Antika i mi(t): preispitivanje dominantnih tokova recepcije antike
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Beograd
Etnografski institut SANU
2020
Loznica Karpos |
| Schriftenreihe: | Posebna izdanja / Etnografski institut SANU
knjiga 94 Biblioteka Panelinion |
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| Online-Zugang: | Inhaltsverzeichnis Literaturverzeichnis Abstract |
| Beschreibung: | Literaturverzeichnis Seite 137-147 |
| Beschreibung: | 151 Seiten Illustrationen, Karten 20 cm |
| ISBN: | 9788664351416 9788675871019 |
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Datensatz im Suchindex
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| adam_text | SADRŽAJ UVOD.......................................................................................7 ANTIKA OKO NAS............................................................. 13 1. Antika u svakodnevici...................................................... 13 2. Da li je ikada sport bio samo sport?...............................24 a) Antika, sport i mi.............................................................. 24 b) Olimpijske igre ili nadmetanja?....................................... 31 ANTIGONINE POBUNE................................................... 35 1. Antigona u filozofskoj tradiciji...................................... 37 a) Kjerkegor i Hegel о strahu, sažaljenju i antičkom tragičnom.......................................... 39 b) Antigona - politički ili „prirodni“ subjekt?................... 45 2. Antigona ispred Saveznog izvršnog veća...................... 59 a) Borba protvi nasilja i represije................ 59 3. Antigona i Tenk Men........................................................ 66 a) Strip..................................................................................... 66 ŽENSKO UPISIVANJE........................................................ 73 1. Medejina Priča.................................................................. 73 a) Mit o Medeji u grčkoj antici............................................. 73 b) Od Euripida do Kriste Volf: od tradicije do revizije.... 76 c) Mit danas: mitotvorstvo i dekonstrukcija....................... 80 d) Rasprava о opravdanom i neopravdanom ubistvu...... 84 e)
Zaključak............................................................................ 86 2. Ženske priče: niti i konopci Penelope i njenih sluškinja..................................................89 a) Uvod ................................................................................... 89 b) Revizija i parodija .............................................................90
c) Ideologija smrti, ogledalo života..................................... 92 d) Tkanje i druge strategije preživljavanja u Penelopijadi ....... 94 e) Glasovi onih koje glasove nemaju................................... 98 ANTIČKI MIT I TEORIJA........................ ....................... 103 1. Psihoanaliza i antički mit......................................... 103 a) Frojdova mitologija ili kako je Edip dobio kompleks?............................................103 b) Konstrukcija i de-re/konstrukcija Edipovog toposa u psihoanalizi........................ 108 2. Feminističke teorije i antički mit................................ 111 a) Uvod.......................................................................... i... 111 b) Revizija kao feministička praksa................................... 112 c) O Smehu Meduze............................................................ 113 3. Antropologija roda i mit............................................... 115 OD NARODNE DO POPULARNE KULTURE........... 119 1. Crni humor................................................................. . 119 a) Uvod................................................................................ 119 b) Crni humor: od obredne igre do filmskog platna...................... ...........121 c) Maratonci trče počasni krug...........................................130 d) Umesto zaključka.................................................... 133 BIBLIOGRAFIJA............................................................. 137 SUMMARY....................................................................... լ 49
