Modern art & the remaking of human disposition:
Figures of Thought: Poseuses and the Controversy of the Grande Jatte -- Beethoven's Farewell: The Creative Genius "in the Claws of the Secession" -- The Mise-en-scène of Dreams: L'Après-midi d'un faune
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Chicago ; London
The University of Chicago Press
2021
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Figures of Thought: Poseuses and the Controversy of the Grande Jatte -- Beethoven's Farewell: The Creative Genius "in the Claws of the Secession" -- The Mise-en-scène of Dreams: L'Après-midi d'un faune "Human Dispositions explores new conventions for posing and positioning human figures in pictorial, architectural, and theatrical space in Europe in the decades leading up to WWI. The author contends that questions of "disposition" are vital to understanding a key transitional period in the history of Western modernism. Around 1885, avant-garde artists began to present human figures in strictly frontal, lateral, and dorsal postures. The effect, compared with standard, classical representations of the human figure, was both archaic and advanced, in keeping with contemporary theories of evolution and human psychology. These new ways of posing figures was how modern artists challenged long, deeply held assumptions about human consciousness and the human being's privileged status in the world. Featured are three major works: the painting Poseuses (1886-1888) by the French Neo-Impressionist artist Georges Seurat; the Beethovenfries mural (1902) by the Austrian Secessionist painter Gustav Klimt; and the ballet L'Après-midi d'un faune (1912) by the Russian dancer and Ballets Russes choreographer Vaslav Nijinsky. Each work created an uproar when first presented. They were meant to be manifestos for the new values of a modern world and to overturn the superior, cerebral, moral status of the human subject"-- |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | 340 Seiten Illustrationen (überwiegend farbig) 26 cm |
| ISBN: | 9780226745046 |
Internformat
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| 245 | 1 | 0 | |a Modern art & the remaking of human disposition |c Emmelyn Butterfield-Rosen |
| 246 | 1 | 3 | |a Modern art and the remaking of human disposition |
| 246 | 1 | 0 | |a and |
| 264 | 1 | |a Chicago ; London |b The University of Chicago Press |c 2021 | |
| 300 | |a 340 Seiten |b Illustrationen (überwiegend farbig) |c 26 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 336 | |b sti |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes bibliographical references and index | ||
| 520 | 3 | |a Figures of Thought: Poseuses and the Controversy of the Grande Jatte -- Beethoven's Farewell: The Creative Genius "in the Claws of the Secession" -- The Mise-en-scène of Dreams: L'Après-midi d'un faune | |
| 520 | 3 | |a "Human Dispositions explores new conventions for posing and positioning human figures in pictorial, architectural, and theatrical space in Europe in the decades leading up to WWI. The author contends that questions of "disposition" are vital to understanding a key transitional period in the history of Western modernism. Around 1885, avant-garde artists began to present human figures in strictly frontal, lateral, and dorsal postures. The effect, compared with standard, classical representations of the human figure, was both archaic and advanced, in keeping with contemporary theories of evolution and human psychology. These new ways of posing figures was how modern artists challenged long, deeply held assumptions about human consciousness and