Improvision: Orphic art in the age of jazz
"Central to the development of abstract art, in the early decades of the 20th century was the conception (most famously articulated by Walter Pater) that the most appropriate paradigm for non-figurative art was music. The assumption has always been that this model was most effectively understoo...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London
Bloomsbury Visual Arts
2022
|
| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Zusammenfassung: | "Central to the development of abstract art, in the early decades of the 20th century was the conception (most famously articulated by Walter Pater) that the most appropriate paradigm for non-figurative art was music. The assumption has always been that this model was most effectively understood as Western art music (classical music). However, the musical form that was abstract art's true twin is jazz, a music that originated with African Americans, but which had a profound impact on European artistic sensibilities. Both art forms share creative techniques of rhythm, groove, gesture and improvisation. This book sets out to theorize affinities and connections between, and across, two seemingly diverse cultural phenomena." |
| Beschreibung: | 1 Online-Ressource (336 Seiten) Illustrationen |
| ISBN: | 9781350203457 9781350203433 |
| DOI: | 10.5040/9781350203457 |
Internformat
MARC
| LEADER | 00000nmm a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV047960236 | ||
| 003 | DE-604 | ||
| 005 | 20221006 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 220428s2022 |||| o||u| ||||||eng d | ||
| 020 | |a 9781350203457 |9 978-1-350-20345-7 | ||
| 020 | |a 9781350203433 |9 978-1-350-20343-3 | ||
| 024 | 7 | |a 10.5040/9781350203457 |2 doi | |
| 035 | |a (OCoLC)1314905202 | ||
| 035 | |a (DE-599)BVBBV047960236 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 | ||
| 100 | 1 | |a Shaw-Miller, Simon |d 1960- |e Verfasser |0 (DE-588)124382703 |4 aut | |
| 245 | 1 | 0 | |a Improvision |b Orphic art in the age of jazz |c Simon Shaw-Miller |
| 264 | 1 | |a London |b Bloomsbury Visual Arts |c 2022 | |
| 300 | |a 1 Online-Ressource (336 Seiten) |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 505 | 8 | |a Introduction & Theoretical Preliminaries: Art, Abstraction and All That Jazz -- 1. The Sight and Sound of Nascent Jazz: Words, Definitions & Rags -- 2. Orphism and a New Tune I: Dance, Music, Painting -- 3. Orphism and a New Tune II: Words, Music, Image -- 4. Orphism in America: Art, Machines and Jazz Rhythm -- 5. Objects, Improvisation and Rhythm: Kandinsky, Duchamp and Beyond -- Selected Bibliography | |
| 520 | 3 | |a "Central to the development of abstract art, in the early decades of the 20th century was the conception (most famously articulated by Walter Pater) that the most appropriate paradigm for non-figurative art was music. The assumption has always been that this model was most effectively understood as Western art music (classical music). However, the musical form that was abstract art's true twin is jazz, a music that originated with African Americans, but which had a profound impact on European artistic sensibilities. Both art forms share creative techniques of rhythm, groove, gesture and improvisation. This book sets out to theorize affinities and connections between, and across, two seemingly diverse cultural phenomena." | |
| 648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Jazz |0 (DE-588)4028532-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kunst |0 (DE-588)4114333-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Orphismus |0 (DE-588)4172854-3 |2 gnd |9 rswk-swf |
| 653 | 0 | |a Art and music | |
| 653 | 0 | |a Aesthetics, Modern | |
| 653 | 0 | |a Jazz | |
| 653 | 0 | |a Art et musique | |
| 689 | 0 | 0 | |a Orphismus |0 (DE-588)4172854-3 |D s |
| 689 | 0 | 1 | |a Kunst |0 (DE-588)4114333-4 |D s |
| 689 | 0 | 2 | |a Jazz |0 (DE-588)4028532-7 |D s |
| 689 | 0 | 3 | |a Geschichte |A z |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 978-1-350-20342-6 |
| 856 | 4 | 0 | |u https://doi.org/10.5040/9781350203457?locatt=label:secondary_bloomsburyCollections |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-162-AVC | ||
| 940 | 1 | |n oe | |
| 940 | 1 | |n by | |
| 940 | 1 | |q ZDB-162-AVC22 | |
| 940 | 1 | |q BSB_NED_20220713 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-033341442 | ||
| 942 | 1 | 1 | |c 709 |e 22/bsb |f 09041 |g 4371 |
| 942 | 1 | 1 | |c 781.65 |e 22/bsb |
| 942 | 1 | 1 | |c 781.65 |e 22/bsb |f 0904 |
| 942 | 1 | 1 | |c 709 |e 22/bsb |f 09042 |g 471 |
| 942 | 1 | 1 | |c 709 |e 22/bsb |f 09042 |g 4371 |
