The Ibero-American baroque:
The Baroque was the first truly global culture. The Ibero-American Baroque illuminates its dissemination, dynamism, and transformation during the early modern period on both sides of the Atlantic. This collection of original essays focuses on the media, institutions, and technologies that were centr...
Gespeichert in:
Weitere Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Toronto ; Buffalo ; London
University of Toronto Press
[2022]
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Schriftenreihe: | Toronto Iberic
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Schlagworte: | |
Zusammenfassung: | The Baroque was the first truly global culture. The Ibero-American Baroque illuminates its dissemination, dynamism, and transformation during the early modern period on both sides of the Atlantic. This collection of original essays focuses on the media, institutions, and technologies that were central to cultural exchanges in a broad early modern Iberian world, brought into being in the aftermath of the Spanish and Portuguese arrivals in the Americas. Focusing on the period from 1600 to 1825, these essays explore early modern Iberian architecture, painting, sculpture, music, sermons, reliquaries, processions, emblems, and dreams, shedding light on the Baroque as a historical moment of far-reaching and long-lasting importance. Anchored in extensive, empirical research that provides evidence for understanding how the Baroque became globalized, The Ibero-American Baroque showcases the ways in which the Baroque has continued to define Latin American identities in the twentieth and twenty-first centuries |
Beschreibung: | xii, 336 Seiten Illustrationen, Notenbeispiele |
ISBN: | 9781442648838 |
Internformat
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520 | |a The Baroque was the first truly global culture. The Ibero-American Baroque illuminates its dissemination, dynamism, and transformation during the early modern period on both sides of the Atlantic. This collection of original essays focuses on the media, institutions, and technologies that were central to cultural exchanges in a broad early modern Iberian world, brought into being in the aftermath of the Spanish and Portuguese arrivals in the Americas. Focusing on the period from 1600 to 1825, these essays explore early modern Iberian architecture, painting, sculpture, music, sermons, reliquaries, processions, emblems, and dreams, shedding light on the Baroque as a historical moment of far-reaching and long-lasting importance. Anchored in extensive, empirical research that provides evidence for understanding how the Baroque became globalized, The Ibero-American Baroque showcases the ways in which the Baroque has continued to define Latin American identities in the twentieth and twenty-first centuries | ||
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Datensatz im Suchindex
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dewey-ones | 980 - History of South America |
dewey-raw | 980/.013 |
dewey-search | 980/.013 |
dewey-sort | 3980 213 |
dewey-tens | 980 - History of South America |
discipline | Kunstgeschichte Geschichte |
discipline_str_mv | Kunstgeschichte Geschichte |
format | Book |
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isbn | 9781442648838 |
language | English |
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physical | xii, 336 Seiten Illustrationen, Notenbeispiele |
publishDate | 2022 |
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publisher | University of Toronto Press |
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spelling | The Ibero-American baroque edited by Beatriz de Alba-Koch Toronto ; Buffalo ; London University of Toronto Press [2022] © 2022 xii, 336 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Toronto Iberic The Baroque was the first truly global culture. The Ibero-American Baroque illuminates its dissemination, dynamism, and transformation during the early modern period on both sides of the Atlantic. This collection of original essays focuses on the media, institutions, and technologies that were central to cultural exchanges in a broad early modern Iberian world, brought into being in the aftermath of the Spanish and Portuguese arrivals in the Americas. Focusing on the period from 1600 to 1825, these essays explore early modern Iberian architecture, painting, sculpture, music, sermons, reliquaries, processions, emblems, and dreams, shedding light on the Baroque as a historical moment of far-reaching and long-lasting importance. Anchored in extensive, empirical research that provides evidence for understanding how the Baroque became globalized, The Ibero-American Baroque showcases the ways in which the Baroque has continued to define Latin American identities in the twentieth and twenty-first centuries HISTORY / Europe / Spain & Portugal bisacsh Civilization, Baroque Latin America (DE-588)4143413-4 Aufsatzsammlung gnd-content Alba-Koch, Beatriz de 1957- (DE-588)1255157801 edt |
spellingShingle | The Ibero-American baroque HISTORY / Europe / Spain & Portugal bisacsh Civilization, Baroque Latin America |
subject_GND | (DE-588)4143413-4 |
title | The Ibero-American baroque |
title_auth | The Ibero-American baroque |
title_exact_search | The Ibero-American baroque |
title_exact_search_txtP | The Ibero-American baroque |
title_full | The Ibero-American baroque edited by Beatriz de Alba-Koch |
title_fullStr | The Ibero-American baroque edited by Beatriz de Alba-Koch |
title_full_unstemmed | The Ibero-American baroque edited by Beatriz de Alba-Koch |
title_short | The Ibero-American baroque |
title_sort | the ibero american baroque |
topic | HISTORY / Europe / Spain & Portugal bisacsh Civilization, Baroque Latin America |
topic_facet | HISTORY / Europe / Spain & Portugal Civilization, Baroque Latin America Aufsatzsammlung |
work_keys_str_mv | AT albakochbeatrizde theiberoamericanbaroque |