the human being's privileged status in the world. Featured are three major works: the painting Poseuses (1886-1888) by the French Neo-Impressionist artist Georges Seurat; the Beethovenfries mural (1902) by the Austrian Secessionist painter Gustav Klimt; and the ballet L'Après-midi d'un faune (1912) by the Russian dancer and Ballets Russes choreographer Vaslav Nijinsky. Each work created an uproar when first presented. They were meant to be manifestos for the new values of a modern world and to overturn the superior, cerebral, moral status of the human subject"-- | |
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| 653 | 1 | |a Seurat, Georges / 1859-1891 / Sunday afternoon on the island of la Grande Jatte | |
| 653 | 1 | |a Klimt, Gustav / 1862-1918 / Beethoven frieze | |
| 653 | |a Afternoon of a faun (Choreographic work : Nijinsky) | ||
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| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-0-226-74518-3 |
| 856 | 4 | 2 | |m B:DE-16 |m V:DE-576 |u https://swbplus.bsz-bw.de/bsz1750511142inh.htm |v 20220420120407 |3 Inhaltsverzeichnis |
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Datensatz im Suchindex
| _version_ | 1808862432372719616 |
|---|---|
| adam_text | |
| adam_txt | |
| any_adam_object | |
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| author | Butterfield-Rosen, Emmelyn |
| author_GND | (DE-588)1251906710 |
| author_facet | Butterfield-Rosen, Emmelyn |
| author_role | aut |
| author_sort | Butterfield-Rosen, Emmelyn |
| author_variant | e b r ebr |
| building | Verbundindex |
| bvnumber | BV047958631 |
| callnumber-first | N - Fine Arts |
| callnumber-label | N7570 |
| callnumber-raw | N7570 |
| callnumber-search | N7570 |
| callnumber-sort | N 47570 |
| callnumber-subject | N - Visual Arts |
| classification_rvk | LH 70470 LH 71410 LI 47350 LI 83930 |
| ctrlnum | (OCoLC)1309103354 (DE-599)KXP1750511142 |
| dewey-full | 704.9/42 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 704 - Special topics in fine and decorative arts |
| dewey-raw | 704.9/42 |
| dewey-search | 704.9/42 |
| dewey-sort | 3704.9 242 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| era | Geschichte 1910 gnd Geschichte 1900-2021 gnd Geschichte 1885-1910 gnd |
| era_facet | Geschichte 1910 Geschichte 1900-2021 Geschichte 1885-1910 |
| format | Book |
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| geographic | Europa (DE-588)4015701-5 gnd Griechenland (DE-588)4022047-3 gnd |
| geographic_facet | Europa Griechenland |
| id | DE-604.BV047958631 |
| illustrated | Illustrated |
| index_date | 2024-07-03T19:39:45Z |
| indexdate | 2024-08-31T00:54:03Z |
| institution | BVB |
| isbn | 9780226745046 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033339868 |
| oclc_num | 1309103354 |
| open_access_boolean | |
| owner | DE-255 DE-12 DE-11 |
| owner_facet | DE-255 DE-12 DE-11 |
| physical | 340 Seiten Illustrationen (überwiegend farbig) 26 cm |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | The University of Chicago Press |
| record_format | marc |
| spelling | Butterfield-Rosen, Emmelyn Verfasser (DE-588)1251906710 aut Modern art & the remaking of human disposition Emmelyn Butterfield-Rosen Modern art and the remaking of human disposition and Chicago ; London The University of Chicago Press 2021 340 Seiten Illustrationen (überwiegend farbig) 26 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Figures of Thought: Poseuses and the Controversy of the Grande Jatte -- Beethoven's Farewell: The Creative Genius "in the Claws of the Secession" -- The Mise-en-scène of Dreams: L'Après-midi