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SUMMARY The title of the book Antika i mi(t) is difficult to translate into English, because it is based on a word pun. It might be read either as antiquity and us (mi), or in another version as antiquity and myth (mit). As stated in the subtitle, it questions dominant traditions of classical reception, i.e. of the ways in which antiquity and ancient myths were transmitted and re shaped throughout history. The book discusses various ways in which we come across ancient myths, antiquity, or narratives about it. It goes about reception of antiquity in different spheres of life - everyday re ality, sports, literature, theatre, comics, theory and philosophy, and as such, methodologically it enters the fields of classical reception studies and, inevitably of anthropology of ancient worlds. In everyday life, antiquity is actually everywhere. Only at home, I have just come across the cream called Bioderma, the wine Felix’s blood, the shampoo by Aphrodite cosmetics and Ajax cleaning product. Exactly such a presence of antiquity in trademarks is discussed in the first section „Antiquity around us“. One of the conclusions is that antiquity and its usage in the domain of marketing lies in the long tradition of constructing the power of antiquity as European glorified past. The second chapter of this section „Was sport ever only sport?“ focuses on the invention of modern Olympic games and all discrepancies and myths about its connection with ancient Greek Olym pic competitions. The questioning of the claims of continuity between ancient and modern games reveals important aspect of
ideological instrumentalization of antiquity. 149
Lada Stevanovič · Antika i mi(t) The second section has a title „Antigone’s rebellions“ and is divided into three main chapters. The first, discusses reception of Antigone in philosophical tradition ֊ from Hegel, to Kier kegaard, concluding with Judith Butler. These examples of re ception in philosophy open another domain in which ancient myths are still present. Discussing the relation and reading of antiquity and ancient myths in certain periods, contexts and philosophies, reveal often more about the discussed philosop hers and their time, than about antiquity; The issue that comes up as an important in this chapter is the position of women - both in everyday life, in western philosophical tradition, as well as in arts and myth, revealing the long existence of pa triarchy, but also pointing to existing niches through which women could express their position and influence. Two chap ters that follow, put Antigone in theatre and in comics, both being examples of different usage of ancient myth with the po litical potential of raising important social questions. The third section „Womens inscription“ is devoted to two novels by women authors and about female mythical prota gonists. The first is Medea. Voices (1996) by Krista Wolf, and the second one is Penelopiad (2005) by Margaret Atwood. In both novels, the authors make intervention into famous myths, changing the perspective of the stories and giving the voice to their heroines. Bot novels raise a question not only about fe male repression in the long mythical tradition, but also about the space that the myth opens
to challenge tradition that su pports existing patriarchal mechanisms. This brings us to the fourth section that is devoted to „An cient myth and theory“. The first chapter discusses the presen ce of ancient myth in psychoanalysis and its influence on the overall huge impact that Freuds Oedipus theory had on the reception of the famous myth, creating practically new myth in which many people still believe. The following chapter moves to feminist theories and researches how myths may be used creatively. Very important for these examples of reception is absence of essentialism and the awareness that myths and their meanings are never fixed, that they may be redefined, retold 150
and rearranged. Exactly through these changes and inscripti ons, it is possible to raise interesting and important social que stions. Finally, the third chapter offers the view into the possi ble anthropological research of gender in myths. The final section makes a shift in the research perspective. It is not any Inore focused on reception, but rather on conti nuities. The chapter discusses black humor and the changes of this phenomenon through the time, following on one hand literary tradition and on the other hand, the ritual practices, both in Serbia and in ancient Greece. 151
