Journeys on Screen: Theory, Ethics, Aesthetics
Rethinks cinematic journeys through history, globalisation, form and genreHonourable Mention - BAFTSS Best Edited Collection Award 2020!Addressing the appeal of the journey narrative from pre-cinema to new media and through documentary, fiction and the spaces between, this collection reveals the jou...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
|
Schlagworte: | |
Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UPA01 Volltext |
Zusammenfassung: | Rethinks cinematic journeys through history, globalisation, form and genreHonourable Mention - BAFTSS Best Edited Collection Award 2020!Addressing the appeal of the journey narrative from pre-cinema to new media and through documentary, fiction and the spaces between, this collection reveals the journey to be a persistent presence across cinema and in cultural modernity. Drawing on examples from different regions and cultures that traverse art and genre cinema, the book explores the journey as a motif for something wider, a metaphor for self-discovery and social transformation, and evidence of autonomy and progress (or their lack). Illuminating areas of global movement, belonging, diaspora and memory, these essays document epochal changes in human behaviour, from urbanisation, migration and war to tourism and shopping.ContributorsStefano Baschiera, Queen's University BelfastLouis Bayman, University of SouthamptonCarlo Cenciarelli, Cardiff UniversityMaurizio Cinquegrani, University of KentClelia Clini, Loughborough UniversityAnna Cooper, University of ArizonaTiago de Luca, University of WarwickAlan Freeman, University of KentChris Fujiwara, film critic and programmerHajnal Király, Eötvös Lóránd University of BudapestLucy Mazdon, University of SouthamptonEwa Mazierska, University of Central LancashireEva Näripea, Tallinn UniversityMichael Pigott, University of WarwickNatalia Pinazza, University of ExeterLázsló Strausz, Eötvös Lóránd University of Budapest |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022) |
Beschreibung: | 1 Online-Ressource (320 pages) 40 B/W illustrations |
ISBN: | 9781474421843 |
DOI: | 10.1515/9781474421843 |
Internformat
MARC
LEADER | 00000nmm a2200000zc 4500 | ||
---|---|---|---|
001 | BV048195092 | ||
003 | DE-604 | ||
005 | 20220602 | ||
007 | cr|uuu---uuuuu | ||
008 | 220503s2022 |||| o||u| ||||||eng d | ||
020 | |a 9781474421843 |9 978-1-4744-2184-3 | ||
024 | 7 | |a 10.1515/9781474421843 |2 doi | |
035 | |a (ZDB-23-DGG)9781474421843 | ||
035 | |a (OCoLC)1314897365 | ||
035 | |a (DE-599)BVBBV048195092 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-1043 |a DE-1046 |a DE-858 |a DE-Aug4 |a DE-859 |a DE-860 |a DE-473 |a DE-739 | ||
082 | 0 | |a 791.4362 | |
100 | 1 | |a Bayman, Louis |e Verfasser |4 aut | |
245 | 1 | 0 | |a Journeys on Screen |b Theory, Ethics, Aesthetics |c Natália Pinazza, Louis Bayman |
264 | 1 | |a Edinburgh |b Edinburgh University Press |c [2022] | |
264 | 4 | |c © 2018 | |
300 | |a 1 Online-Ressource (320 pages) |b 40 B/W illustrations | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022) | ||
520 | |a Rethinks cinematic journeys through history, globalisation, form and genreHonourable Mention - BAFTSS Best Edited Collection Award 2020!Addressing the appeal of the journey narrative from pre-cinema to new media and through documentary, fiction and the spaces between, this collection reveals the journey to be a persistent presence across cinema and in cultural modernity. Drawing on examples from different regions and cultures that traverse art and genre cinema, the book explores the journey as a motif for something wider, a metaphor for self-discovery and social transformation, and evidence of autonomy and progress (or their lack). Illuminating areas of global movement, belonging, diaspora and memory, these essays document epochal changes in human behaviour, from urbanisation, migration and war to tourism and shopping.ContributorsStefano Baschiera, Queen's University BelfastLouis Bayman, University of SouthamptonCarlo Cenciarelli, Cardiff UniversityMaurizio Cinquegrani, University of KentClelia Clini, Loughborough UniversityAnna Cooper, University of ArizonaTiago de Luca, University of WarwickAlan Freeman, University of KentChris Fujiwara, film critic and programmerHajnal Király, Eötvös Lóránd University of BudapestLucy Mazdon, University of SouthamptonEwa Mazierska, University of Central LancashireEva Näripea, Tallinn UniversityMichael Pigott, University of WarwickNatalia Pinazza, University of ExeterLázsló Strausz, Eötvös Lóránd University of Budapest | ||
