Performing ruins:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cham, Switzerland
Palgrave Macmillan
[2020]
|
| Schriftenreihe: | Performing landscapes
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | xviii, 316 Seiten Illustrationen 21 cm |
| ISBN: | 9783030406455 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents 1 Introduction: Ruining the Project, Subjectivities, Fields and Methods Ruination as Structure ofFeeling Performing Ruins, Situated Practices and Writing Performance: A Partial Vision An Elasticity ofRuins and Matters ofDefinition My Europe Resisting Homogeneity Whilst Seeking Associations: An Overview of Chapters Questions to Ask a Ruin in Ruined Times Bibliography 2 Ruins in Context: Context in Ruins Discourse: Thinking Through Ruins Contemporary Thinking and ‘Ruin Porn’ A Poetics of Dereliction: Ruins Across the Arts The Allure ofRuination in Theatre and Performance Bibliography 1 4 7 9 10 13 19 20 21 22 25 27 31 38 3 Performing the Antiquary: Classical Ruins in the Greek Imaginary 41 The Role ofAntiquary in the Greek Imaginary 41 Makronisos and Giaros: The Ruin as Political (Re) education 44 xi
xii CONTENTS Performing the Classical Ruins ofAncient Greece: Epidaurus and Delphi Theatres of Epidaurus The Delphic Idea Bibliography 4 Nature’s Ruins: Gibellina-A Dream in Progress Belice Valley: Earthquakes and the Birth of Nuova Gibelliņa Il Cretto di Burri 5 61 62 70 72 Theatre, Performance and Joseph Beuys Orestiadi Foundation and the Museum of Mediterranean Weaving End Words: But Impermanent and Provisional Bibliography 75 77 82 Dissonance and Contestation: Ruining Heritageand Its Alternatives 85 Reactivating Industrial Ruins of the Ruhr: Duisburg-Nord ’s Landschaftspark and Essen’s Zollverein Zollverein and PACT in Essen Landschaftspark in Duisburg-Nord St Peter’s Kilmahew and NVA: A Place for Our Times St Peter’s and the Kilmahew Estate: A BriefHistory NVA and St Peter’s NVA/St Peter’s: Pause or Ending; Dotted Line or Epitaph? Postscript: St Peter’s/NVA—Another Ending Bibliography 6 47 48 55 58 86 87 93 102 103 107 118 121 125 Legacies of War: Performing Balkan Ruins 127 Mostar: ‘The First Thing Той See Are Ruins.128 Leaving Mostar: Reflections on Dramaturgy 141 Under Siege: Sarajevo’s Theatres Against Death, 1992-1995 144 Normality 151 Resistance 152 Symbols ofDignity and Freedom 155 Texts of War in and Beyond Sarajevo 158 Performing Memory (1 ): Sarajevo Red Line 159
CONTENTS Performing Memory (2/· Bolero Performing Memory (3): Vraca Memorial Park, Nermin Hamzagic and Copenhagen Waiting in Sarajevo: Sontag’s Godot Twenty-Five Tears on: The Sarajevo War Theatre (SARTR) Bibliography 7 Ruins of Capital Ruination and Performance in Contemporary Greece The Mavili Collective, Embros and Green Park Anna Tzakou: A Geopoetic Response to Ruination Elefsina, The Old Oil Mill and the Promise of European ‘City of Culture’ North Beyond Athens: Thessaloniki Beyond Athens: From the Argos Festival to Universal Topos Gathering Threads: Reflections on Reactivating Greek Ruins, Ancient and Modern Brith Gof: Performing Occupations Performing the Shipyard Ruins of Govan and Gdansk Gdansk Shipyards 1999-2014 Govan: The Graving Docks and Beyond Govan and Gdansk Collaborative Projects, 2012-2020 Govan and Gdansk: Unfinished Narratives Bibliography 8 xiii 160 161 163 170 172 175 176 177 184 186 193 198 199 203 214 216 220 224 228 230 After Communism and the Cold War: A Ruined Inheritance 233 Performing Cold War Ruins in Berlin Berlin and the Wall as Diasporic Ruin Field Station Berlin and the Devil’s Mountain Kunsthaus Tacheles (1990-2012) and Paolo Podrescu The Ruination and Reinvention (s) of Flughafen Tempelhof Polish Ruin Theatre in Wroclaw and Legnica Wroclaw’s Theatres of Ruins Legnica and Teatr Modjeska: ‘a most ruinish theatre company’ Polish Postscript: Crumpled Paper and the Ruinous Emballages of Tadeusz Kantor Bibliography 233 234 237 249 258 264 265 268 280 283
xiv CONTENTS 9 Conclusion: Ruining the Ruin or Pausing at a Partial View 287 Bibliography 294 Bibliography 297 Index 309
|
| adam_txt |
Contents 1 Introduction: Ruining the Project, Subjectivities, Fields and Methods Ruination as Structure ofFeeling Performing Ruins, Situated Practices and Writing Performance: A Partial Vision An Elasticity ofRuins and Matters ofDefinition My Europe Resisting Homogeneity Whilst Seeking Associations: An Overview of Chapters Questions to Ask a Ruin in Ruined Times Bibliography 2 Ruins in Context: Context in Ruins Discourse: Thinking Through Ruins Contemporary Thinking and ‘Ruin Porn’ A Poetics of Dereliction: Ruins Across the Arts The Allure ofRuination in Theatre and Performance Bibliography 1 4 7 9 10 13 19 20 21 22 25 27 31 38 3 Performing the Antiquary: Classical Ruins in the Greek Imaginary 41 The Role ofAntiquary in the Greek Imaginary 41 Makronisos and Giaros: The Ruin as Political (Re) education 44 xi
