Celebrating flamenco's tangled roots: the body questions
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Newcastle upon Tyne
Cambridge Scholars Publishing
2022
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | xxi, 496 Seiten, 2 ungezählte Seiten Tafeln Illustrationen (teilweise farbig) |
| ISBN: | 9781527576926 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Table of Contents Acknowledgements................................................................................. viii Introduction............................................................................................. ix The Body Wonders, The Body Knows The Strength of Instability Chapter One................................................................................................. 2 ‘This Little Wooden World’: Choreo-navigating Maritime Dance Russell Patrick Brown (Roma People’s Project) Chapter Two.............................................................................................. 34 Embodied ‘Sounds’: Musical Culture, Popular Agency, and the Corporeal Public Display of Political and Social Power in State-Sponsored Festivities of Nineteenth-Century Puerto Rico Noel Allende-Goitia (Research Associate, Colectivo de Estudios Musicales de Puerto Rico) Chapter Three............................................................................................ 46 Radical Moves from the Margins: ‘Enslaved Entertainments’ and Harvest Celebrations in Northeastern Brazil Scott Alves Barton (Notre Dame) Queer Ideals Chapter Four.............................................................................................. 72 La Muñeca Subersiva (The Subversive Doll) Belén Maya (Independent Artist and Scholar), translated by K. Meira Goldberg Chapter Five............................................................................................ 101 Queering the Tale of the Skirt: The Masculine Presence, Archival Histories, and Queer Future of the Bata de Cola
Ryan Rockmore (Independent Artist and Scholar)
vi Table of Contents Chapter Six.............................................................................................. 126 Niño de Elche, a Heterotopian (Flamencx) Voice Daniel Valtuefia (The Graduate Center, City University of New York) Key Transpositions Chapter Seven.......................................................................................... 138 Troubling Paradises: The Changing Face of the Other in Medieval Representations of Celestial Dancing Karen Silen (UC Berkeley) Chapter Eight........................................................................................... 172 Music in the Spanish Renaissance Theater Antonio Cortijo Ocaña (University of California, Santa Barbara) Chapter Nine........................................................................................... 182 Soleá՛. Conjuring the Feminine in Flamenco’s Cante Jondo Constance Valis Hill (Hampshire College) Chapter Ten............................................................................................. 211 Faux Amis’. False Cognates in Flamenco’s Discourse within Ballet and Spanish Dance Contexts Maria Gabriela Estrada (East Carolina University) Chapter Eleven........................................................................................ 226 The Key of Danzas de negros՝. On the Standard Tonalities of Black Dances in Early Modern Hispanic Music Guillermo Castro (Conservatorio Superior de Música, Córdoba), translated by K. Meira Goldberg Outlaw Representations Chapter Twelve.......................................................................................
274 Criminalized Identity: Exploring Potential Psychological Effects of Roma Stigmatization Cal Brisbin (University of California, Los Angeles), Cristiana Grigore (Roma People’s Project, Columbia University), and Sarah Zawacki (Independent Scholar)
Celebrating Flamenco’s Tangled Roots: The Body Questions vii Chapter Thirteen...................................................................................... 296 Dancing my Otherness/Multiplicity or Sin Pedir Permiso, Me Agarro Aquí Niurca E. Márquez (Artist/Researcher, Florida International University) Chapter Fourteen..................................................................................... 314 Urban Memories and Rural Mirrors: Toward a History of Romani Performing Arts Miguel Angel Vargas (Independent Artist and Scholar) Chapter Fifteen........................................................................................ 321 Flamenco is Gitano: Reflections on the Expression of Gitano Identity in the Flamenco Fiesta Clara Chinoy (Universidad de Sevilla) Chapter Sixteen............................................................................. ......... 343 Reading the Jácara: Seventeenth-Century Steps and their Influence in Contemporary Spanish Dance Anna Shalom (Independent Artist and Scholar) Black Roots Chapter Seventeen................................................................................... 380 Interrogating the African Origins of Flamenco: An East African Perspective Agnes Nasozi Kamya (Universidad de Granada, Uganda Flamenco Project) Chapter Eighteen..................................................................................... 398 Representing Others to Find ‘Us’ in Antebellum U.S. Dance Lynn Matluck Brooks (Franklin Marshall) Chapter Nineteen.....................................................................................