d'un faune "Human Dispositions explores new conventions for posing and positioning human figures in pictorial, architectural, and theatrical space in Europe in the decades leading up to WWI. The author contends that questions of "disposition" are vital to understanding a key transitional period in the history of Western modernism. Around 1885, avant-garde artists began to present human figures in strictly frontal, lateral, and dorsal postures. The effect, compared with standard, classical representations of the human figure, was both archaic and advanced, in keeping with contemporary theories of evolution and human psychology. These new ways of posing figures was how modern artists challenged long, deeply held assumptions about human consciousness and the human being's privileged status in the world. Featured are three major works: the painting Poseuses (1886-1888) by the French Neo-Impressionist artist Georges Seurat; the Beethovenfries mural (1902) by the Austrian Secessionist painter Gustav Klimt; and the ballet L'Après-midi d'un faune (1912) by the Russian dancer and Ballets Russes choreographer Vaslav Nijinsky. Each work created an uproar when first presented. They were meant to be manifestos for the new values of a modern world and to overturn the superior, cerebral, moral status of the human subject"-- Mallarmé, Stéphane 1842-1898 L' après-midi d'un faune (DE-588)4233509-7 gnd rswk-swf Klimt, Gustav 1862-1918 (DE-588)118563289 gnd rswk-swf Nižinskij, Vaclav F. 1889-1950 (DE-588)118587978 gnd rswk-swf Klimt, Gustav 1862-1918 Beethovenfries (DE-588)4204968-4 gnd rswk-swf Seurat, Georges 1859-1891 (DE-588)118613502 gnd rswk-swf Seurat, Georges 1859-1891 Un dimanche à la Grande-Jatte (DE-588)4683987-2 gnd rswk-swf Debussy, Claude 1862-1918 (DE-588)118524186 gnd rswk-swf Geschichte 1910 gnd rswk-swf Geschichte 1900-2021 gnd rswk-swf Geschichte 1885-1910 gnd rswk-swf Motiv (DE-588)4040360-9 gnd rswk-swf Figur (DE-588)4229620-1 gnd rswk-swf Darstellung (DE-588)4200624-7 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Pose (DE-588)4486507-7 gnd rswk-swf Choreografie (DE-588)4069977-8 gnd rswk-swf Ballett (DE-588)4004351-4 gnd rswk-swf Körper Motiv (DE-588)4164424-4 gnd rswk-swf Personendarstellung (DE-588)4173909-7 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Tanz (DE-588)4059028-8 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf Conditio humana (DE-588)7701000-0 gnd rswk-swf Europa (DE-588)4015701-5 gnd rswk-swf Griechenland (DE-588)4022047-3 gnd rswk-swf Seurat, Georges / 1859-1891 / Sunday afternoon on the island of la Grande Jatte Klimt, Gustav / 1862-1918 / Beethoven frieze Afternoon of a faun (Choreographic work : Nijinsky) Human figure in art Art, Modern Personendarstellung (DE-588)4173909-7 s Pose (DE-588)4486507-7 s Kunst (DE-588)4114333-4 s Theater (DE-588)4059702-7 s Tanz (DE-588)4059028-8 s Conditio humana (DE-588)7701000-0 s Geschichte 1885-1910 z DE-604 Rezeption (DE-588)4049716-1 s Seurat, Georges 1859-1891 Un dimanche à la Grande-Jatte (DE-588)4683987-2 u Klimt, Gustav 1862-1918 Beethovenfries (DE-588)4204968-4 u Griechenland (DE-588)4022047-3 g Nižinskij, Vaclav F. 1889-1950 (DE-588)118587978 p Ballett (DE-588)4004351-4 s Choreografie (DE-588)4069977-8 s Debussy, Claude 1862-1918 (DE-588)118524186 p Mallarmé, Stéphane 1842-1898 L' après-midi d'un faune (DE-588)4233509-7 u Geschichte 1910 z Europa (DE-588)4015701-5 g Körper Motiv (DE-588)4164424-4 s Motiv (DE-588)4040360-9 s Figur (DE-588)4229620-1 s Darstellung (DE-588)4200624-7 s Geschichte 1900-2021 z Seurat, Georges 1859-1891 (DE-588)118613502 p Klimt, Gustav 1862-1918 (DE-588)118563289 p Erscheint auch als Online-Ausgabe 978-0-226-74518-3 B:DE-16 V:DE-576 https://swbplus.bsz-bw.de/bsz1750511142inh.htm 20220420120407 Inhaltsverzeichnis |
