Commitment in the artistic practice of Aref El-Rayess: the changing of horses
In April 1968, ten months after the Arab defeat of the 1967 June War, Aref El-Rayess's <i>Dima' wa Hurriyya</i> (Blood and Freedom) opened to the public in the exhibition hall of the L'Orient newspaper headquarters in Beirut, Lebanon. <i>The 5th of June</i>, or...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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London
Anthem Press
2020
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| Schriftenreihe: | Anthem modern and contemporary art of the Arab world, Iran and Turkey
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| Schlagworte: | |
| Online-Zugang: | DE-12 DE-473 Volltext |
| Zusammenfassung: | In April 1968, ten months after the Arab defeat of the 1967 June War, Aref El-Rayess's <i>Dima' wa Hurriyya</i> (Blood and Freedom) opened to the public in the exhibition hall of the L'Orient newspaper headquarters in Beirut, Lebanon. <i>The 5th of June</i>, or, <i>The Changing of Horses</i>, a realist mural painting on canvas, was the exhibition's centerpiece. With this artwork, El-Rayess declared his commitment to national liberation and socialist revolution. <i>The Changing of Horses</i> was presented and received as an allegory of political commitment, but the slips, silences, and repetitions in the public reception point to its excessive, disturbing, and fundamentally uncanny character. In the first comprehensive study of the work, Natasha Gasparian weaves together a social art history from the artist's writings, exhibition reviews, guestbook comments, personal correspondences and testimonies, as well as social, political, and aesthetic shifts, particularly as they related to the debates on commitment (iltizam) in the aftermath of the June 1967 war. By attempting to reconstruct this history of the artwork and tracing the caesuras in the discourse around it, Gasparian exposes the social antagonism that is repressed and obfuscated in the idealized narrative sustained by El-Rayess and his audiences. She argues that the oversight in the reception - the critics' and audiences' inability to see - attests to the delay in grasping the work historically and signals its avant-gardism |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 22 Feb 2022) |
| Beschreibung: | 1 Online-Ressource (x, 68 Seiten) |
| ISBN: | 9781785274633 |
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Datensatz im Suchindex
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| author | Gasparian, Natasha ca. 20./21. Jh |
| author_GND | (DE-588)122643889X |
| author_facet | Gasparian, Natasha ca. 20./21. Jh |
| author_role | aut |
| author_sort | Gasparian, Natasha ca. 20./21. Jh |
| author_variant | n g ng |
| building | Verbundindex |
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| dewey-full | 759.95692 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 759 - History, geographic treatment, biography |
| dewey-raw | 759.95692 |
| dewey-search | 759.95692 |
| dewey-sort | 3759.95692 |
| dewey-tens | 750 - Painting and paintings |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| format | Electronic eBook |
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| id | DE-604.BV047955140 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T19:38:43Z |
| indexdate | 2024-11-20T05:00:08Z |
| institution | BVB |
| isbn | 9781785274633 |
| language | English |
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| publisher | Anthem Press |
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| series2 | Anthem modern and contemporary art of the Arab world, Iran and Turkey |
| spelling | Gasparian, Natasha ca. 20./21. Jh. (DE-588)122643889X aut Commitment in the artistic practice of Aref El-Rayess the changing of horses Natasha Gasparian London Anthem Press 2020 1 Online-Ressource (x, 68 Seiten) txt rdacontent c rdamedia cr rdacarrier Anthem modern and contemporary art of the Arab world, Iran and Turkey Title from publisher's bibliographic system (viewed on 22 Feb 2022) In April 1968, ten months after the Arab defeat of the 1967 June War, Aref El-Rayess's <i>Dima' wa Hurriyya</i> (Blood and Freedom) opened to the public in the exhibition hall of the L'Orient newspaper headquarters in Beirut, Lebanon. <i>The 5th of June</i>, or, <i>The Changing of Horses</i>, a realist mural painting on canvas, was the exhibition's centerpiece. With this artwork, El-Rayess declared his commitment to national liberation and socialist revolution. <i>The Changing of Horses</i> was presented and received as an allegory of political commitment, but the slips, silences, and repetitions in the public reception point to its excessive, disturbing, and fundamentally uncanny character. In the first comprehensive study of the work, Natasha Gasparian weaves together a social art history from the artist's writings, exhibition reviews, guestbook comments, personal correspondences and testimonies, as well as social, political, and aesthetic shifts, particularly as they related to the debates on commitment (iltizam) in the aftermath of the June 1967 war. By attempting to reconstruct this history of the artwork and tracing the caesuras in the discourse around it, Gasparian exposes the social antagonism that is repressed and obfuscated in the idealized narrative sustained by El-Rayess and his audiences. She argues that the oversight in the reception - the critics' and audiences' inability to see - attests to the delay in grasping the work historically and signals its avant-gardism El-Rayess, Aref / 5th of June Rayess, Aref 1928-2005 (DE-588)1227511523 gnd rswk-swf Rayess, Aref 1928-2005 (DE-588)1227511523 p DE-604 Erscheint auch als Druck-Ausgabe 978-1-78527-462-6 https://www.cambridge.org/core/product/identifier/9781785274633/type/BOOK Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Gasparian, Natasha ca. 20./21. Jh Commitment in the artistic practice of Aref El-Rayess the changing of horses El-Rayess, Aref / 5th of June Rayess, Aref 1928-2005 (DE-588)1227511523 gnd |
| subject_GND | (DE-588)1227511523 |
| title | Commitment in the artistic practice of Aref El-Rayess the changing of horses |
| title_auth | Commitment in the artistic practice of Aref El-Rayess the changing of horses |
| title_exact_search | Commitment in the artistic practice of Aref El-Rayess the changing of horses |
| title_exact_search_txtP | Commitment in the artistic practice of Aref El-Rayess the changing of horses |
| title_full | Commitment in the artistic practice of Aref El-Rayess the changing of horses Natasha Gasparian |
| title_fullStr | Commitment in the artistic practice of Aref El-Rayess the changing of horses Natasha Gasparian |
| title_full_unstemmed | Commitment in the artistic practice of Aref El-Rayess the changing of horses Natasha Gasparian |
| title_short | Commitment in the artistic practice of Aref El-Rayess |
| title_sort | commitment in the artistic practice of aref el rayess the changing of horses |
| title_sub | the changing of horses |
| topic | El-Rayess, Aref / 5th of June Rayess, Aref 1928-2005 (DE-588)1227511523 gnd |
| topic_facet | El-Rayess, Aref / 5th of June Rayess, Aref 1928-2005 |
| url | https://www.cambridge.org/core/product/identifier/9781785274633/type/BOOK |
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