Venanzio Rauzzini and the birth of a new style in English singing: scandalous lessons
"Since the eighteenth century, the one-to-one singing lesson has been the most common method of delivery. The scenario allows the teacher to familiarize and individualize the lesson to suit the needs of their student; however, it can also lead to speculation about what is taught. More troubling...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Routledge
2022
|
| Schriftenreihe: | Routledge studies in eighteenth-century cultures and societies
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Since the eighteenth century, the one-to-one singing lesson has been the most common method of delivery. The scenario allows the teacher to familiarize and individualize the lesson to suit the needs of their student; however, it can also lead to speculation about what is taught. More troubling is the heightened risk of gossip and rumor with the private space generating speculation about the student-teacher relationship. Venanzio Rauzzini (1746-1810), an Italian castrato living in England who became a highly sought-after singing master, was particularly susceptible since his students tended to be women, whose moral character was under more scrutiny than their male counterparts. Even so in 1792, The Bath Chronicle proclaimed the Italian castrato: "the father of a new style in English singing." Branding Rauzzini as a founder of an English style was not an error, but indicative of deep-seeded anxieties about the Italian invasion on England's musical culture. This book places teaching at the center of the socio-historical narrative and provides unique insight into musical culture. Using a microhistory approach, this study is the first to focus in on the impact of teaching and casts new light on issues of celebrity culture, gender and nationalism in Georgian England"-- |
| Beschreibung: | xi, 232 Seiten Notenbeispiele, Porträt (schwarz-weiß) |
| ISBN: | 9780367443375 9781032200293 |
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| 505 | 8 | |a Prelude. "The First Master for Singing in the Universe" -- Britain's Music Education in Decline -- Using and Creating Celebrity -- Natural or Learned? -- "The Father of a New Style in English Singing"? -- A Master's Treatise. A Legacy Product -- Master or Servant. Vilifying the Female Amateur and the Italian Master -- A Respectable Master or a Scandalous Lover? -- Postlude. The Eighteenth Century in the Twenty-First Century -- Appendix 1. Anna Selina (Nancy) Storace's Performances Between 1773-1778 -- Appendix 2. Singers Advertised as "Pupils of Rauzzini" | |
| 520 | 3 | |a "Since the eighteenth century, the one-to-one singing lesson has been the most common method of delivery. The scenario allows the teacher to familiarize and individualize the lesson to suit the needs of their student; however, it can also lead to speculation about what is taught. More troubling is the heightened risk of gossip and rumor with the private space generating speculation about the student-teacher relationship. Venanzio Rauzzini (1746-1810), an Italian castrato living in England who became a highly sought-after singing master, was particularly susceptible since his students tended to be women, whose moral character was under more scrutiny than their male counterparts. Even so in 1792, The Bath Chronicle proclaimed the Italian castrato: "the father of a new style in English singing." Branding Rauzzini as a founder of an English style was not an error, but indicative of deep-seeded anxieties about the Italian invasion on England's musical culture. This book places teaching at the center of the socio-historical narrative and provides unique insight into musical culture. Using a microhistory approach, this study is the first to focus in on the impact of teaching and casts new light on issues of celebrity culture, gender and nationalism in Georgian England"-- | |
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Datensatz im Suchindex
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| adam_text | Contents viii ix χ List of Figures List of Tables Acknowledgments Prelude: ‘The First Master for Singing in the Universe’ 1 1 Britain’s Music Education in Decline 22 2 Using and Creating Celebrity 43 3 Natural or Learned? 60 4 ‘The Father of a New Style in English Singing’? 81 106 5 A Master’s Treatise: A Legacy Product 6 7 Master or Servant: Vilifying the Female Amateur and the Italian Master 127 A Respectable Master or a Scandalous Lover? Postlude: The Eighteenth Century in the TwentyFirst Century 147 169 Appendix 1 : Anna Selina (Nancy) Storace’s Performances, 1773-1778 179 Appendix 2: Singers Advertised as ‘Pupils of Rauzzini’ 188 Bibliography Index 209 223
|
| adam_txt |
Contents viii ix χ List of Figures List of Tables Acknowledgments Prelude: ‘The First Master for Singing in the Universe’ 1 1 Britain’s Music Education in Decline 22 2 Using and Creating Celebrity 43 3 Natural or Learned? 60 4 ‘The Father of a New Style in English Singing’? 81 106 5 A Master’s Treatise: A Legacy Product 6 7 Master or Servant: Vilifying the Female Amateur and the Italian Master 127 A Respectable Master or a Scandalous Lover? Postlude: The Eighteenth Century in the TwentyFirst Century 147 169 Appendix 1 : Anna Selina (Nancy) Storace’s Performances, 1773-1778 179 Appendix 2: Singers Advertised as ‘Pupils of Rauzzini’ 188 Bibliography Index 209 223 |
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| author | Robertson-Kirkland, B. E. 19XX- |
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| author_sort | Robertson-Kirkland, B. E. 19XX- |
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| bvnumber | BV048190537 |
| contents | Prelude. "The First Master for Singing in the Universe" -- Britain's Music Education in Decline -- Using and Creating Celebrity -- Natural or Learned? -- "The Father of a New Style in English Singing"? -- A Master's Treatise. A Legacy Product -- Master or Servant. Vilifying the Female Amateur and the Italian Master -- A Respectable Master or a Scandalous Lover? -- Postlude. The Eighteenth Century in the Twenty-First Century -- Appendix 1. Anna Selina (Nancy) Storace's Performances Between 1773-1778 -- Appendix 2. Singers Advertised as "Pupils of Rauzzini" |
