Hearing maskanda: musical epistemologies in South Africa
"Maskanda, the Zulu pronunciation of the Afrikaans word musikant (musician), emerged in the early 20th century as a response to the experience of forced labour migration. Hundreds of thousands of people were coerced to change their rural existence for work in cities and mines, but since black p...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2022
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Maskanda, the Zulu pronunciation of the Afrikaans word musikant (musician), emerged in the early 20th century as a response to the experience of forced labour migration. Hundreds of thousands of people were coerced to change their rural existence for work in cities and mines, but since black people were not allowed to settle in urban areas, they moved back and forth between their villages and the towns. Through its focus on maskanda, this book provides insight into how people understand the world and themselves through aural experience and sensitivity. This focus constitutes the book's main question: how do all those involved in maskanda (performers, audiences, producers, organizers, politicians, and researchers) foreground their aural experiences? In what ways do we musically and performatively adapt and appropriate sounding and stage material that we encounter in our lives and careers? What words do we use to describe what we hear? The book examines how we use our voices, bodies and musical instruments to signify, evoke, invoke, present, produce, interpret and comment on the world in which we live"-- |
| Beschreibung: | xx, 254 Seiten Illustrationen, Karte (schwarz-weiß) |
| ISBN: | 9781501377761 9781501377808 |
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| 505 | 8 | |a Introduction. Foregrounding Aural Experiences -- Maskanda in Colonial, Apartheid and Post-Apartheid South Africa -- Maskanda's Colonial, Apartheid and Post-Apartheid Presence -- Foregroundings of Maskanda's Styles and Substyles -- Maskanda as a Discourse of Power in Post-Apartheid South Africa -- Ground Level: The Kushikisha Imbokodo Festival in Durban -- Middle Level: The MTN Onkweni Royal Festival in Ulundi -- Up Level: Shiyani Ngcobo's Tour through the Netherlands -- Hearing Maskanda -- Knowing Zuluness Aurally -- At Home in the World -- Sharing Aural Space -- Conclusion: Maskanda Epistemology -- Appendix: Song Lyrics | |
| 520 | 3 | |a "Maskanda, the Zulu pronunciation of the Afrikaans word musikant (musician), emerged in the early 20th century as a response to the experience of forced labour migration. Hundreds of thousands of people were coerced to change their rural existence for work in cities and mines, but since black people were not allowed to settle in urban areas, they moved back and forth between their villages and the towns. Through its focus on maskanda, this book provides insight into how people understand the world and themselves through aural experience and sensitivity. This focus constitutes the book's main question: how do all those involved in maskanda (performers, audiences, producers, organizers, politicians, and researchers) foreground their aural experiences? In what ways do we musically and performatively adapt and appropriate sounding and stage material that we encounter in our lives and careers? What words do we use to describe what we hear? The book examines how we use our voices, bodies and musical instruments to signify, evoke, invoke, present, produce, interpret and comment on the world in which we live"-- | |
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Datensatz im Suchindex
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| adam_text | Contents List of Figures viii Preface xiii Introduction: Foregrounding Aural Experiences 1 Part I Maskanda in Colonial, Apartheid and Post-Apartheid South Africa 1 Maskanda’s Colonial, Apartheid and Post-Apartheid Presence 27 2 Foregroundings of Maskanda’s Styles and Substyles 47 Part II Maskanda as a Discourse of Power in Post-Apartheid South Africa 3 Ground Level: The Kushikisha Imbokodo Festival in Durban 69 4 Middle Level: The MTN Onkweni Royal Cultural Festival in Ulundi 91 5 Up Level: Shiyani Ngcobo’s Tour through the Netherlands 115 Partili HearingMaskanda 6 Knowing Zuluness Aurally 137 7 At Home in the World 163 8 Sharing Aural Space 185 Conclusion: Maskanda Epistemology 203 Appendix: Song Lyrics and Translations 213 References 227 Index 242
|
| adam_txt |
Contents List of Figures viii Preface xiii Introduction: Foregrounding Aural Experiences 1 Part I Maskanda in Colonial, Apartheid and Post-Apartheid South Africa 1 Maskanda’s Colonial, Apartheid and Post-Apartheid Presence 27 2 Foregroundings of Maskanda’s Styles and Substyles 47 Part II Maskanda as a Discourse of Power in Post-Apartheid South Africa 3 Ground Level: The Kushikisha Imbokodo Festival in Durban 69 4 Middle Level: The MTN Onkweni Royal Cultural Festival in Ulundi 91 5 Up Level: Shiyani Ngcobo’s Tour through the Netherlands 115 Partili HearingMaskanda 6 Knowing Zuluness Aurally 137 7 At Home in the World 163 8 Sharing Aural Space 185 Conclusion: Maskanda Epistemology 203 Appendix: Song Lyrics and Translations 213 References 227 Index 242 |
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| author | Titus, Barbara 1973- |
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| author_role | aut |
| author_sort | Titus, Barbara 1973- |
| author_variant | b t bt |
| building | Verbundindex |
| bvnumber | BV047960821 |
