Producing Public Television, Producing Public Culture:
From 1989 to 1991, Barry Dornfeld had an unusual double role on the crew of the major PBS documentary series Childhood. As a researcher for the series, he investigated the relationship between children and media. As an anthropologist, however, his subject was the television production process itself...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Princeton, NJ
Princeton University Press
[2022]
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Schlagworte: | |
Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
Zusammenfassung: | From 1989 to 1991, Barry Dornfeld had an unusual double role on the crew of the major PBS documentary series Childhood. As a researcher for the series, he investigated the relationship between children and media. As an anthropologist, however, his subject was the television production process itself--examining, for example, how producers developed the series, negotiated with their academic advisors, and shaped footage shot around the world into seven programs. He presents the results of his fieldwork in this groundbreaking study--one of the first to take an ethnographic approach to the production of a television show, as opposed to its reception. Dornfeld begins with a broad discussion of public television's role in American culture and goes on to examine documentaries as a form of popular anthropology. Drawing on his observations of Childhood, he considers the documentary form as a kind of "imagining," in which both producers and viewers construct understandings of themselves and others, revealing their conceptions of culture and history and their ideologies of cultural difference and universality. He argues that producers of culture should also be understood as consumers who conduct their work through an active envisioning of the audience. Dornfeld explores as well how intellectual media professionals struggle with the institutional and cultural forces surrounding television that promote entertainment at the expense of education. The book provides a rare glimpse behind the scenes of a major documentary and demonstrates the value of an ethnographic approach to the study of media production |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022) |
Beschreibung: | 1 Online-Ressource (250 pages) 40 halftones 2 charts |
ISBN: | 9780691225326 |
DOI: | 10.1515/9780691225326 |
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author | Dornfeld, Barry |
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isbn | 9780691225326 |
language | English |
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spelling | Dornfeld, Barry Verfasser aut Producing Public Television, Producing Public Culture Barry Dornfeld Princeton, NJ Princeton University Press [2022] © 1998 1 Online-Ressource (250 pages) 40 halftones 2 charts txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022) From 1989 to 1991, Barry Dornfeld had an unusual double role on the crew of the major PBS documentary series Childhood. As a researcher for the series, he investigated the relationship between children and media. As an anthropologist, however, his subject was the television production process itself--examining, for example, how producers developed the series, negotiated with their academic advisors, and shaped footage shot around the world into seven programs. He presents the results of his fieldwork in this groundbreaking study--one of the first to take an ethnographic approach to the production of a television show, as opposed to its reception. Dornfeld begins with a broad discussion of public television's role in American culture and goes on to examine documentaries as a form of popular anthropology. Drawing on his observations of Childhood, he considers the documentary form as a kind of "imagining," in which both producers and viewers construct understandings of themselves and others, revealing their conceptions of culture and history and their ideologies of cultural difference and universality. He argues that producers of culture should also be understood as consumers who conduct their work through an active envisioning of the audience. Dornfeld explores as well how intellectual media professionals struggle with the institutional and cultural forces surrounding television that promote entertainment at the expense of education. The book provides a rare glimpse behind the scenes of a major documentary and demonstrates the value of an ethnographic approach to the study of media production In English SOCIAL SCIENCE / Anthropology / General bisacsh Documentary television programs Production and direction Public television https://doi.org/10.1515/9780691225326 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Dornfeld, Barry Producing Public Television, Producing Public Culture SOCIAL SCIENCE / Anthropology / General bisacsh Documentary television programs Production and direction Public television |
title | Producing Public Television, Producing Public Culture |
title_auth | Producing Public Television, Producing Public Culture |
title_exact_search | Producing Public Television, Producing Public Culture |
title_exact_search_txtP | Producing Public Television, Producing Public Culture |
title_full | Producing Public Television, Producing Public Culture Barry Dornfeld |
title_fullStr | Producing Public Television, Producing Public Culture Barry Dornfeld |
title_full_unstemmed | Producing Public Television, Producing Public Culture Barry Dornfeld |
title_short | Producing Public Television, Producing Public Culture |
title_sort | producing public television producing public culture |
topic | SOCIAL SCIENCE / Anthropology / General bisacsh Documentary television programs Production and direction Public television |
topic_facet | SOCIAL SCIENCE / Anthropology / General Documentary television programs Production and direction Public television |
url | https://doi.org/10.1515/9780691225326 |
work_keys_str_mv | AT dornfeldbarry producingpublictelevisionproducingpublicculture |