430 The New Flamenco School Show: Breaking Stereotypes and Planting Seeds of Discourse on Race Julie Galle Baggenstoss (Emory University) Chapter Twenty....................................................................................... 438 A Counter-Hegemonic Portrait of Blackness: La Perla Negra, Between Rumba and Modern Dance (1913-1928) Kiko Mora (Universidad de Alicante) Contributors............................................................................................ 462 Appendix: 2018 Conference Program................................................... 468
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| adam_txt |
Table of Contents Acknowledgements. viii Introduction. ix The Body Wonders, The Body Knows The Strength of Instability Chapter One. 2 ‘This Little Wooden World’: Choreo-navigating Maritime Dance Russell Patrick Brown (Roma People’s Project) Chapter Two. 34 Embodied ‘Sounds’: Musical Culture, Popular Agency, and the Corporeal Public Display of Political and Social Power in State-Sponsored Festivities of Nineteenth-Century Puerto Rico Noel Allende-Goitia (Research Associate, Colectivo de Estudios Musicales de Puerto Rico) Chapter Three. 46 Radical Moves from the Margins: ‘Enslaved Entertainments’ and Harvest Celebrations in Northeastern Brazil Scott Alves Barton (Notre Dame) Queer Ideals Chapter Four. 72 La Muñeca Subersiva (The Subversive Doll) Belén Maya (Independent Artist and Scholar), translated by K. Meira Goldberg Chapter Five. 101 Queering the Tale of the Skirt: The Masculine Presence, Archival Histories, and Queer Future of the Bata de Cola
Ryan Rockmore (Independent Artist and Scholar)
vi Table of Contents Chapter Six. 126 Niño de Elche, a Heterotopian (Flamencx) Voice Daniel Valtuefia (The Graduate Center, City University of New York) Key Transpositions Chapter Seven. 138 Troubling Paradises: The Changing Face of the Other in Medieval Representations of Celestial Dancing Karen Silen (UC Berkeley) Chapter Eight. 172 Music in the Spanish Renaissance Theater Antonio Cortijo Ocaña (University of California, Santa Barbara) Chapter Nine. 182 Soleá՛. Conjuring the Feminine in Flamenco’s Cante Jondo Constance Valis Hill (Hampshire College) Chapter Ten. 211 Faux Amis’. False Cognates in Flamenco’s Discourse within Ballet and Spanish Dance Contexts Maria Gabriela Estrada (East Carolina University) Chapter Eleven. 226 The Key of Danzas de negros՝. On the Standard Tonalities of Black Dances in Early Modern Hispanic Music Guillermo Castro (Conservatorio Superior de Música, Córdoba), translated by K. Meira Goldberg Outlaw Representations Chapter Twelve.
274 Criminalized Identity: Exploring Potential Psychological Effects of Roma Stigmatization Cal Brisbin (University of California, Los Angeles), Cristiana Grigore (Roma People’s Project, Columbia University), and Sarah Zawacki (Independent Scholar)
Celebrating Flamenco’s Tangled Roots: The Body Questions vii Chapter Thirteen. 296 Dancing my Otherness/Multiplicity or Sin Pedir Permiso, Me Agarro Aquí Niurca E. Márquez (Artist/Researcher, Florida International University) Chapter Fourteen. 314 Urban Memories and Rural Mirrors: Toward a History of Romani Performing Arts Miguel Angel Vargas (Independent Artist and Scholar) Chapter Fifteen. 321 Flamenco is Gitano: Reflections on the Expression of Gitano Identity in the Flamenco Fiesta Clara Chinoy (Universidad de Sevilla) Chapter Sixteen. . 343 Reading the Jácara: Seventeenth-Century Steps and their Influence in Contemporary Spanish Dance Anna Shalom (Independent Artist and Scholar) Black Roots Chapter Seventeen. 380 Interrogating the African Origins of Flamenco: An East African Perspective Agnes Nasozi Kamya (Universidad de Granada, Uganda Flamenco Project) Chapter Eighteen. 398 Representing Others to Find ‘Us’ in Antebellum U.S. Dance Lynn Matluck Brooks (Franklin Marshall) Chapter Nineteen.
430 The New Flamenco School Show: Breaking Stereotypes and Planting Seeds of Discourse on Race Julie Galle Baggenstoss (Emory University) Chapter Twenty. 438 A Counter-Hegemonic Portrait of Blackness: La Perla Negra, Between Rumba and Modern Dance (1913-1928) Kiko Mora (Universidad de Alicante) Contributors. 462 Appendix: 2018 Conference Program. 468 |
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| spelling | Celebrating flamenco's tangled roots the body questions edited by K. Meira Goldberg and Antoni Piza Newcastle upon Tyne Cambridge Scholars Publishing 2022 xxi, 496 Seiten, 2 ungezählte Seiten Tafeln Illustrationen (teilweise farbig) txt rdacontent n rdamedia nc rdacarrier Flamenco (DE-588)4071246-1 gnd rswk-swf Flamenco / Social aspects Dance / Physiological aspects Flamenco / Aspect social Danse / Aspect physiologique (DE-588)1071861417 Konferenzschrift gnd-content Flamenco (DE-588)4071246-1 s DE-604 Goldberg, K. Meira ca. 20./21. Jh. (DE-588)1081517239 edt Pizà, Antoni 1962- (DE-588)132905884 edt Erscheint auch als Online-Ausgabe 978-1-5275-7942-2 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033339275&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | Celebrating flamenco's tangled roots the body questions |
| title_auth | Celebrating flamenco's tangled roots the body questions |
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| title_full | Celebrating flamenco's tangled roots the body questions edited by K. Meira Goldberg and Antoni Piza |
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