546 | |a In English | ||
650 | 4 | |a Film, Media & Cultural Studies | |
650 | 7 | |a PERFORMING ARTS / Film & Video / Direction & Production |2 bisacsh | |
650 | 4 | |a Travel in motion pictures | |
650 | 4 | |a Travelogues (Motion pictures) | |
700 | 1 | |a Baschiera, Stefano |d 1977- |e Sonstige |0 (DE-588)1220873586 |4 oth | |
700 | 1 | |a Bayman, Louis |e Sonstige |4 oth | |
700 | 1 | |a Cenciarelli, Carlo |e Sonstige |4 oth | |
700 | 1 | |a Cinquegrani, Maurizio |e Sonstige |4 oth | |
700 | 1 | |a Clini, Clelia |e Sonstige |4 oth | |
700 | 1 | |a Cooper, Anna |e Sonstige |4 oth | |
700 | 1 | |a Freeman, Adam Ludford |e Sonstige |4 oth | |
700 | 1 | |a Fujiwara, Chris |e Sonstige |4 oth | |
700 | 1 | |a Király, Hajnal |e Sonstige |4 oth | |
700 | 1 | |a Luca, Tiago de |e Sonstige |4 oth | |
700 | 1 | |a Mazdon, Lucy |e Sonstige |4 oth | |
700 | 1 | |a Mazierska, Ewa |e Sonstige |4 oth | |
700 | 1 | |a Näripea, Eva |e Sonstige |4 oth | |
700 | 1 | |a Pigott, Michael |e Sonstige |4 oth | |
700 | 1 | |a Pinazza, Natália |e Sonstige |4 oth | |
700 | 1 | |a Pinazza, Natália |e Sonstige |4 oth | |
700 | 1 | |a Strausz, László |e Sonstige |4 oth | |
856 | 4 | 0 | |u https://doi.org/10.1515/9781474421843 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-23-DGG | ||
999 | |a oai:aleph.bib-bvb.de:BVB01-033576214 | ||
966 | e | |u https://doi.org/10.1515/9781474421843 |l FAB01 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781474421843 |l FAW01 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781474421843 |l FCO01 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781474421843 |l FHA01 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781474421843 |l FKE01 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781474421843 |l FLA01 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781474421843 |l UBG01 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781474421843 |l UPA01 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1804183955054788608 |
---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Bayman, Louis |
author_GND | (DE-588)1220873586 |
author_facet | Bayman, Louis |
author_role | aut |
author_sort | Bayman, Louis |
author_variant | l b lb |
building | Verbundindex |
bvnumber | BV048195092 |
collection | ZDB-23-DGG |
ctrlnum | (ZDB-23-DGG)9781474421843 (OCoLC)1314897365 (DE-599)BVBBV048195092 |
dewey-full | 791.4362 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.4362 |
dewey-search | 791.4362 |
dewey-sort | 3791.4362 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
discipline_str_mv | Allgemeines |
doi_str_mv | 10.1515/9781474421843 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04656nmm a2200709zc 4500</leader><controlfield tag="001">BV048195092</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20220602 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">220503s2022 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781474421843</subfield><subfield code="9">978-1-4744-2184-3</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9781474421843</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9781474421843</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1314897365</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048195092</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1043</subfield><subfield code="a">DE-1046</subfield><subfield code="a">DE-858</subfield><subfield code="a">DE-Aug4</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791.4362</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Bayman, Louis</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Journeys on Screen</subfield><subfield code="b">Theory, Ethics, Aesthetics</subfield><subfield code="c">Natália Pinazza, Louis Bayman</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Edinburgh</subfield><subfield code="b">Edinburgh University Press</subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2018</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (320 pages)</subfield><subfield code="b">40 B/W illustrations</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Rethinks cinematic journeys through history, globalisation, form and genreHonourable Mention - BAFTSS Best Edited Collection Award 2020!Addressing the appeal of the journey narrative from pre-cinema to new media and through documentary, fiction and the spaces between, this collection reveals