xii CONTENTS Performing the Classical Ruins ofAncient Greece: Epidaurus and Delphi Theatres of Epidaurus The Delphic Idea Bibliography 4 Nature’s Ruins: Gibellina-A Dream in Progress Belice Valley: Earthquakes and the Birth of Nuova Gibelliņa Il Cretto di Burri 5 61 62 70 72 Theatre, Performance and Joseph Beuys Orestiadi Foundation and the Museum of Mediterranean Weaving End Words: But Impermanent and Provisional Bibliography 75 77 82 Dissonance and Contestation: Ruining Heritageand Its Alternatives 85 Reactivating Industrial Ruins of the Ruhr: Duisburg-Nord ’s Landschaftspark and Essen’s Zollverein Zollverein and PACT in Essen Landschaftspark in Duisburg-Nord St Peter’s Kilmahew and NVA: A Place for Our Times St Peter’s and the Kilmahew Estate: A BriefHistory NVA and St Peter’s NVA/St Peter’s: Pause or Ending; Dotted Line or Epitaph? Postscript: St Peter’s/NVA—Another Ending Bibliography 6 47 48 55 58 86 87 93 102 103 107 118 121 125 Legacies of War: Performing Balkan Ruins 127 Mostar: ‘The First Thing Той See Are Ruins.128 Leaving Mostar: Reflections on Dramaturgy 141 Under Siege: Sarajevo’s Theatres Against Death, 1992-1995 144 Normality 151 Resistance 152 Symbols ofDignity and Freedom 155 Texts of War in and Beyond Sarajevo 158 Performing Memory (1 ): Sarajevo Red Line 159
CONTENTS Performing Memory (2/· Bolero Performing Memory (3): Vraca Memorial Park, Nermin Hamzagic and Copenhagen Waiting in Sarajevo: Sontag’s Godot Twenty-Five Tears on: The Sarajevo War Theatre (SARTR) Bibliography 7 Ruins of Capital Ruination and Performance in Contemporary Greece The Mavili Collective, Embros and Green Park Anna Tzakou: A Geopoetic Response to Ruination Elefsina, The Old Oil Mill and the Promise of European ‘City of Culture’ North Beyond Athens: Thessaloniki Beyond Athens: From the Argos Festival to Universal Topos Gathering Threads: Reflections on Reactivating Greek Ruins, Ancient and Modern Brith Gof: Performing Occupations Performing the Shipyard Ruins of Govan and Gdansk Gdansk Shipyards 1999-2014 Govan: The Graving Docks and Beyond Govan and Gdansk Collaborative Projects, 2012-2020 Govan and Gdansk: Unfinished Narratives Bibliography 8 xiii 160 161 163 170 172 175 176 177 184 186 193 198 199 203 214 216 220 224 228 230 After Communism and the Cold War: A Ruined Inheritance 233 Performing Cold War Ruins in Berlin Berlin and the Wall as Diasporic Ruin Field Station Berlin and the Devil’s Mountain Kunsthaus Tacheles (1990-2012) and Paolo Podrescu The Ruination and Reinvention (s) of Flughafen Tempelhof Polish Ruin Theatre in Wroclaw and Legnica Wroclaw’s Theatres of Ruins Legnica and Teatr Modjeska: ‘a most ruinish theatre company’ Polish Postscript: Crumpled Paper and the Ruinous Emballages of Tadeusz Kantor Bibliography 233 234 237 249 258 264 265 268 280 283
xiv CONTENTS 9 Conclusion: Ruining the Ruin or Pausing at a Partial View 287 Bibliography 294 Bibliography 297 Index 309 |
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| spelling | Murray, Simon David 1948- Verfasser (DE-588)133765504 aut Performing ruins Simon Murray Cham, Switzerland Palgrave Macmillan [2020] xviii, 316 Seiten Illustrationen 21 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Performing landscapes Geschichte 1990-2020 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf Ruine (DE-588)4050934-5 gnd rswk-swf Performance Künste (DE-588)4173750-7 gnd rswk-swf Inszenierung (DE-588)4027223-0 gnd rswk-swf Europa (DE-588)4015701-5 gnd rswk-swf Arts facilities / Europe / Case studies Ruins, Modern / Europe Ruins, Modern / Social aspects / Europe Buildings / Remodeling for other use / Europe / Case studies Theater / Europe Abandoned buildings / Social aspects / Europe Europa (DE-588)4015701-5 g Ruine (DE-588)4050934-5 s Theater (DE-588)4059702-7 s Performance Künste (DE-588)4173750-7 s Inszenierung (DE-588)4027223-0 s Geschichte 1990-2020 z DE-604 Erscheint auch als Online-Ausgabe 978-3-030-40643-1 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033328566&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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