Suffragist Artists in Partnership: Gender, Word and Image
Explores the interconnected creative partnerships of the Wattses and De Morgans - Victorian artists, writers and suffragistsThis is the first book dedicated to examining the marital relationships of Mary and George Watts and Evelyn and William De Morgan as creative partnerships. The study demonstrat...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
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Schriftenreihe: | Edinburgh Critical Studies in Victorian Culture : ECSVC
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Schlagworte: | |
Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
Zusammenfassung: | Explores the interconnected creative partnerships of the Wattses and De Morgans - Victorian artists, writers and suffragistsThis is the first book dedicated to examining the marital relationships of Mary and George Watts and Evelyn and William De Morgan as creative partnerships. The study demonstrates how they worked, individually and together, to support greater gender equality and female liberation in the nineteenth century. The author traces their relationship to early and more recent feminism, reclaiming them as influential early feminists and reading their works from twentieth-century theoretical perspectives. By focusing on neglected female figures in creative partnerships, the book challenges longstanding perceptions of them as the subordinate wives of famous Victorian artists and of their marriages as representatives of the traditional gender binary. This is also the first academic critical study of Mary Watts's recently published diaries, Evelyn De Morgan's unpublished writings and other previously unexplored archival material by the Wattses and the De Morgans.Key Features:Reveals the ways in which the couples promoted progressive socio-political ideasDraws on extensive archival research and analyses unpublished writings, including diaries and poemsFocuses on neglected female figures in creative partnerships to challenge longstanding perceptions of them as the submissive or subordinate wives of famous Victorian artists, and of their marriages as representatives of the traditional gender binaryShows how male and female writers and artists engaged with mid-to-late Victorian feminism together and individually, reclaiming them as influential early feminists |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022) |
Beschreibung: | 1 Online-Ressource (272 pages) 13 B/W illustrations 17 colour illustrations |
ISBN: | 9781474421461 |
DOI: | 10.1515/9781474421461 |
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520 | |a Explores the interconnected creative partnerships of the Wattses and De Morgans - Victorian artists, writers and suffragistsThis is the first book dedicated to examining the marital relationships of Mary and George Watts and Evelyn and William De Morgan as creative partnerships. The study demonstrates how they worked, individually and together, to support greater gender equality and female liberation in the nineteenth century. The author traces their relationship to early and more recent feminism, reclaiming them as influential early feminists and reading their works from twentieth-century theoretical perspectives. By focusing on neglected female figures in creative partnerships, the book challenges longstanding perceptions of them as the subordinate wives of famous Victorian artists and of their marriages as representatives of the traditional gender binary. This is also the first academic critical study of Mary Watts's recently published diaries, Evelyn De Morgan's unpublished writings and other previously unexplored archival material by the Wattses and the De Morgans.Key Features:Reveals the ways in which the couples promoted progressive socio-political ideasDraws on extensive archival research and analyses unpublished writings, including diaries and poemsFocuses on neglected female figures in creative partnerships to challenge longstanding perceptions of them as the submissive or subordinate wives of famous Victorian artists, and of their marriages as representatives of the traditional gender binaryShows how male and female writers and artists engaged with mid-to-late Victorian feminism together and individually, reclaiming them as influential early feminists | ||
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Datensatz im Suchindex
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adam_txt | |
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author | Rose, Lucy Ella |
author_facet | Rose, Lucy Ella |
author_role | aut |
author_sort | Rose, Lucy Ella |
author_variant | l e r le ler |
building | Verbundindex |
bvnumber | BV048195091 |
collection | ZDB-23-DGG |
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dewey-full | 709.22 |