the journey to be a persistent presence across cinema and in cultural modernity. Drawing on examples from different regions and cultures that traverse art and genre cinema, the book explores the journey as a motif for something wider, a metaphor for self-discovery and social transformation, and evidence of autonomy and progress (or their lack). Illuminating areas of global movement, belonging, diaspora and memory, these essays document epochal changes in human behaviour, from urbanisation, migration and war to tourism and shopping.ContributorsStefano Baschiera, Queen's University BelfastLouis Bayman, University of SouthamptonCarlo Cenciarelli, Cardiff UniversityMaurizio Cinquegrani, University of KentClelia Clini, Loughborough UniversityAnna Cooper, University of ArizonaTiago de Luca, University of WarwickAlan Freeman, University of KentChris Fujiwara, film critic and programmerHajnal Király, Eötvös Lóránd University of BudapestLucy Mazdon, University of SouthamptonEwa Mazierska, University of Central LancashireEva Näripea, Tallinn UniversityMichael Pigott, University of WarwickNatalia Pinazza, University of ExeterLázsló Strausz, Eötvös Lóránd University of Budapest</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film, Media & Cultural Studies</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Film & Video / Direction & Production</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Travel in motion pictures</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Travelogues (Motion pictures)</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Baschiera, Stefano</subfield><subfield code="d">1977-</subfield><subfield code="e">Sonstige</subfield><subfield code="0">(DE-588)1220873586</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Bayman, Louis</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Cenciarelli, Carlo</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Cinquegrani, Maurizio</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Clini, Clelia</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Cooper, Anna</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Freeman, Adam Ludford</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Fujiwara, Chris</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Király, Hajnal</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Luca, Tiago de</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Mazdon, Lucy</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Mazierska, Ewa</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Näripea, Eva</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Pigott, Michael</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Pinazza, Natália</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Pinazza, Natália</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Strausz, László</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9781474421843</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033576214</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474421843</subfield><subfield code="l">FAB01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474421843</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474421843</subfield><subfield code="l">FCO01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474421843</subfield><subfield code="l">FHA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FHA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474421843</subfield><subfield code="l">FKE01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474421843</subfield><subfield code="l">FLA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474421843</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474421843</subfield><subfield code="l">UPA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
id | DE-604.BV048195092 |
illustrated | Illustrated |
index_date | 2024-07-03T19:45:09Z |
indexdate | 2024-07-10T09:31:39Z |
institution | BVB |
isbn | 9781474421843 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033576214 |
oclc_num | 1314897365 |
open_access_boolean | |
owner | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
owner_facet | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
physical | 1 Online-Ressource (320 pages) 40 B/W illustrations |
psigel | ZDB-23-DGG ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG ZDB-23-DGG UPA_PDA_DGG |
publishDate | 2022 |
publishDateSearch | 2022 |
publishDateSort | 2022 |
publisher | Edinburgh University Press |
record_format | marc |
