La suite: mirada sobre los artistas de la Colección FRAC
An exhibition composed of a selection of works and artists belonging to the collections FRAC (Fonds Regional d'Art Contemporain - Regional Funds of Contemporary Art of France), curated by artists Sigismond de Vajay and Juan Sorrentino. The term "suite" that gives its name to the exhib...
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | Spanish |
| Veröffentlicht: |
Buenos Aires, Argentina
Fundación Proa
[2021]
|
| Schlagworte: | |
| Zusammenfassung: | An exhibition composed of a selection of works and artists belonging to the collections FRAC (Fonds Regional d'Art Contemporain - Regional Funds of Contemporary Art of France), curated by artists Sigismond de Vajay and Juan Sorrentino. The term "suite" that gives its name to the exhibition refers to varied and multiple meanings. In the current context where the world is waiting for a supposed "normality", the French expression"comment vient la suite" ("what's going to happen"), expresses uncertainty about the future, about the new future. Also, The Suite is a piece of music with a structure composed of brief movements. Both meanings are present in the curatorship by proposing a set of sound works and installations that create multiple narratives, altering the boundaries between the exterior and interior of the Proa Foundation. The project began to be designed in 2019, adapting curatorially and conceptually to the new reality of cultural spaces. Starting from the languages of contemporary artistic practice, which allow the edition of new versions of the site-specific, the remote execution and the adaptation of the work to each exhibition space, La Suite was made up of a group of pieces that put in dialogue distant artists both in space and time. The selection of works includes photographs, performances, installations, sculptures, videos, painting, sound art and site-specific pieces and thematic current issues such as the authorship of the work, the original and the copy, and the use of everyday materials as substance, among others. The sound installations mark a score that expands the sensory dimensions of the viewer. Artists include: Michel Blazy (France, 1966), Patxi Bergé (France, 1988), Monica Bonvicini (Italy, 1965), Céleste Boursier-Mougenot (France, 1961), Geta Br?tescu (Romania, 1926-2018), Elina Brotherus (Finland, 1972), Tom Burr (United States, 1963), Clément Cogitore (France, 1983), Sebastián Díaz Morales (Argentina, 1975), Jennifer Douzenel (France, 1984), Maurizio Cattelan (Italy, 1960) / Philippe Parreno (Algeria, 1964), Michel François (Bélgica, 1956), Víctor Florido (Argentina, 1976), Pauline Fondevila (France, 1972), Vincent Ganivet (France, 1976), Shilpa Gupta (India, 1976), Séverine Hubard (France, 1977), Juan Jonas (United States, 1936), Peter Kogler (Austria, 1959), Vincent Lamouroux (France, 1974), Christian Marclay (Estados Unidos, 1963), Gordon Matta-Clark (United States, 1943-1978), Arno Rafael Minkkinen (Finland, 1945), Carsten Nicolai (Germany, 1965), Gabriel Orozco (Mexico, 1962), Laurent Perbos (France, 1971), Lotty Rosenfeld (Chile, 1943-2020), |
| Beschreibung: | Published on the occasion of the exhibition held July-November 2021 at the Fundación PROA, Buenos Aires, Argentina |
| Beschreibung: | 137 Seiten 27 cm |
| ISBN: | 9789871164493 9871164491 |
Internformat
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| 505 | 8 | |a En temps de pandémie = En épocas de pandemia... / Adriana Rosenberg -- Preludio -- Pulso -- Scherzo -- Andante -- Interludio -- Paisaje reinterpretado -- Coda -- Traducción al francés -- Listado de artistas y de obras | |
| 520 | 3 | |a An exhibition composed of a selection of works and artists belonging to the collections FRAC (Fonds Regional d'Art Contemporain - Regional Funds of Contemporary Art of France), curated by artists Sigismond de Vajay and Juan Sorrentino. The term "suite" that gives its name to the exhibition refers to varied and multiple meanings. In the current context where the world is waiting for a supposed "normality", the French expression"comment vient la suite" ("what's going to happen"), expresses uncertainty about the future, about the new future. Also, The Suite is a piece of music with a structure composed of brief movements. Both meanings are present in the curatorship by proposing a set of sound works and installations that create multiple narratives, altering the boundaries between the exterior and interior of the Proa Foundation. The project began to be designed in 2019, adapting curatorially and conceptually to the new reality of cultural spaces. | |
