Digital art in Ireland: new media and Irish artistic practice
Digital art is fundamentally digital; it is art which cannot happen without some contemporary media technology, some element of computation, some bit-based machine. Digital art goes by a lot of names - net art, electronic art, computational art, multimedia art, new media art, screen-based art - but...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London
Anthem Press
2021
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| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | Digital art is fundamentally digital; it is art which cannot happen without some contemporary media technology, some element of computation, some bit-based machine. Digital art goes by a lot of names - net art, electronic art, computational art, multimedia art, new media art, screen-based art - but generally, this is a domain in which the objects of discussion rely absolutely on modern and contemporary electronics to achieve their artistic purpose. <br><br> This collection of essays explores digital art in Ireland, filling a major gap in the national media archaeology of Ireland by bringing together a collection of timely perspectives from scholars and practitioners engaged with screen-based expression. In no way is this book a true representative selection of forms and figures, but it is, hopefully, a small contribution to addressing what remains an intellectual void. <br><br> Wonderfully creative things are happening with computers, screens and machines right across the spectrum of artistic practice, but through disciplinary isolation - by focusing only on fine art, literature or film - we are blinding ourselves to contemporary media art as a wider cultural upheaval. The intimate connections being formed between the digital and the expressive, and how such production is mediated through national contexts, will only be fully revealed when considered through an interdisciplinary gaze. This book, comprising contributions from EL Putnam, Anne Karhio, Ken Keating, Conor McGarrigle, Kieran Nolan, Claire Fitch, Kirstie North and Chris Clarke, attempts to do just that, treating what it means for art to be both digital and Irish |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 23 Feb 2022) List of Illustrations; Acknowledgements; Notes on Contributors; Chapter 1. Introduction: Digital Art in Ireland, James O'Sullivan; Chapter 2. Strange Mothers: The Maternal and Contemporary Media Art in Ireland, EL Putnam; Chapter 3. Between Aesthetics and Institutions: Irish Electronic Poetry, Anne Karhio; Chapter 4. 'to shine upon the original all the more fully': Contemporary New Media Adaptations of James Joyce, Kenneth Keating; Chapter 5. Art in the Data-City: Critical Data Art in the Age of Surveillance Capitalism, Conor McGarrigle; Chapter 6. Experimental Arcade Video Games as Self-Reflexive Media Art, Kieran Nolan; Chapter 7. Folding, Unfolding, Refolding Sound, Claire Fitch; Chapter 8. Treacherous Images and Animal Gazes: Ailbhe Ní Bhriain's Reports to an Academy, 2015, Kirstie North; Chapter 9. Pressing Send: Distribution and Curation in Irish New Media Art, Chris Clarke; Index |
| Beschreibung: | 1 Online-Ressource (xv, 147 Seiten) |
| ISBN: | 9781785274794 |
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Datensatz im Suchindex
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| adam_txt | |
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| dewey-full | 776.09415 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 776 - Computer art (Digital art) |
| dewey-raw | 776.09415 |
| dewey-search | 776.09415 |
| dewey-sort | 3776.09415 |
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| spelling | Digital art in Ireland new media and Irish artistic practice edited by James O'Sullivan London Anthem Press 2021 1 Online-Ressource (xv, 147 Seiten) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 23 Feb 2022) List of Illustrations; Acknowledgements; Notes on Contributors; Chapter 1. Introduction: Digital Art in Ireland, James O'Sullivan; Chapter 2. Strange Mothers: The Maternal and Contemporary Media Art in Ireland, EL Putnam; Chapter 3. Between Aesthetics and Institutions: Irish Electronic Poetry, Anne Karhio; Chapter 4. 'to shine upon the original all the more fully': Contemporary New Media Adaptations of James Joyce, Kenneth Keating; Chapter 5. Art in the Data-City: Critical Data Art in the Age of Surveillance Capitalism, Conor McGarrigle; Chapter 6. Experimental Arcade Video Games as Self-Reflexive Media Art, Kieran Nolan; Chapter 7. Folding, Unfolding, Refolding Sound, Claire Fitch; Chapter 8. Treacherous Images and Animal Gazes: Ailbhe Ní Bhriain's Reports to an Academy, 2015, Kirstie North; Chapter 9. Pressing Send: Distribution and Curation in Irish New Media Art, Chris Clarke; Index Digital art is fundamentally digital; it is art which cannot happen without some contemporary media technology, some element of computation, some bit-based machine. Digital art goes by a lot of names - net art, electronic art, computational art, multimedia art, new media art, screen-based art - but generally, this is a domain in which the objects of discussion rely absolutely on modern and contemporary electronics to achieve their artistic purpose. <br><br> This collection of essays explores digital art in Ireland, filling a major gap in the national media archaeology of Ireland by bringing together a collection of timely perspectives from scholars and practitioners engaged with screen-based expression. In no way is this book a true representative selection of forms and figures, but it is, hopefully, a small contribution to addressing what remains an intellectual void. <br><br> Wonderfully creative things are happening with computers, screens and machines right across the spectrum of artistic practice, but through disciplinary isolation - by focusing only on fine art, literature or film - we are blinding ourselves to contemporary media art as a wider cultural upheaval. The intimate connections being formed between the digital and the expressive, and how such production is mediated through national contexts, will only be fully revealed when considered through an interdisciplinary gaze. This book, comprising contributions from EL Putnam, Anne Karhio, Ken Keating, Conor McGarrigle, Kieran Nolan, Claire Fitch, Kirstie North and Chris Clarke, attempts to do just that, treating what it means for art to be both digital and Irish Computer art / Ireland Neue Medien (DE-588)4196910-8 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Irland (DE-588)4027667-3 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Irland (DE-588)4027667-3 g Kunst (DE-588)4114333-4 s Neue Medien (DE-588)4196910-8 s DE-604 O'Sullivan, James 1986- (DE-588)1123043280 edt Erscheint auch als Druck-Ausgabe 978-1-78527-478-7 https://www.cambridge.org/core/product/identifier/9781785274794/type/BOOK Verlag URL des Erstveröffentlichers Volltext |
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| title | Digital art in Ireland new media and Irish artistic practice |
| title_auth | Digital art in Ireland new media and Irish artistic practice |
| title_exact_search | Digital art in Ireland new media and Irish artistic practice |
| title_exact_search_txtP | Digital art in Ireland new media and Irish artistic practice |
| title_full | Digital art in Ireland new media and Irish artistic practice edited by James O'Sullivan |
| title_fullStr | Digital art in Ireland new media and Irish artistic practice edited by James O'Sullivan |
| title_full_unstemmed | Digital art in Ireland new media and Irish artistic practice edited by James O'Sullivan |
| title_short | Digital art in Ireland |
| title_sort | digital art in ireland new media and irish artistic practice |
| title_sub | new media and Irish artistic practice |
| topic | Computer art / Ireland Neue Medien (DE-588)4196910-8 gnd Kunst (DE-588)4114333-4 gnd |
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