New Realism: Contemporary British Cinema
An indepth study of recent and contemporary British realist cinemaChallenges existing debates about realism and British cinema, and sets out new ground in debates around British cinema Covers in depth some of the key British filmmakers of the last 20 years, such as Shane Meadows, Andrea Arnold and J...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
|
Schriftenreihe: | Traditions in World Cinema : TWC
|
Schlagworte: | |
Online-Zugang: | DE-1046 DE-1043 DE-858 DE-859 DE-860 DE-739 DE-473 Volltext |
Zusammenfassung: | An indepth study of recent and contemporary British realist cinemaChallenges existing debates about realism and British cinema, and sets out new ground in debates around British cinema Covers in depth some of the key British filmmakers of the last 20 years, such as Shane Meadows, Andrea Arnold and Joanna HoggAddresses recent and contemporary British films which are yet to otherwise receive sustained critical attentionCombines close readings of the films with historically-based, contextual analysisThe tradition of British realism has changed dramatically over the last 20 years, where films by directors such as Duane Hopkins, Joanna Hogg, Andrea Arnold, Shane Meadows and Clio Barnard have suggested a markedly poetic turn. This new realism rejects the instrumentalism and didacticism of filmmakers like Ken Loach in favour of lyrical and often ambiguous encounters with place, where the physical processes of lived experience interacts with the rhythms of everyday life. Taking these 5 filmmakers as case studies, this book seeks to explore in depth this new tradition of British cinema - and in the process, it reignites debates over realism that have concerned scholars for decades |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022) |
Beschreibung: | 1 Online-Ressource (224 pages) 15 B/W illustrations |
ISBN: | 9781474413046 |
DOI: | 10.1515/9781474413046 |
Internformat
MARC
LEADER | 00000nam a2200000zc 4500 | ||
---|---|---|---|
001 | BV048195039 | ||
003 | DE-604 | ||
007 | cr|uuu---uuuuu | ||
008 | 220503s2022 xx a||| o|||| 00||| eng d | ||
020 | |a 9781474413046 |9 978-1-4744-1304-6 | ||
024 | 7 | |a 10.1515/9781474413046 |2 doi | |
035 | |a (ZDB-23-DGG)9781474413046 | ||
035 | |a (OCoLC)1314906590 | ||
035 | |a (DE-599)BVBBV048195039 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-1043 |a DE-1046 |a DE-858 |a DE-859 |a DE-860 |a DE-473 |a DE-739 | ||
082 | 0 | |a 791.430941 |2 23 | |
100 | 1 | |a Forrest, David |e Verfasser |4 aut | |
245 | 1 | 0 | |a New Realism |b Contemporary British Cinema |c David Forrest |
264 | 1 | |a Edinburgh |b Edinburgh University Press |c [2022] | |
264 | 4 | |c © 2020 | |
300 | |a 1 Online-Ressource (224 pages) |b 15 B/W illustrations | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
490 | 0 | |a Traditions in World Cinema : TWC | |
500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022) | ||
520 | |a An indepth study of recent and contemporary British realist cinemaChallenges existing debates about realism and British cinema, and sets out new ground in debates around British cinema Covers in depth some of the key British filmmakers of the last 20 years, such as Shane Meadows, Andrea Arnold and Joanna HoggAddresses recent and contemporary British films which are yet to otherwise receive sustained critical attentionCombines close readings of the films with historically-based, contextual analysisThe tradition of British realism has changed dramatically over the last 20 years, where films by directors such as Duane Hopkins, Joanna Hogg, Andrea Arnold, Shane Meadows and Clio Barnard have suggested a markedly poetic turn. This new realism rejects the instrumentalism and didacticism of filmmakers like Ken Loach in favour of lyrical and often ambiguous encounters with place, where the physical processes of lived experience interacts with the rhythms of everyday life. Taking these 5 filmmakers as case studies, this book seeks to explore in depth this new tradition of British cinema - and in the process, it reignites debates over realism that have concerned scholars for decades | ||
546 | |a In English | ||
650 | 4 | |a Film, Media & Cultural Studies | |
650 | 7 | |a PERFORMING ARTS / Film & Video / Direction & Production |2 bisacsh | |
650 | 4 | |a Motion pictures |z Great Britain |x History |y 21st century | |
650 | 4 | |a Realism in motion pictures | |
856 | 4 | 0 | |u https://doi.org/10.1515/9781474413046 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-23-DGG | ||
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-033576161 | |
966 | e | |u https://doi.org/10.1515/9781474413046 |l DE-1046 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781474413046 |l DE-1043 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781474413046 |l DE-858 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781474413046 |l DE-859 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781474413046 |l DE-860 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781474413046 |l DE-739 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781474413046 |l DE-473 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1824508067526475776 |
---|---|
adam_text | |
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Forrest, David |
author_facet | Forrest, David |
author_role | aut |
author_sort | Forrest, David |
author_variant | d f df |
building | Verbundindex |
bvnumber | BV048195039 |
collection | ZDB-23-DGG |
ctrlnum | (ZDB-23-DGG)9781474413046 (OCoLC)1314906590 (DE-599)BVBBV048195039 |
dewey-full | 791.430941 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.430941 |
dewey-search | 791.430941 |
dewey-sort | 3791.430941 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
discipline_str_mv | Allgemeines |
