Antagonistic cooperation: jazz, collage, fiction, and the shaping of African American culture
"Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O'Meally shows how this idea runs t...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Columbia University Press
[2022]
|
| Schriftenreihe: | Leonard Hastings Schoff memorial lectures
|
| Schlagworte: | |
| Zusammenfassung: | "Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O'Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics. From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O'Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O'Meally's readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy"-- |
| Beschreibung: | xiii, 275 Seiten, 8 ungezählte Seiten Tafeln Illustrationen |
| ISBN: | 9780231189194 9780231189187 |
Internformat
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| 520 | 3 | |a "Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O'Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics. From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O'Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O'Meally's readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy"-- | |
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| author | O'Meally, Robert G. 1948- |
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| contents | This Music Demanded Action : Ellison, Armstrong, and the Imperatives of Jazz -- We Are All a Collage : Armstrong's Operatic Blues, Bearden's Black Odyssey, and Morrison's Jazz -- The "Open Corner" of Black Community and Creativity : From Romare Bearden to Duke Ellington and Toni Morrison -- Hare and Bear : The Racial Profiles of Satchmo's Smile -- The White Trombone and the Unruly Black Cosmopolitan Trumpet, or How Paris Blues Came to Be Unfinished |
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| id | DE-604.BV047955699 |
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| index_date | 2024-07-03T19:38:53Z |
| indexdate | 2024-07-10T09:26:40Z |
| institution | BVB |
| isbn | 9780231189194 9780231189187 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033336984 |
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| physical | xiii, 275 Seiten, 8 ungezählte Seiten Tafeln Illustrationen |
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| publishDate | 2022 |
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| spelling | O'Meally, Robert G. 1948- Verfasser (DE-588)172292328 aut Antagonistic cooperation jazz, collage, fiction, and the shaping of African American culture Robert G. O'Meally New York Columbia University Press [2022] xiii, 275 Seiten, 8 ungezählte Seiten Tafeln Illustrationen txt rdacontent sti rdacontent n rdamedia nc rdacarrier Leonard Hastings Schoff memorial lectures This Music Demanded Action : Ellison, Armstrong, and the Imperatives of Jazz -- We Are All a Collage : Armstrong's Operatic Blues, Bearden's Black Odyssey, and Morrison's Jazz -- The "Open Corner" of Black Community and Creativity : From Romare Bearden to Duke Ellington and Toni Morrison -- Hare and Bear : The Racial Profiles of Satchmo's Smile -- The White Trombone and the Unruly Black Cosmopolitan Trumpet, or How Paris Blues Came to Be Unfinished "Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O'Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics. From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O'Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O'Meally's readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy"-- Geschichte 1900-2000 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Schwarze (DE-588)4116433-7 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Jazz (DE-588)4028532-7 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Jazz / History and criticism African American art American literature / African American authors / History and criticism African Americans / Social life and customs Music and literature Art and music Collage Art noir américain Noirs américains / Murs et coutumes Musique et littérature Art et musique Collage (Art) collage (technique) MUSIC / History & Criticism American literature / African American authors Jazz Lecture lectures Criticism, interpretation, etc Lectures Conférences USA (DE-588)4078704-7 g Schwarze (DE-588)4116433-7 s Musik (DE-588)4040802-4 s Jazz (DE-588)4028532-7 s Kunst (DE-588)4114333-4 s Literatur (DE-588)4035964-5 s Geschichte 1900-2000 z DE-604 Erscheint auch als Online-Ausgabe 978-0-231-54821-2 |
| spellingShingle | O'Meally, Robert G. 1948- Antagonistic cooperation jazz, collage, fiction, and the shaping of African American culture This Music Demanded Action : Ellison, Armstrong, and the Imperatives of Jazz -- We Are All a Collage : Armstrong's Operatic Blues, Bearden's Black Odyssey, and Morrison's Jazz -- The "Open Corner" of Black Community and Creativity : From Romare Bearden to Duke Ellington and Toni Morrison -- Hare and Bear : The Racial Profiles of Satchmo's Smile -- The White Trombone and the Unruly Black Cosmopolitan Trumpet, or How Paris Blues Came to Be Unfinished Literatur (DE-588)4035964-5 gnd Musik (DE-588)4040802-4 gnd Schwarze (DE-588)4116433-7 gnd Kunst (DE-588)4114333-4 gnd Jazz (DE-588)4028532-7 gnd |
| subject_GND | (DE-588)4035964-5 (DE-588)4040802-4 (DE-588)4116433-7 (DE-588)4114333-4 (DE-588)4028532-7 (DE-588)4078704-7 |
| title | Antagonistic cooperation jazz, collage, fiction, and the shaping of African American culture |
| title_auth | Antagonistic cooperation jazz, collage, fiction, and the shaping of African American culture |
| title_exact_search | Antagonistic cooperation jazz, collage, fiction, and the shaping of African American culture |
| title_exact_search_txtP | Antagonistic cooperation jazz, collage, fiction, and the shaping of African American culture |
| title_full | Antagonistic cooperation jazz, collage, fiction, and the shaping of African American culture Robert G. O'Meally |
| title_fullStr | Antagonistic cooperation jazz, collage, fiction, and the shaping of African American culture Robert G. O'Meally |
| title_full_unstemmed | Antagonistic cooperation jazz, collage, fiction, and the shaping of African American culture Robert G. O'Meally |
| title_short | Antagonistic cooperation |
| title_sort | antagonistic cooperation jazz collage fiction and the shaping of african american culture |
| title_sub | jazz, collage, fiction, and the shaping of African American culture |
| topic | Literatur (DE-588)4035964-5 gnd Musik (DE-588)4040802-4 gnd Schwarze (DE-588)4116433-7 gnd Kunst (DE-588)4114333-4 gnd Jazz (DE-588)4028532-7 gnd |
| topic_facet | Literatur Musik Schwarze Kunst Jazz USA |
| work_keys_str_mv | AT omeallyrobertg antagonisticcooperationjazzcollagefictionandtheshapingofafricanamericanculture |