Improvision: Orphic art in the age of jazz
"Central to the development of abstract art, in the early decades of the 20th century was the conception (most famously articulated by Walter Pater) that the most appropriate paradigm for non-figurative art was music. The assumption has always been that this model was most effectively understoo...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
London
Bloomsbury Visual Arts
2022
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| Subjects: | |
| Online Access: | BSB01 Volltext |
| Summary: | "Central to the development of abstract art, in the early decades of the 20th century was the conception (most famously articulated by Walter Pater) that the most appropriate paradigm for non-figurative art was music. The assumption has always been that this model was most effectively understood as Western art music (classical music). However, the musical form that was abstract art's true twin is jazz, a music that originated with African Americans, but which had a profound impact on European artistic sensibilities. Both art forms share creative techniques of rhythm, groove, gesture and improvisation. This book sets out to theorize affinities and connections between, and across, two seemingly diverse cultural phenomena." |
| Physical Description: | 1 Online-Ressource (336 Seiten) Illustrationen |
| ISBN: | 9781350203457 9781350203433 |
| DOI: | 10.5040/9781350203457 |
Staff View
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| 505 | 8 | |a Introduction & Theoretical Preliminaries: Art, Abstraction and All That Jazz -- 1. The Sight and Sound of Nascent Jazz: Words, Definitions & Rags -- 2. Orphism and a New Tune I: Dance, Music, Painting -- 3. Orphism and a New Tune II: Words, Music, Image -- 4. Orphism in America: Art, Machines and Jazz Rhythm -- 5. Objects, Improvisation and Rhythm: Kandinsky, Duchamp and Beyond -- Selected Bibliography | |
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| author | Shaw-Miller, Simon 1960- |
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| contents | Introduction & Theoretical Preliminaries: Art, Abstraction and All That Jazz -- 1. The Sight and Sound of Nascent Jazz: Words, Definitions & Rags -- 2. Orphism and a New Tune I: Dance, Music, Painting -- 3. Orphism and a New Tune II: Words, Music, Image -- 4. Orphism in America: Art, Machines and Jazz Rhythm -- 5. Objects, Improvisation and Rhythm: Kandinsky, Duchamp and Beyond -- Selected Bibliography |
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| index_date | 2024-07-03T19:40:17Z |
| indexdate | 2024-07-10T09:26:48Z |
| institution | BVB |
| isbn | 9781350203457 9781350203433 |
| language | English |
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| publishDate | 2022 |
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| spelling | Shaw-Miller, Simon 1960- Verfasser (DE-588)124382703 aut Improvision Orphic art in the age of jazz Simon Shaw-Miller London Bloomsbury Visual Arts 2022 1 Online-Ressource (336 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Introduction & Theoretical Preliminaries: Art, Abstraction and All That Jazz -- 1. The Sight and Sound of Nascent Jazz: Words, Definitions & Rags -- 2. Orphism and a New Tune I: Dance, Music, Painting -- 3. Orphism and a New Tune II: Words, Music, Image -- 4. Orphism in America: Art, Machines and Jazz Rhythm -- 5. Objects, Improvisation and Rhythm: Kandinsky, Duchamp and Beyond -- Selected Bibliography "Central to the development of abstract art, in the early decades of the 20th century was the conception (most famously articulated by Walter Pater) that the most appropriate paradigm for non-figurative art was music. The assumption has always been that this model was most effectively understood as Western art music (classical music). However, the musical form that was abstract art's true twin is jazz, a music that originated with African Americans, but which had a profound impact on European artistic sensibilities. Both art forms share creative techniques of rhythm, groove, gesture and improvisation. This book sets out to theorize affinities and connections between, and across, two seemingly diverse cultural phenomena." Geschichte gnd rswk-swf Jazz (DE-588)4028532-7 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Orphismus (DE-588)4172854-3 gnd rswk-swf Art and music Aesthetics, Modern Jazz Art et musique Orphismus (DE-588)4172854-3 s Kunst (DE-588)4114333-4 s Jazz (DE-588)4028532-7 s Geschichte z DE-604 Erscheint auch als Druck-Ausgabe 978-1-350-20342-6 https://doi.org/10.5040/9781350203457?locatt=label:secondary_bloomsburyCollections Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Shaw-Miller, Simon 1960- Improvision Orphic art in the age of jazz Introduction & Theoretical Preliminaries: Art, Abstraction and All That Jazz -- 1. The Sight and Sound of Nascent Jazz: Words, Definitions & Rags -- 2. Orphism and a New Tune I: Dance, Music, Painting -- 3. Orphism and a New Tune II: Words, Music, Image -- 4. Orphism in America: Art, Machines and Jazz Rhythm -- 5. Objects, Improvisation and Rhythm: Kandinsky, Duchamp and Beyond -- Selected Bibliography Jazz (DE-588)4028532-7 gnd Kunst (DE-588)4114333-4 gnd Orphismus (DE-588)4172854-3 gnd |
| subject_GND | (DE-588)4028532-7 (DE-588)4114333-4 (DE-588)4172854-3 |
| title | Improvision Orphic art in the age of jazz |
| title_auth | Improvision Orphic art in the age of jazz |
| title_exact_search | Improvision Orphic art in the age of jazz |
| title_exact_search_txtP | Improvision Orphic art in the age of jazz |
| title_full | Improvision Orphic art in the age of jazz Simon Shaw-Miller |
| title_fullStr | Improvision Orphic art in the age of jazz Simon Shaw-Miller |
| title_full_unstemmed | Improvision Orphic art in the age of jazz Simon Shaw-Miller |
| title_short | Improvision |
| title_sort | improvision orphic art in the age of jazz |
| title_sub | Orphic art in the age of jazz |
| topic | Jazz (DE-588)4028532-7 gnd Kunst (DE-588)4114333-4 gnd Orphismus (DE-588)4172854-3 gnd |
| topic_facet | Jazz Kunst Orphismus |
| url | https://doi.org/10.5040/9781350203457?locatt=label:secondary_bloomsburyCollections |
| work_keys_str_mv | AT shawmillersimon improvisionorphicartintheageofjazz |