spelling | Bayman, Louis Verfasser aut Journeys on Screen Theory, Ethics, Aesthetics Natália Pinazza, Louis Bayman Edinburgh Edinburgh University Press [2022] © 2018 1 Online-Ressource (320 pages) 40 B/W illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022) Rethinks cinematic journeys through history, globalisation, form and genreHonourable Mention - BAFTSS Best Edited Collection Award 2020!Addressing the appeal of the journey narrative from pre-cinema to new media and through documentary, fiction and the spaces between, this collection reveals the journey to be a persistent presence across cinema and in cultural modernity. Drawing on examples from different regions and cultures that traverse art and genre cinema, the book explores the journey as a motif for something wider, a metaphor for self-discovery and social transformation, and evidence of autonomy and progress (or their lack). Illuminating areas of global movement, belonging, diaspora and memory, these essays document epochal changes in human behaviour, from urbanisation, migration and war to tourism and shopping.ContributorsStefano Baschiera, Queen's University BelfastLouis Bayman, University of SouthamptonCarlo Cenciarelli, Cardiff UniversityMaurizio Cinquegrani, University of KentClelia Clini, Loughborough UniversityAnna Cooper, University of ArizonaTiago de Luca, University of WarwickAlan Freeman, University of KentChris Fujiwara, film critic and programmerHajnal Király, Eötvös Lóránd University of BudapestLucy Mazdon, University of SouthamptonEwa Mazierska, University of Central LancashireEva Näripea, Tallinn UniversityMichael Pigott, University of WarwickNatalia Pinazza, University of ExeterLázsló Strausz, Eötvös Lóránd University of Budapest In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Travel in motion pictures Travelogues (Motion pictures) Baschiera, Stefano 1977- Sonstige (DE-588)1220873586 oth Bayman, Louis Sonstige oth Cenciarelli, Carlo Sonstige oth Cinquegrani, Maurizio Sonstige oth Clini, Clelia Sonstige oth Cooper, Anna Sonstige oth Freeman, Adam Ludford Sonstige oth Fujiwara, Chris Sonstige oth Király, Hajnal Sonstige oth Luca, Tiago de Sonstige oth Mazdon, Lucy Sonstige oth Mazierska, Ewa Sonstige oth Näripea, Eva Sonstige oth Pigott, Michael Sonstige oth Pinazza, Natália Sonstige oth Strausz, László Sonstige oth https://doi.org/10.1515/9781474421843 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Bayman, Louis Journeys on Screen Theory, Ethics, Aesthetics Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Travel in motion pictures Travelogues (Motion pictures) |
title | Journeys on Screen Theory, Ethics, Aesthetics |
title_auth | Journeys on Screen Theory, Ethics, Aesthetics |
title_exact_search | Journeys on Screen Theory, Ethics, Aesthetics |
title_exact_search_txtP | Journeys on Screen Theory, Ethics, Aesthetics |
title_full | Journeys on Screen Theory, Ethics, Aesthetics Natália Pinazza, Louis Bayman |
title_fullStr | Journeys on Screen Theory, Ethics, Aesthetics Natália Pinazza, Louis Bayman |
title_full_unstemmed | Journeys on Screen Theory, Ethics, Aesthetics Natália Pinazza, Louis Bayman |
title_short | Journeys on Screen |
title_sort | journeys on screen theory ethics aesthetics |
title_sub | Theory, Ethics, Aesthetics |
topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Travel in motion pictures Travelogues (Motion pictures) |
topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production Travel in motion pictures Travelogues (Motion pictures) |
url | https://doi.org/10.1515/9781474421843 |
work_keys_str_mv | AT baymanlouis journeysonscreentheoryethicsaesthetics AT baschierastefano journeysonscreentheoryethicsaesthetics AT cenciarellicarlo journeysonscreentheoryethicsaesthetics AT cinquegranimaurizio journeysonscreentheoryethicsaesthetics AT cliniclelia journeysonscreentheoryethicsaesthetics AT cooperanna journeysonscreentheoryethicsaesthetics AT freemanadamludford journeysonscreentheoryethicsaesthetics AT fujiwarachris journeysonscreentheoryethicsaesthetics AT kiralyhajnal journeysonscreentheoryethicsaesthetics AT lucatiagode journeysonscreentheoryethicsaesthetics AT mazdonlucy journeysonscreentheoryethicsaesthetics AT mazierskaewa journeysonscreentheoryethicsaesthetics AT naripeaeva journeysonscreentheoryethicsaesthetics AT pigottmichael journeysonscreentheoryethicsaesthetics AT pinazzanatalia journeysonscreentheoryethicsaesthetics AT strauszlaszlo journeysonscreentheoryethicsaesthetics |