doi_str_mv | 10.1515/9781474413046 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000zc 4500</leader><controlfield tag="001">BV048195039</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">220503s2022 xx a||| o|||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781474413046</subfield><subfield code="9">978-1-4744-1304-6</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9781474413046</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9781474413046</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1314906590</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048195039</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1043</subfield><subfield code="a">DE-1046</subfield><subfield code="a">DE-858</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791.430941</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Forrest, David</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">New Realism</subfield><subfield code="b">Contemporary British Cinema</subfield><subfield code="c">David Forrest</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Edinburgh</subfield><subfield code="b">Edinburgh University Press</subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (224 pages)</subfield><subfield code="b">15 B/W illustrations</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Traditions in World Cinema : TWC</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">An indepth study of recent and contemporary British realist cinemaChallenges existing debates about realism and British cinema, and sets out new ground in debates around British cinema Covers in depth some of the key British filmmakers of the last 20 years, such as Shane Meadows, Andrea Arnold and Joanna HoggAddresses recent and contemporary British films which are yet to otherwise receive sustained critical attentionCombines close readings of the films with historically-based, contextual analysisThe tradition of British realism has changed dramatically over the last 20 years, where films by directors such as Duane Hopkins, Joanna Hogg, Andrea Arnold, Shane Meadows and Clio Barnard have suggested a markedly poetic turn. This new realism rejects the instrumentalism and didacticism of filmmakers like Ken Loach in favour of lyrical and often ambiguous encounters with place, where the physical processes of lived experience interacts with the rhythms of everyday life. Taking these 5 filmmakers as case studies, this book seeks to explore in depth this new tradition of British cinema - and in the process, it reignites debates over realism that have concerned scholars for decades</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film, Media & Cultural Studies</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Film & Video / Direction & Production</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures</subfield><subfield code="z">Great Britain</subfield><subfield code="x">History</subfield><subfield code="y">21st century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Realism in motion pictures</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9781474413046</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033576161</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474413046</subfield><subfield code="l">DE-1046</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474413046</subfield><subfield code="l">DE-1043</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474413046</subfield><subfield code="l">DE-858</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474413046</subfield><subfield code="l">DE-859</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474413046</subfield><subfield code="l">DE-860</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474413046</subfield><subfield code="l">DE-739</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474413046</subfield><subfield code="l">DE-473</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
id | DE-604.BV048195039 |
illustrated | Illustrated |
index_date | 2024-07-03T19:45:09Z |
indexdate | 2025-02-19T17:34:43Z |
institution | BVB |
isbn | 9781474413046 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033576161 |
oclc_num | 1314906590 |
open_access_boolean | |
owner | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
owner_facet | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
physical | 1 Online-Ressource (224 pages) 15 B/W illustrations |
psigel | ZDB-23-DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UPA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG |
publishDate | 2022 |
publishDateSearch | 2022 |
publishDateSort | 2022 |
publisher | Edinburgh University Press |
record_format | marc |
series2 | Traditions in World Cinema : TWC |
spelling | Forrest, David Verfasser aut New Realism Contemporary British Cinema David Forrest Edinburgh Edinburgh University Press [2022] © 2020 1 Online-Ressource (224 pages) 15 B/W illustrations txt rdacontent c rdamedia cr rdacarrier Traditions in World Cinema : TWC Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022) An indepth study of recent and contemporary British realist cinemaChallenges existing debates about realism and British cinema, and sets out new ground in debates around British cinema Covers in depth some of the key British filmmakers of the last 20 years, such as Shane Meadows, Andrea Arnold and Joanna HoggAddresses recent and contemporary British films which are yet to otherwise receive sustained critical attentionCombines close readings of the films with historically-based, contextual analysisThe tradition of British realism has changed dramatically over the last 20 years, where films by directors such as Duane Hopkins, Joanna Hogg, Andrea Arnold, Shane Meadows and Clio Barnard have suggested a markedly poetic turn. This new realism rejects the instrumentalism and didacticism of filmmakers like Ken Loach in favour of lyrical and often ambiguous encounters with place, where the physical processes of lived experience interacts with the rhythms of everyday life. Taking these 5 filmmakers as case studies, this book seeks to explore in depth this new tradition of British cinema - and in the process, it reignites debates over realism that have concerned scholars for decades In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Motion pictures Great Britain History 21st century Realism in motion pictures https://doi.org/10.1515/9781474413046 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Forrest, David New Realism Contemporary British Cinema Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Motion pictures Great Britain History 21st century Realism in motion pictures |
title | New Realism Contemporary British Cinema |
title_auth | New Realism Contemporary British Cinema |
title_exact_search | New Realism Contemporary British Cinema |
title_exact_search_txtP | New Realism Contemporary British Cinema |
title_full | New Realism Contemporary British Cinema David Forrest |
title_fullStr | New Realism Contemporary British Cinema David Forrest |
title_full_unstemmed | New Realism Contemporary British Cinema David Forrest |
title_short | New Realism |
title_sort | new realism contemporary british cinema |
title_sub | Contemporary British Cinema |
topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Motion pictures Great Britain History 21st century Realism in motion pictures |
topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production Motion pictures Great Britain History 21st century Realism in motion pictures |
url | https://doi.org/10.1515/9781474413046 |
work_keys_str_mv | AT forrestdavid newrealismcontemporarybritishcinema |