Samuel Beckett and the Terror of Literature:
Provides a sustained comparative reading of the relation between Beckett and Blanchot through its novel conception of the language and phenomenon of terrorSamuel Beckett and the Terror of Literature addresses the relevance of terror to understanding the violence, the suffering, and the pain experien...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
|
| Schriftenreihe: | Other Becketts : OTBE
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Provides a sustained comparative reading of the relation between Beckett and Blanchot through its novel conception of the language and phenomenon of terrorSamuel Beckett and the Terror of Literature addresses the relevance of terror to understanding the violence, the suffering, and the pain experienced by the narrative voices of Beckett's major post-1945 works in prose: The Unnamable, Texts for Nothing, How It Is, Company, Ill Seen Ill Said, and Worstward Ho. Through a sustained dialogue with the theoretical work of Maurice Blanchot, it accomplishes a systematic interrogation of what happens in the space of literature when writing, and first of all Beckett's, encounters the language of terror, thereby giving new significance - ethical, ontological, and political - to what speaks in Beckett's texts.Key FeaturesArticulates a novel conceptual framework through the language of terror for reading Beckett's major post-1945 works in prose, all the while engaging with key thinkers in the discourse of contemporary critical theory like Maurice Blanchot, Emmanuel Levinas, and Alain BadiouProvides for the first time a thorough articulation of the significance of terror to Blanchot's understanding not only of what literature is as literature, but also of the literary history of modernity that Blanchot explicitly traces from the Marquis de Sade to Samuel BeckettAffords literary studies (and Beckett and Blanchot studies specifically) a distinctive and timely voice in the veritable terror industry" of scholarly research that has proliferated in the twenty-first century against the politico-historical backdrop of the War on Terror |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022) |
| Beschreibung: | 1 Online-Ressource (272 pages) |
| ISBN: | 9781474419017 |
| DOI: | 10.1515/9781474419017 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV048195072 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 220503s2022 |||| o||u| ||||||eng d | ||
| 020 | |a 9781474419017 |9 978-1-4744-1901-7 | ||
| 024 | 7 | |a 10.1515/9781474419017 |2 doi | |
| 035 | |a (ZDB-23-DGG)9781474419017 | ||
| 035 | |a (OCoLC)1314904826 | ||
| 035 | |a (DE-599)BVBBV048195072 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-1043 |a DE-1046 |a DE-858 |a DE-Aug4 |a DE-859 |a DE-860 |a DE-473 |a DE-739 | ||
| 082 | 0 | |a 848/.914 |2 23 | |
| 100 | 1 | |a Langlois, Christopher |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Samuel Beckett and the Terror of Literature |c Christopher Langlois |
| 264 | 1 | |a Edinburgh |b Edinburgh University Press |c [2022] | |
| 264 | 4 | |c © 2017 | |
| 300 | |a 1 Online-Ressource (272 pages) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Other Becketts : OTBE | |
| 500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022) | ||
| 520 | |a Provides a sustained comparative reading of the relation between Beckett and Blanchot through its novel conception of the language and phenomenon of terrorSamuel Beckett and the Terror of Literature addresses the relevance of terror to understanding the violence, the suffering, and the pain experienced by the narrative voices of Beckett's major post-1945 works in prose: The Unnamable, Texts for Nothing, How It Is, Company, Ill Seen Ill Said, and Worstward Ho. Through a sustained dialogue with the theoretical work of Maurice Blanchot, it accomplishes a systematic interrogation of what happens in the space of literature when writing, and first of all Beckett's, encounters the language of terror, thereby giving new significance - ethical, ontological, and political - to what speaks in Beckett's texts.Key FeaturesArticulates a novel conceptual framework through the language of terror for reading Beckett's major post-1945 works in prose, all the while engaging with key thinkers in the discourse of contemporary critical theory like Maurice Blanchot, Emmanuel Levinas, and Alain BadiouProvides for the first time a thorough articulation of the significance of terror to Blanchot's understanding not only of what literature is as literature, but also of the literary history of modernity that Blanchot explicitly traces from the Marquis de Sade to Samuel BeckettAffords literary studies (and Beckett and Blanchot studies specifically) a distinctive and timely voice in the veritable terror industry" of scholarly research that has proliferated in the twenty-first century against the politico-historical backdrop of the War on Terror | ||
| 546 | |a In English | ||
| 650 | 4 | |a Literary Studies | |