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SADRŽAJ UVOD.7 ANTIKA OKO NAS. 13 1. Antika u svakodnevici. 13 2. Da li je ikada sport bio samo sport?.24 a) Antika, sport i mi. 24 b) Olimpijske igre ili nadmetanja?. 31 ANTIGONINE POBUNE. 35 1. Antigona u filozofskoj tradiciji. 37 a) Kjerkegor i Hegel о strahu, sažaljenju i antičkom tragičnom. 39 b) Antigona - politički ili „prirodni“ subjekt?. 45 2. Antigona ispred Saveznog izvršnog veća. 59 a) Borba protvi nasilja i represije. 59 3. Antigona i Tenk Men. 66 a) Strip. 66 ŽENSKO UPISIVANJE. 73 1. Medejina Priča. 73 a) Mit o Medeji u grčkoj antici. 73 b) Od Euripida do Kriste Volf: od tradicije do revizije. 76 c) Mit danas: mitotvorstvo i dekonstrukcija. 80 d) Rasprava о opravdanom i neopravdanom ubistvu. 84 e)
Zaključak. 86 2. Ženske priče: niti i konopci Penelope i njenih sluškinja.89 a) Uvod . 89 b) Revizija i parodija .90
c) Ideologija smrti, ogledalo života. 92 d) Tkanje i druge strategije preživljavanja u Penelopijadi . 94 e) Glasovi onih koje glasove nemaju. 98 ANTIČKI MIT I TEORIJA. . 103 1. Psihoanaliza i antički mit. 103 a) Frojdova mitologija ili kako je Edip dobio kompleks?.103 b) Konstrukcija i de-re/konstrukcija Edipovog toposa u psihoanalizi. 108 2. Feminističke teorije i antički mit. 111 a) Uvod. i. 111 b) Revizija kao feministička praksa. 112 c) O Smehu Meduze. 113 3. Antropologija roda i mit. 115 OD NARODNE DO POPULARNE KULTURE. 119 1. Crni humor. . 119 a) Uvod. 119 b) Crni humor: od obredne igre do filmskog platna. .121 c) Maratonci trče počasni krug.130 d) Umesto zaključka. 133 BIBLIOGRAFIJA. 137 SUMMARY. լ 49
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BibUografija Malešević, Miroslava. 2010. „Put olimpijskog plamena: antička Grčka i evropski identitet (II)“. Glasnik Etnografskog instituta SANU 58(1): 7-25. Martindale, Charles. 1993. Redeeming the Text: Latin Poetry and the Hermeneutics of Reception. Cambridge, New York: Cam bridge University Press. Merriam-Webster Dictionary s.v. „classical“ https://www.merriam-webster.com/dictionary/classical (pristupljeno 26. juna 2018). Meuli, Karl. 1968. Der griechische Agon: Kampfund Kampfspiel im Totenbrauch, Tetentanz, Totenklage und Totenlob. Köln: His torisches Seminar der Deutschen Sporthochschule. Prvi put objavljeno: 1941. „Der Ursprung der Olympischen Spiele.“ An tike (17): 189-208. Milutinovič Bojanie, Sanja Elen Siksu. 2006. „Konačno." (in tervju). ProFemina 43-45: 83-91. Mingjun, Lu. 2012. „Eine andere Medea“. Literaturstrasse 13: 325333. Mitič, Petra. 2017. Zašto feminizam? Beograd: Karpos. Nagel, James. 2010. „Catch-22 and Angry Humor: A Study of the Normative Values of Satire“. In Dark Humor. Ed. Harold Bloom, 47-56. New York: Blooms Literary Criticism. Nagy, Gregory. 2009. „Foreword“. To Mothers in Mourning by Ni cole Loraux, 9-13. Ithaca London: Cornell University Press. Nake, Pjer Vidal. 1995. „Edip u Atini“. U Mit i tragedija u antičkoj Grčkoj II. Uredili Žan Pjer Vernan Pjer Vidai Nake, 91-105. Sremski Karlovci, Novi Sad: Izdavačka knjižarnica Zorana Sto janoviča. Narváez, Peter (ed). 2003. Of Corpse: Death and Humor in Folklore and Popular Culture. Logan, Utah: University Press of Colora do. Ober, Josiah Barry Stauss. 1992. „Drama, Political Rhetoric,
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Lada Stevanovič · Antika i mi(t) Obradović, Milica. 1966. „’Mrtvac’ u nekim društvenim igrama na području Bosne i Hercegovine“. Rad XI-og kongresa Saveza folklorista Jugoslavije u Novom Vinodolskom 1964: 371-374. Ogden, Daniel. 2002. Greek and Roman Necromancy. Princeton and Oxford: Princeton University Press. O’Higgins, Dolores Μ. 1997. „Medea as Muse, Pindar’s Pythian 4“. Medea, Essays on Medea in Myth, Literature, Philosophy and Art. Eds. James J. Clauss Sarah Iles Johnston, 103-127. Princeton: Princeton University Press. O’Neill Patrick. 1993. „The Comedy of Entropy; The Contexts of Black Humour“. In Black Humor, Critical Essays. Ed. Alan R. Pratt, 61-88. New York and London: Garland Publishing. Ostojič, Sunčica. 2019. „Koncepti golog života i gole telesnosti Đorđa Agambena“. Srpska politička misao (specijalno izdanje): 55-70. Ostriker, Suskin Alicia. 1986. Stealing the Language. The Emrgence of Womens Poetry in America. Boston: Beacon Press. Parke, Herbert William. 1986. Festival of Athenians. London: Themes and Hudson. Parker, Robert. 1983. Miasma. Oxford: Calderon Press. Pausanija. Opts Helade. I-V. Prevela Ljiljana Vulićevič. Novi Sad, Beograd: Matica Srpska, 1994. Pellizer, Ezio. 2010. „Introduzione. Mater Lacrimosa. Construzione di modelli femminili de dolore in Grecia antica“. I Quader ni del Ramo d’Oro online, n. 3 (2010): 1-10. Petrovič, Jelena. 2019. Womens Authorship in Interwar Yugoslavia. The Politics of Love and Struggle. Cham: Palgrave, Macmillan. Plutarh. Usporedni životopisi. Preveo Zdeslav Dukat. Zagreb: Au gust Cesaree, 1988. Pollock, Griselda.
