of William FriedkinContextualizes the entire trajectory of Friedkin's work both historically and theoretically, from his first production in 1962, The People vs. Paul Crump, to Killer JoeOffers a comprehensive understanding to his creative oeuvre, closely analyzing the director's films and television productionsExplores key theoretical issues around melodrama, the ideological boundaries between good and evil, the formations of modern institutions, problems of sovereignty, transgression, and the phenomenology of his obsessive imageryWilliam Friedkin is the director of genre-defining works such as The French Connection (1971) and The Exorcist (1973), controversial productions like Cruising (1980) and Killer Joe (2011), as well as understudied films including The Birthday Party (1968), Sorcerer (1977) and The Hunted (2003). This book, the first scholarly study of Friedkin's films, reveals how they confront the ambiguities of law and morality, issues of subjectivity and problems of faith, while raising key questions around emotion and narrative in the cinema.Placing his work in the historical contexts of the Vietnam War and Nixon's presidency, ReFocus: The Films of William Friedkin also examines the director's representations of sex and violence after the dismantling of the Production Code and in light of the rise and fall of New Hollywood cinema. Friedkin, William 1935-2023 (DE-588)11899915X gnd rswk-swf Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Friedkin, William 1935-2023 (DE-588)11899915X p DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-1-4744-3137-8 https://doi.org/10.1515/9781474431392 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Choe, Steve ReFocus - the films of William Friedkin Friedkin, William 1935-2023 (DE-588)11899915X gnd Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh |
subject_GND | (DE-588)11899915X |
title | ReFocus - the films of William Friedkin |
title_auth | ReFocus - the films of William Friedkin |
title_exact_search | ReFocus - the films of William Friedkin |
title_exact_search_txtP | ReFocus - the films of William Friedkin |
title_full | ReFocus - the films of William Friedkin Steve Choe |
title_fullStr | ReFocus - the films of William Friedkin Steve Choe |
title_full_unstemmed | ReFocus - the films of William Friedkin Steve Choe |
title_short | ReFocus - the films of William Friedkin |
title_sort | refocus the films of william friedkin |
topic | Friedkin, William 1935-2023 (DE-588)11899915X gnd Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh |
topic_facet | Friedkin, William 1935-2023 Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production |
url | https://doi.org/10.1515/9781474431392 |
work_keys_str_mv | AT choesteve refocusthefilmsofwilliamfriedkin |