| 650 | 7 | |a LITERARY CRITICISM / General |2 bisacsh | |
| 650 | 4 | |a Terror in literature | |
| 700 | 1 | |a Gontarski, S. E. |e Sonstige |4 oth | |
| 856 | 4 | 0 | |u https://doi.org/10.1515/9781474419017 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-23-DGG | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-033576194 | ||
| 966 | e | |u https://doi.org/10.1515/9781474419017 |l FAW01 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9781474419017 |l FAB01 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9781474419017 |l FCO01 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9781474419017 |l FHA01 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9781474419017 |l FKE01 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9781474419017 |l FLA01 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9781474419017 |l UPA01 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9781474419017 |l UBG01 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804183954971951104 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Langlois, Christopher |
| author_facet | Langlois, Christopher |
| author_role | aut |
| author_sort | Langlois, Christopher |
| author_variant | c l cl |
| building | Verbundindex |
| bvnumber | BV048195072 |
| collection | ZDB-23-DGG |
| ctrlnum | (ZDB-23-DGG)9781474419017 (OCoLC)1314904826 (DE-599)BVBBV048195072 |
| dewey-full | 848/.914 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 848 - French miscellaneous writings |
| dewey-raw | 848/.914 |
| dewey-search | 848/.914 |
| dewey-sort | 3848 3914 |
| dewey-tens | 840 - Literatures of Romance languages |
| discipline | Romanistik |
| discipline_str_mv | Romanistik |
| doi_str_mv | 10.1515/9781474419017 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03943nmm a2200517zc 4500</leader><controlfield tag="001">BV048195072</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">220503s2022 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781474419017</subfield><subfield code="9">978-1-4744-1901-7</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9781474419017</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9781474419017</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1314904826</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048195072</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1043</subfield><subfield code="a">DE-1046</subfield><subfield code="a">DE-858</subfield><subfield code="a">DE-Aug4</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">848/.914</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Langlois, Christopher</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Samuel Beckett and the Terror of Literature</subfield><subfield code="c">Christopher Langlois</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Edinburgh</subfield><subfield code="b">Edinburgh University Press</subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2017</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (272 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Other Becketts : OTBE</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Provides a sustained comparative reading of the relation between Beckett and Blanchot through its novel conception of the language and phenomenon of terrorSamuel Beckett and the Terror of Literature addresses the relevance of terror to understanding the violence, the suffering, and the pain experienced by the narrative voices of Beckett's major post-1945 works in prose: The Unnamable, Texts for Nothing, How It Is, Company, Ill Seen Ill Said, and Worstward Ho. Through a sustained dialogue with the theoretical work of Maurice Blanchot, it accomplishes a systematic interrogation of what happens in the space of literature when writing, and first of all Beckett's, encounters the language of terror, thereby giving new significance - ethical, ontological, and political - to what speaks in Beckett's texts.Key FeaturesArticulates a novel conceptual framework through the language of terror for reading Beckett's major post-1945 works in prose, all the while engaging with key thinkers in the discourse of contemporary critical theory like Maurice Blanchot, Emmanuel Levinas, and Alain BadiouProvides for the first time a thorough articulation of the significance of terror to Blanchot's understanding not only of what literature is as literature, but also of the literary history of modernity that Blanchot explicitly traces from the Marquis de Sade to Samuel BeckettAffords literary studies (and Beckett and Blanchot studies specifically) a distinctive and timely voice in the veritable terror industry" of scholarly research that has proliferated in the twenty-first century against the politico-historical backdrop of the War on Terror</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Literary Studies</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">LITERARY CRITICISM / General</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Terror in literature</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Gontarski, S. E.