| 966 | e | |u https://doi.org/10.5040/9781350203457?locatt=label:secondary_bloomsburyCollections |l BSB01 |p ZDB-162-AVC |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804183649401176064 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Shaw-Miller, Simon 1960- |
| author_GND | (DE-588)124382703 |
| author_facet | Shaw-Miller, Simon 1960- |
| author_role | aut |
| author_sort | Shaw-Miller, Simon 1960- |
| author_variant | s s m ssm |
| building | Verbundindex |
| bvnumber | BV047960236 |
| collection | ZDB-162-AVC |
| contents | Introduction & Theoretical Preliminaries: Art, Abstraction and All That Jazz -- 1. The Sight and Sound of Nascent Jazz: Words, Definitions & Rags -- 2. Orphism and a New Tune I: Dance, Music, Painting -- 3. Orphism and a New Tune II: Words, Music, Image -- 4. Orphism in America: Art, Machines and Jazz Rhythm -- 5. Objects, Improvisation and Rhythm: Kandinsky, Duchamp and Beyond -- Selected Bibliography |
| ctrlnum | (OCoLC)1314905202 (DE-599)BVBBV047960236 |
| doi_str_mv | 10.5040/9781350203457 |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03243nmm a2200613 c 4500</leader><controlfield tag="001">BV047960236</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20221006 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">220428s2022 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781350203457</subfield><subfield code="9">978-1-350-20345-7</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781350203433</subfield><subfield code="9">978-1-350-20343-3</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.5040/9781350203457</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1314905202</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047960236</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Shaw-Miller, Simon</subfield><subfield code="d">1960-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)124382703</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Improvision</subfield><subfield code="b">Orphic art in the age of jazz</subfield><subfield code="c">Simon Shaw-Miller</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London</subfield><subfield code="b">Bloomsbury Visual Arts</subfield><subfield code="c">2022</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (336 Seiten)</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Introduction & Theoretical Preliminaries: Art, Abstraction and All That Jazz -- 1. The Sight and Sound of Nascent Jazz: Words, Definitions & Rags -- 2. Orphism and a New Tune I: Dance, Music, Painting -- 3. Orphism and a New Tune II: Words, Music, Image -- 4. Orphism in America: Art, Machines and Jazz Rhythm -- 5. Objects, Improvisation and Rhythm: Kandinsky, Duchamp and Beyond -- Selected Bibliography</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Central to the development of abstract art, in the early decades of the 20th century was the conception (most famously articulated by Walter Pater) that the most appropriate paradigm for non-figurative art was music. The assumption has always been that this model was most effectively understood as Western art music (classical music). However, the musical form that was abstract art's true twin is jazz, a music that originated with African Americans, but which had a profound impact on European artistic sensibilities. Both art forms share creative techniques of rhythm, groove, gesture and improvisation. This book sets out to theorize affinities and connections between, and across, two seemingly diverse cultural phenomena."</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Jazz</subfield><subfield code="0">(DE-588)4028532-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Orphismus</subfield><subfield code="0">(DE-588)4172854-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Art and music</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Aesthetics, Modern</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Jazz</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Art et musique</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Orphismus</subfield><subfield code="0">(DE-588)4172854-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Jazz</subfield><subfield code="0">(DE-588)4028532-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-1-350-20342-6</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.5040/9781350203457?locatt=label:secondary_bloomsburyCollections</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-162-AVC</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="n">oe</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="n">by</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">ZDB-162-AVC22</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20220713</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033341442</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">709</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09041</subfield><subfield