Music by subscription: composers and their networks in the British music-publishing trade, 1676-1820
"This book breaks new ground in the social and cultural history of eighteenth-century music in Britain through the study of a hitherto neglected resource, the lists of subscribers that were attached to a wide variety of publications, including musical works. These lists shed considerable light...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge
2022
|
| Schriftenreihe: | Routledge research in music series
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "This book breaks new ground in the social and cultural history of eighteenth-century music in Britain through the study of a hitherto neglected resource, the lists of subscribers that were attached to a wide variety of publications, including musical works. These lists shed considerable light on the nature of those who subscribed to music, including their social status, place of employment, residence, and musical interests. Through broad analysis of subscription data, the contributors reveal insights into social and economic changes during the period, and the types of music favoured by groups like music clubs, the aristocracy, the clergy, and by men and women. With chapters on female composers and listeners, music and the slave economy, musical patronage, the print trade, and nationality, this book provides innovative perspectives that enhance our understanding of music's social spheres, the emergence of music publishing, and the potential of digital musicology research"-- |
| Beschreibung: | xiv, 254 Seiten 12 Illustrationen (schwarz-weiß) |
| ISBN: | 9780367748500 9780367756833 |
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| 505 | 8 | |a Introduction -- Section 1. The Production of Musical Works by Subscription. Thomas Mace and the Publication by Subscription of Musick's Monument (1676) / Stephanie Carter ; Cecilia Maria Barthélemon's Three Sonatas, Op 1 / Michael Kassler ; Maria Hester Park and her Subscribers / Lise Karin Meling ; Publishing Music by Subscription in Eighteenth-Century Edinburgh : John Watlen and his Collections of Circus Tunes / Simon D. I. Fleming ; William Felton and John Pixell : The Musical Circles of the Vicar Composer / Simon D. I. Fleming -- Section 2. The Consumption of Music Published by Subscription. Gentry, Servants and Musicians : A Network of Subscribers in North-East England / Roz Southey ; The Music-Making of the Bridgeman Family, Weston Park / Martin Perkins ; A Big Data Study: Musical Societies in Subscription Lists / Simon D. I. Fleming and Martin Perkins ; Strathspeys, Reels and Instrumental Airs : A National Product / Karen E. McAulay ; Profiting from the Slave Economy and Subscribing to Music : the British Experience in the Eighteenth Century / David Hunter ; Foreign Composers, the Subscription Market, and the Popularity of Continental Music in Eighteenth-Century Britain / Simon D. I. Fleming.<br> | |
| 520 | 3 | |a "This book breaks new ground in the social and cultural history of eighteenth-century music in Britain through the study of a hitherto neglected resource, the lists of subscribers that were attached to a wide variety of publications, including musical works. These lists shed considerable light on the nature of those who subscribed to music, including their social status, place of employment, residence, and musical interests. Through broad analysis of subscription data, the contributors reveal insights into social and economic changes during the period, and the types of music favoured by groups like music clubs, the aristocracy, the clergy, and by men and women. With chapters on female composers and listeners, music and the slave economy, musical patronage, the print trade, and nationality, this book provides innovative perspectives that enhance our understanding of music's social spheres, the emergence of music publishing, and the potential of digital musicology research"-- | |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents vii viii List offigures List of tables List of contributors Library Sigla Frontispiece 1 x xv xvi 1 Introduction SIMON D. I. FLEMING AND MARTIN PERKINS SECTION 1 The production of musical works by subscription 2 Thomas Mace and the publication by subscription of Musick’s Monument (1676) 19 21 STEPHANIE CARTER 3 39 Cecilia Maria Barthélemon’s Three Sonatas, op 1 MICHAEL KASSLER 4 57 Maria Hester Park and her subscribers LISE KARIN MELING 5 Publishing music by subscription in eighteenth-century Edinburgh: John Watlen and his collections of Circus Tunes 73 SIMON D. I. FLEMING 6 William Felton and John Pixell: The musical circles of the vicar composer SIMON D. I. FLEMING 93
vi Contents SECTION 2 The consumption of music published by subscription 7 111 Gentry, servants, and musicians: A network of subscribers in north-east England 113 ROZ SOUTHEY 8 131 The music-making of the Bridgeman family, Weston Park MARTIN PERKINS 9 152 A big data study: Musical societies in subscription lists SIMON D. I. FLEMING AND MARTIN PERKINS 177 10 Strathspeys, reels, and instrumental airs: A national product KAREN E. MCAULAY 11 Profiting from the slave economy and subscribing to music: The British experience in the eighteenth century 198 DAVID HUNTER 12 Foreign composers, the subscription market, and the popularity of continental music in eighteenth-century Britain 221 SIMON D. I. FLEMING Index 242