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Lada Stevanovič · Antika i mi(t) Stevanovič, Lada. 2009. Laughing at the Funeral: Gender and An thropology in the Greek Funerary Rites. Beograd: EI SANU. Stevanovič, Lada. 2012. „Magična moć opscenih reči u ženskoj reveni“. Poznańskie Studia Slawistyczne 3 (18): 176-186. Stevanovič, Lada. 2018. „Antropologija i antika: epistemološka ra zilaženja i susreti“. Glasnik Etnografskog instituta SANU 66 (2): 287-302. Škiljan Dubravko. 2000. „Znaki in antika“. U Pogled, podoba, pomen. Ur. Svetlana Slapšak Darija Štrebenec, 293-308. Lju bljana: ISH i ŠOU. Štrebenec, Darija. 2000. „Uvod: Pogledi na antičnega človeka“. U Podoba, pogled, pomen. Ur. Svetlana Slapšak Darija Štre benec, 7-9. Ljubljana: ISH i ŠOU. Todorova, Marija. 1999. Imaginarni Balkan. Prevela Aleksandra Bajazetov-Vučen. Beograd: XX vek. Undset, Ingvald. 1872. Fra Akhershus til Akropolis. Kristiania: Cammermeyer. Veliki rečnik srpskohrvatskog književnog i narodnog jezika. Knjiga IX, s.v. klasičan, -čna, -čno. Beograd: SANU, Institut za srpskohrvatski jezik, 1975. Ven, Pol. 1997. Da li su Grci verovali u svoje mitove? Esej о tvoračkoj mašti. Preveo Pavle Sekeruš. Novi Sad: Svetovi. Ven, Pol. 2000. „Rimsko carstvo“. U Istorija privatnog života. Ure dili Filip Arijes Žorž Dibi, 13-203. Beograd: Clio. Vernan, Žan-Pjer. 1993. „Edip bez kompleksa“. U Mit i tragedija u antičkoj Grčkoj I. Uredili Žan-Pjer Vernan Pjer Vidal-Nake, 89-119. Sremski Karlovci, Novi Sad: Izdavačka knjižarnica Zorana Stojanoviča. Vernan, Žan-Pjer Pjer Vidai Nake. 1993. „Predgovor“. U Mit і tragedija u antičkoj Grčkoj I. Uredili Žan-Pjer Vernan
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SUMMARY The title of the book Antika i mi(t) is difficult to translate into English, because it is based on a word pun. It might be read either as antiquity and us (mi), or in another version as antiquity and myth (mit). As stated in the subtitle, it questions dominant traditions of classical reception, i.e. of the ways in which antiquity and ancient myths were transmitted and re shaped throughout history. The book discusses various ways in which we come across ancient myths, antiquity, or narratives about it. It goes about reception of antiquity in different spheres of life - everyday re ality, sports, literature, theatre, comics, theory and philosophy, and as such, methodologically it enters the fields of classical reception studies and, inevitably of anthropology of ancient worlds. In everyday life, antiquity is actually everywhere. Only at home, I have just come across the cream called Bioderma, the wine Felix’s blood, the shampoo by Aphrodite cosmetics and Ajax cleaning product. Exactly such a presence of antiquity in trademarks is discussed in the first section „Antiquity around us“. One of the conclusions is that antiquity and its usage in the domain of marketing lies in the long tradition of constructing the power of antiquity as European glorified past. The second chapter of this section „Was sport ever only sport?“ focuses on the invention of modern Olympic games and all discrepancies and myths about its connection with ancient Greek Olym pic competitions. The questioning of the claims of continuity between ancient and modern games reveals important aspect of
ideological instrumentalization of antiquity. 149
Lada Stevanovič · Antika i mi(t) The second section has a title „Antigone’s rebellions“ and is divided into three main chapters. The first, discusses reception of Antigone in philosophical tradition ֊ from Hegel, to Kier kegaard, concluding with Judith Butler. These examples of re ception in philosophy open another domain in which ancient myths are still present. Discussing the relation and reading of antiquity and ancient myths in certain periods, contexts and philosophies, reveal often more about the discussed philosop hers and their time, than about antiquity; The issue that comes up as an important in this chapter is the position of women - both in everyday life, in western philosophical tradition, as well as in arts and myth, revealing the long existence of pa triarchy, but also pointing to existing niches through which women could express their position and influence. Two chap ters that follow, put Antigone in theatre and in comics, both being examples of different usage of ancient myth with the po litical potential of raising important social questions. The third section „Womens inscription“ is devoted to two novels by women authors and about female mythical prota gonists. The first is Medea. Voices (1996) by Krista Wolf, and the second one is Penelopiad (2005) by Margaret Atwood. In both novels, the authors make intervention into famous myths, changing the perspective of the stories and giving the voice to their heroines. Bot novels raise a question not only about fe male repression in the long mythical tradition, but also about the space that the myth opens