</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9781474419017</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033576194</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474419017</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474419017</subfield><subfield code="l">FAB01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474419017</subfield><subfield code="l">FCO01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474419017</subfield><subfield code="l">FHA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FHA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474419017</subfield><subfield code="l">FKE01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474419017</subfield><subfield code="l">FLA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474419017</subfield><subfield code="l">UPA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474419017</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV048195072 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T19:45:09Z |
| indexdate | 2024-07-10T09:31:39Z |
| institution | BVB |
| isbn | 9781474419017 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033576194 |
| oclc_num | 1314904826 |
| open_access_boolean | |
| owner | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
| owner_facet | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
| physical | 1 Online-Ressource (272 pages) |
| psigel | ZDB-23-DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UPA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Edinburgh University Press |
| record_format | marc |
| series2 | Other Becketts : OTBE |
| spelling | Langlois, Christopher Verfasser aut Samuel Beckett and the Terror of Literature Christopher Langlois Edinburgh Edinburgh University Press [2022] © 2017 1 Online-Ressource (272 pages) txt rdacontent c rdamedia cr rdacarrier Other Becketts : OTBE Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022) Provides a sustained comparative reading of the relation between Beckett and Blanchot through its novel conception of the language and phenomenon of terrorSamuel Beckett and the Terror of Literature addresses the relevance of terror to understanding the violence, the suffering, and the pain experienced by the narrative voices of Beckett's major post-1945 works in prose: The Unnamable, Texts for Nothing, How It Is, Company, Ill Seen Ill Said, and Worstward Ho. Through a sustained dialogue with the theoretical work of Maurice Blanchot, it accomplishes a systematic interrogation of what happens in the space of literature when writing, and first of all Beckett's, encounters the language of terror, thereby giving new significance - ethical, ontological, and political - to what speaks in Beckett's texts.Key FeaturesArticulates a novel conceptual framework through the language of terror for reading Beckett's major post-1945 works in prose, all the while engaging with key thinkers in the discourse of contemporary critical theory like Maurice Blanchot, Emmanuel Levinas, and Alain BadiouProvides for the first time a thorough articulation of the significance of terror to Blanchot's understanding not only of what literature is as literature, but also of the literary history of modernity that Blanchot explicitly traces from the Marquis de Sade to Samuel BeckettAffords literary studies (and Beckett and Blanchot studies specifically) a distinctive and timely voice in the veritable terror industry" of scholarly research that has proliferated in the twenty-first century against the politico-historical backdrop of the War on Terror In English Literary Studies LITERARY CRITICISM / General bisacsh Terror in literature Gontarski, S. E. Sonstige oth https://doi.org/10.1515/9781474419017 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Langlois, Christopher Samuel Beckett and the Terror of Literature Literary Studies LITERARY CRITICISM / General bisacsh Terror in literature |
| title | Samuel Beckett and the Terror of Literature |
| title_auth | Samuel Beckett and the Terror of Literature |
| title_exact_search | Samuel Beckett and the Terror of Literature |
| title_exact_search_txtP | Samuel Beckett and the Terror of Literature |
| title_full | Samuel Beckett and the Terror of Literature Christopher Langlois |
| title_fullStr | Samuel Beckett and the Terror of Literature Christopher Langlois |
| title_full_unstemmed | Samuel Beckett and the Terror of Literature Christopher Langlois |
| title_short | Samuel Beckett and the Terror of Literature |
| title_sort | samuel beckett and the terror of literature |
| topic | Literary Studies LITERARY CRITICISM / General bisacsh Terror in literature |
| topic_facet | Literary Studies LITERARY CRITICISM / General Terror in literature |
| url | https://doi.org/10.1515/9781474419017 |
| work_keys_str_mv | AT langloischristopher samuelbeckettandtheterrorofliterature AT gontarskise samuelbeckettandtheterrorofliterature |