| spellingShingle | Butterfield-Rosen, Emmelyn Modern art & the remaking of human disposition Mallarmé, Stéphane 1842-1898 L' après-midi d'un faune (DE-588)4233509-7 gnd Klimt, Gustav 1862-1918 (DE-588)118563289 gnd Nižinskij, Vaclav F. 1889-1950 (DE-588)118587978 gnd Klimt, Gustav 1862-1918 Beethovenfries (DE-588)4204968-4 gnd Seurat, Georges 1859-1891 (DE-588)118613502 gnd Seurat, Georges 1859-1891 Un dimanche à la Grande-Jatte (DE-588)4683987-2 gnd Debussy, Claude 1862-1918 (DE-588)118524186 gnd Motiv (DE-588)4040360-9 gnd Figur (DE-588)4229620-1 gnd Darstellung (DE-588)4200624-7 gnd Kunst (DE-588)4114333-4 gnd Pose (DE-588)4486507-7 gnd Choreografie (DE-588)4069977-8 gnd Ballett (DE-588)4004351-4 gnd Körper Motiv (DE-588)4164424-4 gnd Personendarstellung (DE-588)4173909-7 gnd Rezeption (DE-588)4049716-1 gnd Tanz (DE-588)4059028-8 gnd Theater (DE-588)4059702-7 gnd Conditio humana (DE-588)7701000-0 gnd |
| subject_GND | (DE-588)4233509-7 (DE-588)118563289 (DE-588)118587978 (DE-588)4204968-4 (DE-588)118613502 (DE-588)4683987-2 (DE-588)118524186 (DE-588)4040360-9 (DE-588)4229620-1 (DE-588)4200624-7 (DE-588)4114333-4 (DE-588)4486507-7 (DE-588)4069977-8 (DE-588)4004351-4 (DE-588)4164424-4 (DE-588)4173909-7 (DE-588)4049716-1 (DE-588)4059028-8 (DE-588)4059702-7 (DE-588)7701000-0 (DE-588)4015701-5 (DE-588)4022047-3 |
| title | Modern art & the remaking of human disposition |
| title_alt | Modern art and the remaking of human disposition and |
| title_auth | Modern art & the remaking of human disposition |
| title_exact_search | Modern art & the remaking of human disposition |
| title_exact_search_txtP | Modern art & the remaking of human disposition |
| title_full | Modern art & the remaking of human disposition Emmelyn Butterfield-Rosen |
| title_fullStr | Modern art & the remaking of human disposition Emmelyn Butterfield-Rosen |
| title_full_unstemmed | Modern art & the remaking of human disposition Emmelyn Butterfield-Rosen |
| title_short | Modern art & the remaking of human disposition |
| title_sort | modern art the remaking of human disposition |
| topic | Mallarmé, Stéphane 1842-1898 L' après-midi d'un faune (DE-588)4233509-7 gnd Klimt, Gustav 1862-1918 (DE-588)118563289 gnd Nižinskij, Vaclav F. 1889-1950 (DE-588)118587978 gnd Klimt, Gustav 1862-1918 Beethovenfries (DE-588)4204968-4 gnd Seurat, Georges 1859-1891 (DE-588)118613502 gnd Seurat, Georges 1859-1891 Un dimanche à la Grande-Jatte (DE-588)4683987-2 gnd Debussy, Claude 1862-1918 (DE-588)118524186 gnd Motiv (DE-588)4040360-9 gnd Figur (DE-588)4229620-1 gnd Darstellung (DE-588)4200624-7 gnd Kunst (DE-588)4114333-4 gnd Pose (DE-588)4486507-7 gnd Choreografie (DE-588)4069977-8 gnd Ballett (DE-588)4004351-4 gnd Körper Motiv (DE-588)4164424-4 gnd Personendarstellung (DE-588)4173909-7 gnd Rezeption (DE-588)4049716-1 gnd Tanz (DE-588)4059028-8 gnd Theater (DE-588)4059702-7 gnd Conditio humana (DE-588)7701000-0 gnd |
| topic_facet | Mallarmé, Stéphane 1842-1898 L' après-midi d'un faune Klimt, Gustav 1862-1918 Nižinskij, Vaclav F. 1889-1950 Klimt, Gustav 1862-1918 Beethovenfries Seurat, Georges 1859-1891 Seurat, Georges 1859-1891 Un dimanche à la Grande-Jatte Debussy, Claude 1862-1918 Motiv Figur Darstellung Kunst Pose Choreografie Ballett Körper Motiv Personendarstellung Rezeption Tanz Theater Conditio humana Europa Griechenland |
| url | https://swbplus.bsz-bw.de/bsz1750511142inh.htm |
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