James Joyce and photography:
"James Joyce and Photography is the first book to explore in-depth James Joyce's personal and professional engagement with photography. Photographs, photographic devices and photographically-inspired techniques appear throughout Joyce's work, from his narrator's furtive proto-pho...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London ; New York ; Oxford ; New Delhi ; Sydney
Bloomsbury
2022
|
| Schriftenreihe: | Historicizing modernism
|
| Schlagworte: | |
| Online-Zugang: | DE-12 DE-Y3 DE-824 Volltext |
| Zusammenfassung: | "James Joyce and Photography is the first book to explore in-depth James Joyce's personal and professional engagement with photography. Photographs, photographic devices and photographically-inspired techniques appear throughout Joyce's work, from his narrator's furtive proto-photographic framing in Silhouettes (c. 1897), to the aggressively-minded 'Tulloch-Turnbull girl with her coldblood kodak' in Finnegans Wake (1939). Through an exploration of Joyce's manuscripts and photographic and newspaper archival material, as well as the full range of his major works, this book sheds new light on his sustained interest in this visual medium. This project takes Joyce's intention in Dubliners (1914) to 'betray the soul of that hemiplegia or paralysis which many consider a city' (LI 55) as key to his interaction with photography, which in his literature occupies a dual position between stasis and innovation." |
| Beschreibung: | 1 Online-Ressource (171 Seiten) |
| ISBN: | 9781350136991 9781350136977 9781350136984 |
| DOI: | 10.5040/9781350136991 |
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| 505 | 8 | |a List of Illustrations -- Editorial Preface to Historicizing Modernism -- Acknowledgements -- List of Abbreviations -- Introduction -- 1. Photography and Paralysis in Dubliners -- 2. That 'spoof of visibility': Stereoscopic 'Realism' in Stephen Hero to Finnegans Wake -- 3. 'it simply wasn't art in a word': Leopold Bloom, Photography and Artistic and Erotic Debate -- 4. James Joyce's 'Photo girl[s]' -- Coda: 'A photograph [...] may be so disposed for an aesthetic end' -- Notes -- Works Cited -- Index | |
| 520 | 3 | |a "James Joyce and Photography is the first book to explore in-depth James Joyce's personal and professional engagement with photography. Photographs, photographic devices and photographically-inspired techniques appear throughout Joyce's work, from his narrator's furtive proto-photographic framing in Silhouettes (c. 1897), to the aggressively-minded 'Tulloch-Turnbull girl with her coldblood kodak' in Finnegans Wake (1939). Through an exploration of Joyce's manuscripts and photographic and newspaper archival material, as well as the full range of his major works, this book sheds new light on his sustained interest in this visual medium. This project takes Joyce's intention in Dubliners (1914) to 'betray the soul of that hemiplegia or paralysis which many consider a city' (LI 55) as key to his interaction with photography, which in his literature occupies a dual position between stasis and innovation." | |
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Datensatz im Suchindex
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| author | Binnie-Wright, Georgina |
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| contents | List of Illustrations -- Editorial Preface to Historicizing Modernism -- Acknowledgements -- List of Abbreviations -- Introduction -- 1. Photography and Paralysis in Dubliners -- 2. That 'spoof of visibility': Stereoscopic 'Realism' in Stephen Hero to Finnegans Wake -- 3. 'it simply wasn't art in a word': Leopold Bloom, Photography and Artistic and Erotic Debate -- 4. James Joyce's 'Photo girl[s]' -- Coda: 'A photograph [...] may be so disposed for an aesthetic end' -- Notes -- Works Cited -- Index |
| ctrlnum | (ZDB-30-PQE)EBC6913378 (OCoLC)1314902578 (DE-599)BVBBV047961642 |
| discipline | Anglistik / Amerikanistik |
| doi_str_mv | 10.5040/9781350136991 |
| format | Thesis Electronic eBook |
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| genre_facet | Hochschulschrift |
| id | DE-604.BV047961642 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T19:40:39Z |
| indexdate | 2024-07-20T05:28:04Z |
| institution | BVB |
| isbn | 9781350136991 9781350136977 9781350136984 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033342821 |
