Rude citizenship: Jamaican popular music, copyright, and the reverberations of colonial power
"In this deep dive into the Jamaican music world filled with the voices of creators, producers, and consumers, Larisa Kingston Mann-DJ, media law expert, and ethnographer-identifies how a culture of collaboration lies at the heart of Jamaican creative practices and legal personhood. In street d...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Chapel Hill
The University of North Carolina Press
[2022]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "In this deep dive into the Jamaican music world filled with the voices of creators, producers, and consumers, Larisa Kingston Mann-DJ, media law expert, and ethnographer-identifies how a culture of collaboration lies at the heart of Jamaican creative practices and legal personhood. In street dances, recording sessions, and global genres such as the riddim, notions of originality include reliance on shared knowledge and authorship as an interactive practice. In this context, musicians, music producers, and audiences are often resistant to conventional copyright practices. And this resistance, Mann reveals, goes beyond cultural concerns. Because many working-class and poor people are cut off from the full benefits of citizenship on the basis of race, class, and geography, Jamaican music spaces are an important site of social commentary and political action in the face of the state's limited reach and neglect of social services and infrastructure. Music makers organize performance and commerce in ways that defy, though not without danger, state ordinances and intellectual property law and provide poor Jamaicans avenues for self-expression and self-definition that are closed off to them in the wider society. In a postcolonial world, how creators relate to copyright reveals how people will play outside, within, and through the limits of their marginalization"-- |
| Beschreibung: | 228 Seiten |
| ISBN: | 9781469667249 9781469667232 |
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| 505 | 8 | |a Introduction : Community originality and colonial copyright -- Voice of the people : Cultural survival as a musical imperative -- Every night it's something : Exilic authoritiy in the street dance -- Counteractions : Musical conversation against commodification -- Conclusion : New visions from old traditions : autonomy from the commons | |
| 520 | 3 | |a "In this deep dive into the Jamaican music world filled with the voices of creators, producers, and consumers, Larisa Kingston Mann-DJ, media law expert, and ethnographer-identifies how a culture of collaboration lies at the heart of Jamaican creative practices and legal personhood. In street dances, recording sessions, and global genres such as the riddim, notions of originality include reliance on shared knowledge and authorship as an interactive practice. In this context, musicians, music producers, and audiences are often resistant to conventional copyright practices. And this resistance, Mann reveals, goes beyond cultural concerns. Because many working-class and poor people are cut off from the full benefits of citizenship on the basis of race, class, and geography, Jamaican music spaces are an important site of social commentary and political action in the face of the state's limited reach and neglect of social services and infrastructure. Music makers organize performance and commerce in ways that defy, though not without danger, state ordinances and intellectual property law and provide poor Jamaicans avenues for self-expression and self-definition that are closed off to them in the wider society. In a postcolonial world, how creators relate to copyright reveals how people will play outside, within, and through the limits of their marginalization"-- | |
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Datensatz im Suchindex
| _version_ | 1804183646794416128 |
|---|---|
| adam_text | Contents Acknowledgments, xi Introduction, i Community Originality and Colonial Copyright 1 Voice of the People, 31 Cultural Survival as a Musical Imperative 2 Every Night It’s Something, 85 Exilic Authority in the Street Dance 3 Counteractions, 138 Musical Conversation against Commodification Conclusion, 171 New Visions from Old Traditions: Autonomy from the Commons Notes, 189 Index, 219
|
| adam_txt |
Contents Acknowledgments, xi Introduction, i Community Originality and Colonial Copyright 1 Voice of the People, 31 Cultural Survival as a Musical Imperative 2 Every Night It’s Something, 85 Exilic Authority in the Street Dance 3 Counteractions, 138 Musical Conversation against Commodification Conclusion, 171 New Visions from Old Traditions: Autonomy from the Commons Notes, 189 Index, 219 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Mann, Larisa Kingston |
| author_GND | (DE-588)1259356418 |
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| author_sort | Mann, Larisa Kingston |
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| bvnumber | BV047958804 |
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| contents | Introduction : Community originality and colonial copyright -- Voice of the people : Cultural survival as a musical imperative -- Every night it's something : Exilic authoritiy in the street dance -- Counteractions : Musical conversation against commodification -- Conclusion : New visions from old traditions : autonomy from the commons |