| 520 | 3 | |a Starting from the languages of contemporary artistic practice, which allow the edition of new versions of the site-specific, the remote execution and the adaptation of the work to each exhibition space, La Suite was made up of a group of pieces that put in dialogue distant artists both in space and time. The selection of works includes photographs, performances, installations, sculptures, videos, painting, sound art and site-specific pieces and thematic current issues such as the authorship of the work, the original and the copy, and the use of everyday materials as substance, among others. The sound installations mark a score that expands the sensory dimensions of the viewer. | |
| 520 | 3 | |a Artists include: Michel Blazy (France, 1966), Patxi Bergé (France, 1988), Monica Bonvicini (Italy, 1965), Céleste Boursier-Mougenot (France, 1961), Geta Br?tescu (Romania, 1926-2018), Elina Brotherus (Finland, 1972), Tom Burr (United States, 1963), Clément Cogitore (France, 1983), Sebastián Díaz Morales (Argentina, 1975), Jennifer Douzenel (France, 1984), Maurizio Cattelan (Italy, 1960) / Philippe Parreno (Algeria, 1964), Michel François (Bélgica, 1956), Víctor Florido (Argentina, 1976), Pauline Fondevila (France, 1972), Vincent Ganivet (France, 1976), Shilpa Gupta (India, 1976), Séverine Hubard (France, 1977), Juan Jonas (United States, 1936), Peter Kogler (Austria, 1959), Vincent Lamouroux (France, 1974), Christian Marclay (Estados Unidos, 1963), Gordon Matta-Clark (United States, 1943-1978), Arno Rafael Minkkinen (Finland, 1945), Carsten Nicolai (Germany, 1965), Gabriel Orozco (Mexico, 1962), Laurent Perbos (France, 1971), Lotty Rosenfeld (Chile, 1943-2020), | |
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Datensatz im Suchindex
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| contents | En temps de pandémie = En épocas de pandemia... / Adriana Rosenberg -- Preludio -- Pulso -- Scherzo -- Andante -- Interludio -- Paisaje reinterpretado -- Coda -- Traducción al francés -- Listado de artistas y de obras |
| ctrlnum | (OCoLC)1312707069 (DE-599)BVBBV047941901 |
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| genre | (DE-588)4135467-9 Ausstellungskatalog Fundación Proa 01.07.2021-31.10.2021 Buenos Aires gnd-content (DE-588)4145395-5 Bildband gnd-content |
| genre_facet | Ausstellungskatalog Fundación Proa 01.07.2021-31.10.2021 Buenos Aires Bildband |
| id | DE-604.BV047941901 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T19:35:31Z |
| indexdate | 2024-07-10T09:25:49Z |
| institution | BVB |
| institution_GND | (DE-588)5343528-X |
| isbn | 9789871164493 9871164491 |
| language | Spanish |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033323363 |
| oclc_num | 1312707069 |
| open_access_boolean | |
| owner | DE-255 |
| owner_facet | DE-255 |
| physical | 137 Seiten 27 cm |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Fundación Proa |
| record_format | marc |
| spelling | La suite mirada sobre los artistas de la Colección FRAC conversación: Sigismond de Vajay, Juan Sorrentino, Adriana Rosenberg Mirada sobre los artistas de la Colección FRAC Buenos Aires, Argentina Fundación Proa [2021] 137 Seiten 27 cm sti rdacontent txt rdacontent n rdamedia nc rdacarrier Published on the occasion of the exhibition held July-November 2021 at the Fundación PROA, Buenos Aires, Argentina En temps de pandémie = En épocas de pandemia... / Adriana Rosenberg -- Preludio -- Pulso -- Scherzo -- Andante -- Interludio -- Paisaje reinterpretado -- Coda -- Traducción al francés -- Listado de artistas y de obras An exhibition composed of a selection of works and artists belonging to the collections FRAC (Fonds Regional d'Art Contemporain - Regional Funds of Contemporary Art of France), curated by artists Sigismond de Vajay and Juan Sorrentino. The term "suite" that gives its name to the exhibition refers to varied and multiple meanings. In the