code="g">4371</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.65</subfield><subfield code="e">22/bsb</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.65</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">709</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09042</subfield><subfield code="g">471</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">709</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09042</subfield><subfield code="g">4371</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.5040/9781350203457?locatt=label:secondary_bloomsburyCollections</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-162-AVC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV047960236 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T19:40:17Z |
| indexdate | 2024-07-10T09:26:48Z |
| institution | BVB |
| isbn | 9781350203457 9781350203433 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033341442 |
| oclc_num | 1314905202 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 1 Online-Ressource (336 Seiten) Illustrationen |
| psigel | ZDB-162-AVC ZDB-162-AVC22 BSB_NED_20220713 |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Bloomsbury Visual Arts |
| record_format | marc |
| spelling | Shaw-Miller, Simon 1960- Verfasser (DE-588)124382703 aut Improvision Orphic art in the age of jazz Simon Shaw-Miller London Bloomsbury Visual Arts 2022 1 Online-Ressource (336 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Introduction & Theoretical Preliminaries: Art, Abstraction and All That Jazz -- 1. The Sight and Sound of Nascent Jazz: Words, Definitions & Rags -- 2. Orphism and a New Tune I: Dance, Music, Painting -- 3. Orphism and a New Tune II: Words, Music, Image -- 4. Orphism in America: Art, Machines and Jazz Rhythm -- 5. Objects, Improvisation and Rhythm: Kandinsky, Duchamp and Beyond -- Selected Bibliography "Central to the development of abstract art, in the early decades of the 20th century was the conception (most famously articulated by Walter Pater) that the most appropriate paradigm for non-figurative art was music. The assumption has always been that this model was most effectively understood as Western art music (classical music). However, the musical form that was abstract art's true twin is jazz, a music that originated with African Americans, but which had a profound impact on European artistic sensibilities. Both art forms share creative techniques of rhythm, groove, gesture and improvisation. This book sets out to theorize affinities and connections between, and across, two seemingly diverse cultural phenomena." Geschichte gnd rswk-swf Jazz (DE-588)4028532-7 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Orphismus (DE-588)4172854-3 gnd rswk-swf Art and music Aesthetics, Modern Jazz Art et musique Orphismus (DE-588)4172854-3 s Kunst (DE-588)4114333-4 s Jazz (DE-588)4028532-7 s Geschichte z DE-604 Erscheint auch als Druck-Ausgabe 978-1-350-20342-6 https://doi.org/10.5040/9781350203457?locatt=label:secondary_bloomsburyCollections Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Shaw-Miller, Simon 1960- Improvision Orphic art in the age of jazz Introduction & Theoretical Preliminaries: Art, Abstraction and All That Jazz -- 1. The Sight and Sound of Nascent Jazz: Words, Definitions & Rags -- 2. Orphism and a New Tune I: Dance, Music, Painting -- 3. Orphism and a New Tune II: Words, Music, Image -- 4. Orphism in America: Art, Machines and Jazz Rhythm -- 5. Objects, Improvisation and Rhythm: Kandinsky, Duchamp and Beyond -- Selected Bibliography Jazz (DE-588)4028532-7 gnd Kunst (DE-588)4114333-4 gnd Orphismus (DE-588)4172854-3 gnd |
| subject_GND | (DE-588)4028532-7 (DE-588)4114333-4 (DE-588)4172854-3 |
| title | Improvision Orphic art in the age of jazz |
| title_auth | Improvision Orphic art in the age of jazz |
| title_exact_search | Improvision Orphic art in the age of jazz |
| title_exact_search_txtP | Improvision Orphic art in the age of jazz |
| title_full | Improvision Orphic art in the age of jazz Simon Shaw-Miller |
| title_fullStr | Improvision Orphic art in the age of jazz Simon Shaw-Miller |
| title_full_unstemmed | Improvision Orphic art in the age of jazz Simon Shaw-Miller |
| title_short | Improvision |
| title_sort | improvision orphic art in the age of jazz |
| title_sub | Orphic art in the age of jazz |
| topic | Jazz (DE-588)4028532-7 gnd Kunst (DE-588)4114333-4 gnd Orphismus (DE-588)4172854-3 gnd |
| topic_facet | Jazz Kunst Orphismus |
| url | https://doi.org/10.5040/9781350203457?locatt=label:secondary_bloomsburyCollections |
| work_keys_str_mv | AT shawmillersimon improvisionorphicartintheageofjazz |