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| spelling | Robertson-Kirkland, B. E. 19XX- Verfasser (DE-588)1192779002 aut Venanzio Rauzzini and the birth of a new style in English singing scandalous lessons Brianna E. Robertson-Kirkland New York ; London Routledge 2022 xi, 232 Seiten Notenbeispiele, Porträt (schwarz-weiß) txt rdacontent n rdamedia nc rdacarrier Routledge studies in eighteenth-century cultures and societies Prelude. "The First Master for Singing in the Universe" -- Britain's Music Education in Decline -- Using and Creating Celebrity -- Natural or Learned? -- "The Father of a New Style in English Singing"? -- A Master's Treatise. A Legacy Product -- Master or Servant. Vilifying the Female Amateur and the Italian Master -- A Respectable Master or a Scandalous Lover? -- Postlude. The Eighteenth Century in the Twenty-First Century -- Appendix 1. Anna Selina (Nancy) Storace's Performances Between 1773-1778 -- Appendix 2. Singers Advertised as "Pupils of Rauzzini" "Since the eighteenth century, the one-to-one singing lesson has been the most common method of delivery. The scenario allows the teacher to familiarize and individualize the lesson to suit the needs of their student; however, it can also lead to speculation about what is taught. More troubling is the heightened risk of gossip and rumor with the private space generating speculation about the student-teacher relationship. Venanzio Rauzzini (1746-1810), an Italian castrato living in England who became a highly sought-after singing master, was particularly susceptible since his students tended to be women, whose moral character was under more scrutiny than their male counterparts. Even so in 1792, The Bath Chronicle proclaimed the Italian castrato: "the father of a new style in English singing." Branding Rauzzini as a founder of an English style was not an error, but indicative of deep-seeded anxieties about the Italian invasion on England's musical culture. This book places teaching at the center of the socio-historical narrative and provides unique insight into musical culture. Using a microhistory approach, this study is the first to focus in on the impact of teaching and casts new light on issues of celebrity culture, gender and nationalism in Georgian England"-- Rauzzini, Venanzio 1746-1810 (DE-588)116367032 gnd rswk-swf Gesangstil (DE-588)4156940-4 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Singing / Instruction and study / Great Britain / History / 18th century Teacher-student relationships / Great Britain / History / 18th century Music / Social aspects / Great Britain / History / 18th century Rauzzini, Venanzio / 1746-1810 Voice teachers Castrati England / Social life and customs / 18th century Chant / Étude et enseignement / Grande-Bretagne / Histoire / 18e siècle Musique / Aspect social / Grande-Bretagne / Histoire / 18e siècle Professeurs de chant Castrats Angleterre / Murs et coutumes / 18e siècle Manners and customs Music / Social aspects Singing / Instruction and study Teacher-student relationships England Great Britain 1700-1799 History (DE-588)4113937-9 Hochschulschrift gnd-content Rauzzini, Venanzio 1746-1810 (DE-588)116367032 p Gesangstil (DE-588)4156940-4 s Englisch (DE-588)4014777-0 s DE-604 Äquivalent Druck-Ausgabe, Paperback 978-1-03-220029-3 Erscheint auch als Online-Ausgabe, ebk. 978-1-00-300916-0 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033571706&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Robertson-Kirkland, B. E. 19XX- Venanzio Rauzzini and the birth of a new style in English singing scandalous lessons Prelude. "The First Master for Singing in the Universe" -- Britain's Music Education in Decline -- Using and Creating Celebrity -- Natural or Learned? -- "The Father of a New Style in English Singing"? -- A Master's Treatise. A Legacy Product -- Master or Servant. Vilifying the Female Amateur and the Italian Master -- A Respectable Master or a Scandalous Lover? -- Postlude. The Eighteenth Century in the Twenty-First Century -- Appendix 1. Anna Selina (Nancy) Storace's Performances Between 1773-1778 -- Appendix 2. Singers Advertised as "Pupils of Rauzzini" Rauzzini, Venanzio 1746-1810 (DE-588)116367032 gnd Gesangstil (DE-588)4156940-4 gnd Englisch (DE-588)4014777-0 gnd |
| subject_GND | (DE-588)116367032 (DE-588)4156940-4 (DE-588)4014777-0 (DE-588)4113937-9 |
| title | Venanzio Rauzzini and the birth of a new style in English singing scandalous lessons |
| title_auth | Venanzio Rauzzini and the birth of a new style in English singing scandalous lessons |
| title_exact_search | Venanzio Rauzzini and the birth of a new style in English singing scandalous lessons |
| title_exact_search_txtP | Venanzio Rauzzini and the birth of a new style in English singing scandalous lessons |
| title_full | Venanzio Rauzzini and the birth of a new style in English singing scandalous lessons Brianna E. Robertson-Kirkland |
| title_fullStr | Venanzio Rauzzini and the birth of a new style in English singing scandalous lessons Brianna E. Robertson-Kirkland |
| title_full_unstemmed | Venanzio Rauzzini and the birth of a new style in English singing scandalous lessons Brianna E. Robertson-Kirkland |
| title_short | Venanzio Rauzzini and the birth of a new style in English singing |
| title_sort | venanzio rauzzini and the birth of a new style in english singing scandalous lessons |
| title_sub | scandalous lessons |
| topic | Rauzzini, Venanzio 1746-1810 (DE-588)116367032 gnd Gesangstil (DE-588)4156940-4 gnd Englisch (DE-588)4014777-0 gnd |
| topic_facet | Rauzzini, Venanzio 1746-1810 Gesangstil Englisch Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033571706&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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