| ctrlnum | (OCoLC)1334060089 (DE-599)BVBBV047958804 |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
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| id | DE-604.BV047958804 |
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| index_date | 2024-07-03T19:39:51Z |
| indexdate | 2024-07-10T09:26:45Z |
| institution | BVB |
| isbn | 9781469667249 9781469667232 |
| language | English |
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| spelling | Mann, Larisa Kingston Verfasser (DE-588)1259356418 aut Rude citizenship Jamaican popular music, copyright, and the reverberations of colonial power Larisa Kingston Mann Chapel Hill The University of North Carolina Press [2022] © 2022 228 Seiten txt rdacontent n rdamedia nc rdacarrier Introduction : Community originality and colonial copyright -- Voice of the people : Cultural survival as a musical imperative -- Every night it's something : Exilic authoritiy in the street dance -- Counteractions : Musical conversation against commodification -- Conclusion : New visions from old traditions : autonomy from the commons "In this deep dive into the Jamaican music world filled with the voices of creators, producers, and consumers, Larisa Kingston Mann-DJ, media law expert, and ethnographer-identifies how a culture of collaboration lies at the heart of Jamaican creative practices and legal personhood. In street dances, recording sessions, and global genres such as the riddim, notions of originality include reliance on shared knowledge and authorship as an interactive practice. In this context, musicians, music producers, and audiences are often resistant to conventional copyright practices. And this resistance, Mann reveals, goes beyond cultural concerns. Because many working-class and poor people are cut off from the full benefits of citizenship on the basis of race, class, and geography, Jamaican music spaces are an important site of social commentary and political action in the face of the state's limited reach and neglect of social services and infrastructure. Music makers organize performance and commerce in ways that defy, though not without danger, state ordinances and intellectual property law and provide poor Jamaicans avenues for self-expression and self-definition that are closed off to them in the wider society. In a postcolonial world, how creators relate to copyright reveals how people will play outside, within, and through the limits of their marginalization"-- Musik (DE-588)4040802-4 gnd rswk-swf Kooperation (DE-588)4032386-9 gnd rswk-swf Urheberrecht (DE-588)4062127-3 gnd rswk-swf Jamaika (DE-588)4028456-6 gnd rswk-swf Popular music / Jamaica / History and criticism Popular music / Social aspects / Jamaica / History Music trade / Jamaica Copyright / Music / Jamaica Music and race / Jamaica Musique populaire / Jamaïque / Histoire et critique Musique populaire / Aspect social / Jamaïque / Histoire Musique / Industrie / Jamaïque Droit d'auteur / Musique / Jamaïque Musique et race / Jamaïque Copyright / Music Music trade Popular music Popular music / Social aspects Jamaica Criticism, interpretation, etc History Jamaika (DE-588)4028456-6 g Musik (DE-588)4040802-4 s Kooperation (DE-588)4032386-9 s Urheberrecht (DE-588)4062127-3 s DE-604 Erscheint auch als Online-Ausgabe 978-1-4696-6726-3 Erscheint auch als Online-Ausgabe 978-1-4696-6725-6 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033340041&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Mann, Larisa Kingston Rude citizenship Jamaican popular music, copyright, and the reverberations of colonial power Introduction : Community originality and colonial copyright -- Voice of the people : Cultural survival as a musical imperative -- Every night it's something : Exilic authoritiy in the street dance -- Counteractions : Musical conversation against commodification -- Conclusion : New visions from old traditions : autonomy from the commons Musik (DE-588)4040802-4 gnd Kooperation (DE-588)4032386-9 gnd Urheberrecht (DE-588)4062127-3 gnd |
| subject_GND | (DE-588)4040802-4 (DE-588)4032386-9 (DE-588)4062127-3 (DE-588)4028456-6 |
| title | Rude citizenship Jamaican popular music, copyright, and the reverberations of colonial power |
| title_auth | Rude citizenship Jamaican popular music, copyright, and the reverberations of colonial power |
| title_exact_search | Rude citizenship Jamaican popular music, copyright, and the reverberations of colonial power |
| title_exact_search_txtP | Rude citizenship Jamaican popular music, copyright, and the reverberations of colonial power |
| title_full | Rude citizenship Jamaican popular music, copyright, and the reverberations of colonial power Larisa Kingston Mann |
| title_fullStr | Rude citizenship Jamaican popular music, copyright, and the reverberations of colonial power Larisa Kingston Mann |
| title_full_unstemmed | Rude citizenship Jamaican popular music, copyright, and the reverberations of colonial power Larisa Kingston Mann |
| title_short | Rude citizenship |
| title_sort | rude citizenship jamaican popular music copyright and the reverberations of colonial power |
| title_sub | Jamaican popular music, copyright, and the reverberations of colonial power |
| topic | Musik (DE-588)4040802-4 gnd Kooperation (DE-588)4032386-9 gnd Urheberrecht (DE-588)4062127-3 gnd |
| topic_facet | Musik Kooperation Urheberrecht Jamaika |
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