| oclc_num | 1314902578 |
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| owner | DE-12 DE-824 DE-Y3 DE-11 |
| owner_facet | DE-12 DE-824 DE-Y3 DE-11 |
| physical | 1 Online-Ressource (171 Seiten) |
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| publishDate | 2022 |
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| publisher | Bloomsbury |
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| series2 | Historicizing modernism |
| spelling | Binnie-Wright, Georgina Verfasser (DE-588)1256462918 aut James Joyce and photography Georgina Binnie-Wright London ; New York ; Oxford ; New Delhi ; Sydney Bloomsbury 2022 1 Online-Ressource (171 Seiten) txt rdacontent c rdamedia cr rdacarrier Historicizing modernism Dissertation University of Leeds 2016 List of Illustrations -- Editorial Preface to Historicizing Modernism -- Acknowledgements -- List of Abbreviations -- Introduction -- 1. Photography and Paralysis in Dubliners -- 2. That 'spoof of visibility': Stereoscopic 'Realism' in Stephen Hero to Finnegans Wake -- 3. 'it simply wasn't art in a word': Leopold Bloom, Photography and Artistic and Erotic Debate -- 4. James Joyce's 'Photo girl[s]' -- Coda: 'A photograph [...] may be so disposed for an aesthetic end' -- Notes -- Works Cited -- Index "James Joyce and Photography is the first book to explore in-depth James Joyce's personal and professional engagement with photography. Photographs, photographic devices and photographically-inspired techniques appear throughout Joyce's work, from his narrator's furtive proto-photographic framing in Silhouettes (c. 1897), to the aggressively-minded 'Tulloch-Turnbull girl with her coldblood kodak' in Finnegans Wake (1939). Through an exploration of Joyce's manuscripts and photographic and newspaper archival material, as well as the full range of his major works, this book sheds new light on his sustained interest in this visual medium. This project takes Joyce's intention in Dubliners (1914) to 'betray the soul of that hemiplegia or paralysis which many consider a city' (LI 55) as key to his interaction with photography, which in his literature occupies a dual position between stasis and innovation." Joyce, James 1882-1941 (DE-588)118558501 gnd rswk-swf Fotografie (DE-588)4045895-7 gnd rswk-swf Joyce, James / 1882-1941 / Criticism and interpretation Joyce, James / 1882-1941 / Knowledge and learning Photography Learning and scholarship (DE-588)4113937-9 Hochschulschrift gnd-content Joyce, James 1882-1941 (DE-588)118558501 p Fotografie (DE-588)4045895-7 s DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-1-350-13696-0 Erscheint auch als Druck-Ausgabe, Paperback 978-1-350-32870-9 https://doi.org/10.5040/9781350136991?locatt=label:secondary_bloomsburyCollections Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Binnie-Wright, Georgina James Joyce and photography List of Illustrations -- Editorial Preface to Historicizing Modernism -- Acknowledgements -- List of Abbreviations -- Introduction -- 1. Photography and Paralysis in Dubliners -- 2. That 'spoof of visibility': Stereoscopic 'Realism' in Stephen Hero to Finnegans Wake -- 3. 'it simply wasn't art in a word': Leopold Bloom, Photography and Artistic and Erotic Debate -- 4. James Joyce's 'Photo girl[s]' -- Coda: 'A photograph [...] may be so disposed for an aesthetic end' -- Notes -- Works Cited -- Index Joyce, James 1882-1941 (DE-588)118558501 gnd Fotografie (DE-588)4045895-7 gnd |
| subject_GND | (DE-588)118558501 (DE-588)4045895-7 (DE-588)4113937-9 |
| title | James Joyce and photography |
| title_auth | James Joyce and photography |
| title_exact_search | James Joyce and photography |
| title_exact_search_txtP | James Joyce and photography |
| title_full | James Joyce and photography Georgina Binnie-Wright |
| title_fullStr | James Joyce and photography Georgina Binnie-Wright |
| title_full_unstemmed | James Joyce and photography Georgina Binnie-Wright |
| title_short | James Joyce and photography |
| title_sort | james joyce and photography |
| topic | Joyce, James 1882-1941 (DE-588)118558501 gnd Fotografie (DE-588)4045895-7 gnd |
| topic_facet | Joyce, James 1882-1941 Fotografie Hochschulschrift |
| url | https://doi.org/10.5040/9781350136991?locatt=label:secondary_bloomsburyCollections |
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