dewey-hundreds | 700 - The arts |
dewey-ones | 709 - History, geographic treatment, biography |
dewey-raw | 709.22 |
dewey-search | 709.22 |
dewey-sort | 3709.22 |
dewey-tens | 700 - The arts |
discipline | Kunstgeschichte |
discipline_str_mv | Kunstgeschichte |
doi_str_mv | 10.1515/9781474421461 |
format | Electronic eBook |
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id | DE-604.BV048195091 |
illustrated | Illustrated |
index_date | 2024-07-03T19:45:09Z |
indexdate | 2024-07-10T09:31:39Z |
institution | BVB |
isbn | 9781474421461 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033576213 |
oclc_num | 1314901111 |
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owner_facet | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
physical | 1 Online-Ressource (272 pages) 13 B/W illustrations 17 colour illustrations |
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publishDate | 2022 |
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publisher | Edinburgh University Press |
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series2 | Edinburgh Critical Studies in Victorian Culture : ECSVC |
spelling | Rose, Lucy Ella Verfasser aut Suffragist Artists in Partnership Gender, Word and Image Lucy Ella Rose Edinburgh Edinburgh University Press [2022] © 2017 1 Online-Ressource (272 pages) 13 B/W illustrations 17 colour illustrations txt rdacontent c rdamedia cr rdacarrier Edinburgh Critical Studies in Victorian Culture : ECSVC Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022) Explores the interconnected creative partnerships of the Wattses and De Morgans - Victorian artists, writers and suffragistsThis is the first book dedicated to examining the marital relationships of Mary and George Watts and Evelyn and William De Morgan as creative partnerships. The study demonstrates how they worked, individually and together, to support greater gender equality and female liberation in the nineteenth century. The author traces their relationship to early and more recent feminism, reclaiming them as influential early feminists and reading their works from twentieth-century theoretical perspectives. By focusing on neglected female figures in creative partnerships, the book challenges longstanding perceptions of them as the subordinate wives of famous Victorian artists and of their marriages as representatives of the traditional gender binary. This is also the first academic critical study of Mary Watts's recently published diaries, Evelyn De Morgan's unpublished writings and other previously unexplored archival material by the Wattses and the De Morgans.Key Features:Reveals the ways in which the couples promoted progressive socio-political ideasDraws on extensive archival research and analyses unpublished writings, including diaries and poemsFocuses on neglected female figures in creative partnerships to challenge longstanding perceptions of them as the submissive or subordinate wives of famous Victorian artists, and of their marriages as representatives of the traditional gender binaryShows how male and female writers and artists engaged with mid-to-late Victorian feminism together and individually, reclaiming them as influential early feminists In English Literary Studies LITERARY COLLECTIONS / English, Irish, Scottish, Welsh bisacsh Art, Victorian Great Britain Feminism in art https://doi.org/10.1515/9781474421461 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Rose, Lucy Ella Suffragist Artists in Partnership Gender, Word and Image Literary Studies LITERARY COLLECTIONS / English, Irish, Scottish, Welsh bisacsh Art, Victorian Great Britain Feminism in art |
title | Suffragist Artists in Partnership Gender, Word and Image |
title_auth | Suffragist Artists in Partnership Gender, Word and Image |
title_exact_search | Suffragist Artists in Partnership Gender, Word and Image |
title_exact_search_txtP | Suffragist Artists in Partnership Gender, Word and Image |
title_full | Suffragist Artists in Partnership Gender, Word and Image Lucy Ella Rose |
title_fullStr | Suffragist Artists in Partnership Gender, Word and Image Lucy Ella Rose |
title_full_unstemmed | Suffragist Artists in Partnership Gender, Word and Image Lucy Ella Rose |
title_short | Suffragist Artists in Partnership |
title_sort | suffragist artists in partnership gender word and image |
title_sub | Gender, Word and Image |
topic | Literary Studies LITERARY COLLECTIONS / English, Irish, Scottish, Welsh bisacsh Art, Victorian Great Britain Feminism in art |
topic_facet | Literary Studies LITERARY COLLECTIONS / English, Irish, Scottish, Welsh Art, Victorian Great Britain Feminism in art |
url | https://doi.org/10.1515/9781474421461 |
work_keys_str_mv | AT roselucyella suffragistartistsinpartnershipgenderwordandimage |