| contents | Introduction. Foregrounding Aural Experiences -- Maskanda in Colonial, Apartheid and Post-Apartheid South Africa -- Maskanda's Colonial, Apartheid and Post-Apartheid Presence -- Foregroundings of Maskanda's Styles and Substyles -- Maskanda as a Discourse of Power in Post-Apartheid South Africa -- Ground Level: The Kushikisha Imbokodo Festival in Durban -- Middle Level: The MTN Onkweni Royal Festival in Ulundi -- Up Level: Shiyani Ngcobo's Tour through the Netherlands -- Hearing Maskanda -- Knowing Zuluness Aurally -- At Home in the World -- Sharing Aural Space -- Conclusion: Maskanda Epistemology -- Appendix: Song Lyrics |
| ctrlnum | (OCoLC)1334035438 (DE-599)BVBBV047960821 |
| era | Geschichte 1900-2020 gnd |
| era_facet | Geschichte 1900-2020 |
| format | Book |
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| spelling | Titus, Barbara 1973- Verfasser (DE-588)1048459012 aut Hearing maskanda musical epistemologies in South Africa Barbara Titus New York ; London ; Oxford ; New Delhi ; Sydney Bloomsbury Academic 2022 xx, 254 Seiten Illustrationen, Karte (schwarz-weiß) txt rdacontent n rdamedia nc rdacarrier Introduction. Foregrounding Aural Experiences -- Maskanda in Colonial, Apartheid and Post-Apartheid South Africa -- Maskanda's Colonial, Apartheid and Post-Apartheid Presence -- Foregroundings of Maskanda's Styles and Substyles -- Maskanda as a Discourse of Power in Post-Apartheid South Africa -- Ground Level: The Kushikisha Imbokodo Festival in Durban -- Middle Level: The MTN Onkweni Royal Festival in Ulundi -- Up Level: Shiyani Ngcobo's Tour through the Netherlands -- Hearing Maskanda -- Knowing Zuluness Aurally -- At Home in the World -- Sharing Aural Space -- Conclusion: Maskanda Epistemology -- Appendix: Song Lyrics "Maskanda, the Zulu pronunciation of the Afrikaans word musikant (musician), emerged in the early 20th century as a response to the experience of forced labour migration. Hundreds of thousands of people were coerced to change their rural existence for work in cities and mines, but since black people were not allowed to settle in urban areas, they moved back and forth between their villages and the towns. Through its focus on maskanda, this book provides insight into how people understand the world and themselves through aural experience and sensitivity. This focus constitutes the book's main question: how do all those involved in maskanda (performers, audiences, producers, organizers, politicians, and researchers) foreground their aural experiences? In what ways do we musically and performatively adapt and appropriate sounding and stage material that we encounter in our lives and careers? What words do we use to describe what we hear? The book examines how we use our voices, bodies and musical instruments to signify, evoke, invoke, present, produce, interpret and comment on the world in which we live"-- Geschichte 1900-2020 gnd rswk-swf Soziale Situation (DE-588)4077575-6 gnd rswk-swf Musiker (DE-588)4040841-3 gnd rswk-swf Arbeitsbedingungen (DE-588)4002641-3 gnd rswk-swf Schwarze (DE-588)4116433-7 gnd rswk-swf Südafrika (DE-588)4078012-0 gnd rswk-swf Maskanda / History and criticism Popular music / South Africa / History and criticism Zulu (African people) / Music / History and criticism Popular music / Social aspects / South Africa Maskanda Popular music Popular music / Social aspects Zulu (African people) / Music South Africa Criticism, interpretation, etc Südafrika (DE-588)4078012-0 g Schwarze (DE-588)4116433-7 s Musiker (DE-588)4040841-3 s Arbeitsbedingungen (DE-588)4002641-3 s Soziale Situation (DE-588)4077575-6 s Geschichte 1900-2020 z DE-604 Erscheint auch als Online-Ausgabe 978-1-5013-7777-8 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033342015&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Titus, Barbara 1973- Hearing maskanda musical epistemologies in South Africa Introduction. Foregrounding Aural Experiences -- Maskanda in Colonial, Apartheid and Post-Apartheid South Africa -- Maskanda's Colonial, Apartheid and Post-Apartheid Presence -- Foregroundings of Maskanda's Styles and Substyles -- Maskanda as a Discourse of Power in Post-Apartheid South Africa -- Ground Level: The Kushikisha Imbokodo Festival in Durban -- Middle Level: The MTN Onkweni Royal Festival in Ulundi -- Up Level: Shiyani Ngcobo's Tour through the Netherlands -- Hearing Maskanda -- Knowing Zuluness Aurally -- At Home in the World -- Sharing Aural Space -- Conclusion: Maskanda Epistemology -- Appendix: Song Lyrics Soziale Situation (DE-588)4077575-6 gnd Musiker (DE-588)4040841-3 gnd Arbeitsbedingungen (DE-588)4002641-3 gnd Schwarze (DE-588)4116433-7 gnd |
| subject_GND | (DE-588)4077575-6 (DE-588)4040841-3 (DE-588)4002641-3 (DE-588)4116433-7 (DE-588)4078012-0 |
| title | Hearing maskanda musical epistemologies in South Africa |
| title_auth | Hearing maskanda musical epistemologies in South Africa |
| title_exact_search | Hearing maskanda musical epistemologies in South Africa |
| title_exact_search_txtP | Hearing maskanda musical epistemologies in South Africa |
| title_full | Hearing maskanda musical epistemologies in South Africa Barbara Titus |
| title_fullStr | Hearing maskanda musical epistemologies in South Africa Barbara Titus |
| title_full_unstemmed | Hearing maskanda musical epistemologies in South Africa Barbara Titus |
| title_short | Hearing maskanda |
| title_sort | hearing maskanda musical epistemologies in south africa |
| title_sub | musical epistemologies in South Africa |
| topic | Soziale Situation (DE-588)4077575-6 gnd Musiker (DE-588)4040841-3 gnd Arbeitsbedingungen (DE-588)4002641-3 gnd Schwarze (DE-588)4116433-7 gnd |
| topic_facet | Soziale Situation Musiker Arbeitsbedingungen Schwarze Südafrika |
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