The 'War on Terror' and American Film: 9/11 Frames Per Second
An exploration of the impact of 9/11 and the 'War on Terror' on American cinemaPopular cinema is often derided with the epithet 'it's only a movie', but is there any more potent cultural artefact than popular film? Where could one turn for a more effective cultural barometer...
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1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
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Schriftenreihe: | Traditions in American Cinema : TAC
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Schlagworte: | |
Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
Zusammenfassung: | An exploration of the impact of 9/11 and the 'War on Terror' on American cinemaPopular cinema is often derided with the epithet 'it's only a movie', but is there any more potent cultural artefact than popular film? Where could one turn for a more effective cultural barometer than to Hollywood cinema?American film in the first decade of the new millennium became a cultural battleground on which a war of representation was waged, but did these films endorse the 'War on Terror' or criticise it? More than just reproducing these fears and fantasies, The 'War on Terror' and American Film: 9/11 Frames Per Second argues that American cinema has played a significant role in shaping them, restructuring how audiences have viewed the 'War on Terror' in particularly influential ways.This compelling, theoretically informed and up-to-date exploration of contemporary American cinema charts the evolution of the impact of 9/11 on Hollywood film from Black Hawk Down (2001), through Batman Begins (2005), United 93 (2006) to Olympus Has Fallen (2013). Through a vibrant analysis of a range of genres and films - which in turn reveal a strikingly diverse array of social, historical and political perspectives - The 'War on Terror' and American Film:9/11 Frames Per Second explores the impact of 9/11 and the war on terror on American cinema in the first decade of the new millennium and beyond.Key FeaturesCharts the evolution of the impact of 9/11 on Hollywood film: draws on a range of contemporary films including Black Hawk Down (2001), through Batman Begins (2005), United 93 (2006) to Olympus Has Fallen (2013)Comprehensive and broad in scope: provides a rich social, historical and political contextInterrogates the emerging debates of the era: focuses on some of the most prominent genres/sub-genres and cycles of the decade and explains why they have emerged and how they differ from pre 9/11 films |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022) |
Beschreibung: | 1 Online-Ressource (256 pages) 30 B/W illustrations |
ISBN: | 9780748693108 |
DOI: | 10.1515/9780748693108 |
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author | McSweeney, Terence |
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isbn | 9780748693108 |
language | English |
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spelling | McSweeney, Terence Verfasser aut The 'War on Terror' and American Film 9/11 Frames Per Second Terence McSweeney Edinburgh Edinburgh University Press [2022] © 2014 1 Online-Ressource (256 pages) 30 B/W illustrations txt rdacontent c rdamedia cr rdacarrier Traditions in American Cinema : TAC Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022) An exploration of the impact of 9/11 and the 'War on Terror' on American cinemaPopular cinema is often derided with the epithet 'it's only a movie', but is there any more potent cultural artefact than popular film? Where could one turn for a more effective cultural barometer than to Hollywood cinema?American film in the first decade of the new millennium became a cultural battleground on which a war of representation was waged, but did these films endorse the 'War on Terror' or criticise it? More than just reproducing these fears and fantasies, The 'War on Terror' and American Film: 9/11 Frames Per Second argues that American cinema has played a significant role in shaping them, restructuring how audiences have viewed the 'War on Terror' in particularly influential ways.This compelling, theoretically informed and up-to-date exploration of contemporary American cinema charts the evolution of the impact of 9/11 on Hollywood film from Black Hawk Down (2001), through Batman Begins (2005), United 93 (2006) to Olympus Has Fallen (2013). Through a vibrant analysis of a range of genres and films - which in turn reveal a strikingly diverse array of social, historical and political perspectives - The 'War on Terror' and American Film:9/11 Frames Per Second explores the impact of 9/11 and the war on terror on American cinema in the first decade of the new millennium and beyond.Key FeaturesCharts the evolution of the impact of 9/11 on Hollywood film: draws on a range of contemporary films including Black Hawk Down (2001), through Batman Begins (2005), United 93 (2006) to Olympus Has Fallen (2013)Comprehensive and broad in scope: provides a rich social, historical and political contextInterrogates the emerging debates of the era: focuses on some of the most prominent genres/sub-genres and cycles of the decade and explains why they have emerged and how they differ from pre 9/11 films In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Motion pictures United States History 21st century Terrorism in motion pictures https://doi.org/10.1515/9780748693108 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | McSweeney, Terence The 'War on Terror' and American Film 9/11 Frames Per Second Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Motion pictures United States History 21st century Terrorism in motion pictures |
title | The 'War on Terror' and American Film 9/11 Frames Per Second |
title_auth | The 'War on Terror' and American Film 9/11 Frames Per Second |
title_exact_search | The 'War on Terror' and American Film 9/11 Frames Per Second |
title_exact_search_txtP | The 'War on Terror' and American Film 9/11 Frames Per Second |
title_full | The 'War on Terror' and American Film 9/11 Frames Per Second Terence McSweeney |
title_fullStr | The 'War on Terror' and American Film 9/11 Frames Per Second Terence McSweeney |
title_full_unstemmed | The 'War on Terror' and American Film 9/11 Frames Per Second Terence McSweeney |
title_short | The 'War on Terror' and American Film |
title_sort | the war on terror and american film 9 11 frames per second |
title_sub | 9/11 Frames Per Second |
topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Motion pictures United States History 21st century Terrorism in motion pictures |
topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General Motion pictures United States History 21st century Terrorism in motion pictures |
url | https://doi.org/10.1515/9780748693108 |
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