|
| adam_txt |
Contents vii viii List offigures List of tables List of contributors Library Sigla Frontispiece 1 x xv xvi 1 Introduction SIMON D. I. FLEMING AND MARTIN PERKINS SECTION 1 The production of musical works by subscription 2 Thomas Mace and the publication by subscription of Musick’s Monument (1676) 19 21 STEPHANIE CARTER 3 39 Cecilia Maria Barthélemon’s Three Sonatas, op 1 MICHAEL KASSLER 4 57 Maria Hester Park and her subscribers LISE KARIN MELING 5 Publishing music by subscription in eighteenth-century Edinburgh: John Watlen and his collections of Circus Tunes 73 SIMON D. I. FLEMING 6 William Felton and John Pixell: The musical circles of the vicar composer SIMON D. I. FLEMING 93
vi Contents SECTION 2 The consumption of music published by subscription 7 111 Gentry, servants, and musicians: A network of subscribers in north-east England 113 ROZ SOUTHEY 8 131 The music-making of the Bridgeman family, Weston Park MARTIN PERKINS 9 152 A big data study: Musical societies in subscription lists SIMON D. I. FLEMING AND MARTIN PERKINS 177 10 Strathspeys, reels, and instrumental airs: A national product KAREN E. MCAULAY 11 Profiting from the slave economy and subscribing to music: The British experience in the eighteenth century 198 DAVID HUNTER 12 Foreign composers, the subscription market, and the popularity of continental music in eighteenth-century Britain 221 SIMON D. I. FLEMING Index 242 |
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| building | Verbundindex |
| bvnumber | BV048190548 |
| contents | Introduction -- Section 1. The Production of Musical Works by Subscription. Thomas Mace and the Publication by Subscription of Musick's Monument (1676) / Stephanie Carter ; Cecilia Maria Barthélemon's Three Sonatas, Op 1 / Michael Kassler ; Maria Hester Park and her Subscribers / Lise Karin Meling ; Publishing Music by Subscription in Eighteenth-Century Edinburgh : John Watlen and his Collections of Circus Tunes / Simon D. I. Fleming ; William Felton and John Pixell : The Musical Circles of the Vicar Composer / Simon D. I. Fleming -- Section 2. The Consumption of Music Published by Subscription. Gentry, Servants and Musicians : A Network of Subscribers in North-East England / Roz Southey ; The Music-Making of the Bridgeman Family, Weston Park / Martin Perkins ; A Big Data Study: Musical Societies in Subscription Lists / Simon D. I. Fleming and Martin Perkins ; Strathspeys, Reels and Instrumental Airs : A National Product / Karen E. McAulay ; Profiting from the Slave Economy and Subscribing to Music : the British Experience in the Eighteenth Century / David Hunter ; Foreign Composers, the Subscription Market, and the Popularity of Continental Music in Eighteenth-Century Britain / Simon D. I. Fleming.<br> |
| ctrlnum | (OCoLC)1322804744 (DE-599)BVBBV048190548 |
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| record_format | marc |
| series2 | Routledge research in music series |
| spelling | Music by subscription composers and their networks in the British music-publishing trade, 1676-1820 edited by Simon D. I. Fleming and Martin Perkins London ; New York Routledge 2022 xiv, 254 Seiten 12 Illustrationen (schwarz-weiß) txt rdacontent n rdamedia nc rdacarrier Routledge research in music series Introduction -- Section 1. The Production of Musical Works by Subscription. Thomas Mace and the Publication by Subscription of Musick's Monument (1676) / Stephanie Carter ; Cecilia Maria Barthélemon's Three Sonatas, Op 1 / Michael Kassler ; Maria Hester Park and her Subscribers / Lise Karin Meling ; Publishing Music by Subscription in Eighteenth-Century Edinburgh : John Watlen and his Collections of Circus Tunes / Simon D. I. Fleming ; William Felton and John Pixell : The Musical Circles of the Vicar Composer / Simon D. I. Fleming -- Section 2. The Consumption of Music Published by Subscription. Gentry, Servants and Musicians : A Network of Subscribers in North-East England / Roz Southey ; The Music-Making of the Bridgeman Family, Weston Park / Martin Perkins ; A Big Data Study: Musical Societies in Subscription Lists / Simon D. I. Fleming and Martin Perkins ; Strathspeys, Reels and Instrumental Airs : A National Product / Karen E. McAulay ; Profiting from the Slave Economy and Subscribing to Music : the British Experience in the Eighteenth Century / David Hunter ; Foreign Composers, the Subscription Market, and the Popularity of Continental Music in Eighteenth-Century Britain / Simon D. I. Fleming.