to challenge tradition that su pports existing patriarchal mechanisms. This brings us to the fourth section that is devoted to „An cient myth and theory“. The first chapter discusses the presen ce of ancient myth in psychoanalysis and its influence on the overall huge impact that Freuds Oedipus theory had on the reception of the famous myth, creating practically new myth in which many people still believe. The following chapter moves to feminist theories and researches how myths may be used creatively. Very important for these examples of reception is absence of essentialism and the awareness that myths and their meanings are never fixed, that they may be redefined, retold 150
and rearranged. Exactly through these changes and inscripti ons, it is possible to raise interesting and important social que stions. Finally, the third chapter offers the view into the possi ble anthropological research of gender in myths. The final section makes a shift in the research perspective. It is not any Inore focused on reception, but rather on conti nuities. The chapter discusses black humor and the changes of this phenomenon through the time, following on one hand literary tradition and on the other hand, the ritual practices, both in Serbia and in ancient Greece. 151 |
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| id | DE-604.BV047960625 |
| illustrated | Illustrated |
| index_date | 2024-07-03T19:40:24Z |
| indexdate | 2024-07-10T09:26:48Z |
| institution | BVB |
| isbn | 9788664351416 9788675871019 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033341824 |
| oclc_num | 1225914327 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 151 Seiten Illustrationen, Karten 20 cm |
| psigel | BSB_NED_20221123 gbd_1 |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Etnografski institut SANU Karpos |
| record_format | marc |
| series2 | Posebna izdanja / Etnografski institut SANU Biblioteka Panelinion |
| spelling | Stevanović, Lada 1974- Verfasser (DE-588)1239763417 aut Antika i mi(t) preispitivanje dominantnih tokova recepcije antike Lada Stevanović Antika i mi mi mit Beograd Etnografski institut SANU 2020 Loznica Karpos 151 Seiten Illustrationen, Karten 20 cm txt rdacontent n rdamedia nc rdacarrier Posebna izdanja / Etnografski institut SANU knjiga 94 Biblioteka Panelinion Literaturverzeichnis Seite 137-147 Englische Zusammenfassung Geschichte gnd rswk-swf Kulturanthropologie (DE-588)4133903-4 gnd rswk-swf Antike (DE-588)4068754-5 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Mythos (DE-588)4075159-4 gnd rswk-swf Kultur (DE-588)4125698-0 gnd rswk-swf Antike (DE-588)4068754-5 s Mythos (DE-588)4075159-4 s Kultur (DE-588)4125698-0 s Rezeption (DE-588)4049716-1 s Kulturanthropologie (DE-588)4133903-4 s Geschichte z DE-604 Etnografski institut SANU Posebna izdanja knjiga 94 (DE-604)BV000017062 94 Digitalisierung BSB München 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033341824&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033341824&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Literaturverzeichnis Digitalisierung BSB München 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033341824&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Abstract |
| spellingShingle | Stevanović, Lada 1974- Antika i mi(t) preispitivanje dominantnih tokova recepcije antike Kulturanthropologie (DE-588)4133903-4 gnd Antike (DE-588)4068754-5 gnd Rezeption (DE-588)4049716-1 gnd Mythos (DE-588)4075159-4 gnd Kultur (DE-588)4125698-0 gnd |
| subject_GND | (DE-588)4133903-4 (DE-588)4068754-5 (DE-588)4049716-1 (DE-588)4075159-4 (DE-588)4125698-0 |
| title | Antika i mi(t) preispitivanje dominantnih tokova recepcije antike |
| title_alt | Antika i mi mi mit |
| title_auth | Antika i mi(t) preispitivanje dominantnih tokova recepcije antike |
| title_exact_search | Antika i mi(t) preispitivanje dominantnih tokova recepcije antike |
| title_exact_search_txtP | Antika i mi(t) preispitivanje dominantnih tokova recepcije antike |
| title_full | Antika i mi(t) preispitivanje dominantnih tokova recepcije antike Lada Stevanović |
| title_fullStr | Antika i mi(t) preispitivanje dominantnih tokova recepcije antike Lada Stevanović |
| title_full_unstemmed | Antika i mi(t) preispitivanje dominantnih tokova recepcije antike Lada Stevanović |
| title_short | Antika i mi(t) |
| title_sort | antika i mi t preispitivanje dominantnih tokova recepcije antike |
| title_sub | preispitivanje dominantnih tokova recepcije antike |
| topic | Kulturanthropologie (DE-588)4133903-4 gnd Antike (DE-588)4068754-5 gnd Rezeption (DE-588)4049716-1 gnd Mythos (DE-588)4075159-4 gnd Kultur (DE-588)4125698-0 gnd |
| topic_facet | Kulturanthropologie Antike Rezeption Mythos Kultur |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033341824&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033341824&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033341824&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV000017062 |
| work_keys_str_mv | AT stevanoviclada antikaimitpreispitivanjedominantnihtokovarecepcijeantike AT stevanoviclada antikaimi AT stevanoviclada mimit |