<br> "This book breaks new ground in the social and cultural history of eighteenth-century music in Britain through the study of a hitherto neglected resource, the lists of subscribers that were attached to a wide variety of publications, including musical works. These lists shed considerable light on the nature of those who subscribed to music, including their social status, place of employment, residence, and musical interests. Through broad analysis of subscription data, the contributors reveal insights into social and economic changes during the period, and the types of music favoured by groups like music clubs, the aristocracy, the clergy, and by men and women. With chapters on female composers and listeners, music and the slave economy, musical patronage, the print trade, and nationality, this book provides innovative perspectives that enhance our understanding of music's social spheres, the emergence of music publishing, and the potential of digital musicology research"-- Geschichte 1676-1820 gnd rswk-swf Musizieren (DE-588)4170838-6 gnd rswk-swf Musikdruck (DE-588)4075121-1 gnd rswk-swf Subskription (DE-588)4153415-3 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf Music / Social aspects / Great Britain / History / 18th century Music patronage / Great Britain / History / 18th century Music publishing / Great Britain / History / 18th century Music trade / Great Britain / History / 18th century Musique / Aspect social / Grande-Bretagne / Histoire / 18e siècle Musique / Mécénat / Grande-Bretagne / Histoire / 18e siècle Musique / Édition / Grande-Bretagne / Histoire / 18e siècle Musique / Industrie / Grande-Bretagne / Histoire / 18e siècle Music patronage Music publishing Music / Social aspects Music trade Great Britain 1700-1799 History (DE-588)4143413-4 Aufsatzsammlung gnd-content Großbritannien (DE-588)4022153-2 g Musikdruck (DE-588)4075121-1 s Subskription (DE-588)4153415-3 s Musizieren (DE-588)4170838-6 s Geschichte 1676-1820 z DE-604 Fleming, Simon D. I. (DE-588)1042488444 edt Perkins, Martin 1975- (DE-588)1147155259 edt Äquivalent Druck-Ausgabe, Paperback 978-0-367-75683-3 Erscheint auch als Online-Ausgabe 978-1-00-316355-8 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033571717&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Music by subscription composers and their networks in the British music-publishing trade, 1676-1820 Introduction -- Section 1. The Production of Musical Works by Subscription. Thomas Mace and the Publication by Subscription of Musick's Monument (1676) / Stephanie Carter ; Cecilia Maria Barthélemon's Three Sonatas, Op 1 / Michael Kassler ; Maria Hester Park and her Subscribers / Lise Karin Meling ; Publishing Music by Subscription in Eighteenth-Century Edinburgh : John Watlen and his Collections of Circus Tunes / Simon D. I. Fleming ; William Felton and John Pixell : The Musical Circles of the Vicar Composer / Simon D. I. Fleming -- Section 2. The Consumption of Music Published by Subscription. Gentry, Servants and Musicians : A Network of Subscribers in North-East England / Roz Southey ; The Music-Making of the Bridgeman Family, Weston Park / Martin Perkins ; A Big Data Study: Musical Societies in Subscription Lists / Simon D. I. Fleming and Martin Perkins ; Strathspeys, Reels and Instrumental Airs : A National Product / Karen E. McAulay ; Profiting from the Slave Economy and Subscribing to Music : the British Experience in the Eighteenth Century / David Hunter ; Foreign Composers, the Subscription Market, and the Popularity of Continental Music in Eighteenth-Century Britain / Simon D. I. Fleming.<br> Musizieren (DE-588)4170838-6 gnd Musikdruck (DE-588)4075121-1 gnd Subskription (DE-588)4153415-3 gnd |
| subject_GND | (DE-588)4170838-6 (DE-588)4075121-1 (DE-588)4153415-3 (DE-588)4022153-2 (DE-588)4143413-4 |
| title | Music by subscription composers and their networks in the British music-publishing trade, 1676-1820 |
| title_auth | Music by subscription composers and their networks in the British music-publishing trade, 1676-1820 |
| title_exact_search | Music by subscription composers and their networks in the British music-publishing trade, 1676-1820 |
| title_exact_search_txtP | Music by subscription composers and their networks in the British music-publishing trade, 1676-1820 |
| title_full | Music by subscription composers and their networks in the British music-publishing trade, 1676-1820 edited by Simon D. I. Fleming and Martin Perkins |
| title_fullStr | Music by subscription composers and their networks in the British music-publishing trade, 1676-1820 edited by Simon D. I. Fleming and Martin Perkins |
| title_full_unstemmed | Music by subscription composers and their networks in the British music-publishing trade, 1676-1820 edited by Simon D. I. Fleming and Martin Perkins |
| title_short | Music by subscription |
| title_sort | music by subscription composers and their networks in the british music publishing trade 1676 1820 |
| title_sub | composers and their networks in the British music-publishing trade, 1676-1820 |
| topic | Musizieren (DE-588)4170838-6 gnd Musikdruck (DE-588)4075121-1 gnd Subskription (DE-588)4153415-3 gnd |
| topic_facet | Musizieren Musikdruck Subskription Großbritannien Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033571717&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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