current context where the world is waiting for a supposed "normality", the French expression"comment vient la suite" ("what's going to happen"), expresses uncertainty about the future, about the new future. Also, The Suite is a piece of music with a structure composed of brief movements. Both meanings are present in the curatorship by proposing a set of sound works and installations that create multiple narratives, altering the boundaries between the exterior and interior of the Proa Foundation. The project began to be designed in 2019, adapting curatorially and conceptually to the new reality of cultural spaces. Starting from the languages of contemporary artistic practice, which allow the edition of new versions of the site-specific, the remote execution and the adaptation of the work to each exhibition space, La Suite was made up of a group of pieces that put in dialogue distant artists both in space and time. The selection of works includes photographs, performances, installations, sculptures, videos, painting, sound art and site-specific pieces and thematic current issues such as the authorship of the work, the original and the copy, and the use of everyday materials as substance, among others. The sound installations mark a score that expands the sensory dimensions of the viewer. Artists include: Michel Blazy (France, 1966), Patxi Bergé (France, 1988), Monica Bonvicini (Italy, 1965), Céleste Boursier-Mougenot (France, 1961), Geta Br?tescu (Romania, 1926-2018), Elina Brotherus (Finland, 1972), Tom Burr (United States, 1963), Clément Cogitore (France, 1983), Sebastián Díaz Morales (Argentina, 1975), Jennifer Douzenel (France, 1984), Maurizio Cattelan (Italy, 1960) / Philippe Parreno (Algeria, 1964), Michel François (Bélgica, 1956), Víctor Florido (Argentina, 1976), Pauline Fondevila (France, 1972), Vincent Ganivet (France, 1976), Shilpa Gupta (India, 1976), Séverine Hubard (France, 1977), Juan Jonas (United States, 1936), Peter Kogler (Austria, 1959), Vincent Lamouroux (France, 1974), Christian Marclay (Estados Unidos, 1963), Gordon Matta-Clark (United States, 1943-1978), Arno Rafael Minkkinen (Finland, 1945), Carsten Nicolai (Germany, 1965), Gabriel Orozco (Mexico, 1962), Laurent Perbos (France, 1971), Lotty Rosenfeld (Chile, 1943-2020), Text spanisch und französisch Fond Régional d'Art Contemporain (DE-588)4444858-2 gnd rswk-swf Geschichte 1968-2020 gnd rswk-swf Sammlung (DE-588)4128844-0 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Fonds régional d'art contemporain (France) / Exhibitions Art / Private collections / France / History / 21st century / Exhibitions Artists / History / 21st century / Exhibitions Art / Collections privées / France / Histoire / 21e siècle / Expositions Artistes / Histoire / 21e siècle / Expositions Fonds régional d'art contemporain (France) Art / Private collections Artists France 2000-2099 Exhibition catalogs (DE-588)4135467-9 Ausstellungskatalog Fundación Proa 01.07.2021-31.10.2021 Buenos Aires gnd-content (DE-588)4145395-5 Bildband gnd-content Fond Régional d'Art Contemporain (DE-588)4444858-2 b Sammlung (DE-588)4128844-0 s Kunst (DE-588)4114333-4 s Geschichte 1968-2020 z DE-604 Vajay, Sigismond de 1972- (DE-588)132277522 wst Sorrentino, Juan 1978- (DE-588)1126197904 wst Rosenberg, Adriana wst Fundación Proa (DE-588)5343528-X his isb |
| spellingShingle | La suite mirada sobre los artistas de la Colección FRAC En temps de pandémie = En épocas de pandemia... / Adriana Rosenberg -- Preludio -- Pulso -- Scherzo -- Andante -- Interludio -- Paisaje reinterpretado -- Coda -- Traducción al francés -- Listado de artistas y de obras Fond Régional d'Art Contemporain (DE-588)4444858-2 gnd Sammlung (DE-588)4128844-0 gnd Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)4444858-2 (DE-588)4128844-0 (DE-588)4114333-4 (DE-588)4135467-9 (DE-588)4145395-5 |
| title | La suite mirada sobre los artistas de la Colección FRAC |
| title_alt | Mirada sobre los artistas de la Colección FRAC |
| title_auth | La suite mirada sobre los artistas de la Colección FRAC |
| title_exact_search | La suite mirada sobre los artistas de la Colección FRAC |
| title_exact_search_txtP | La suite mirada sobre los artistas de la Colección FRAC |
| title_full | La suite mirada sobre los artistas de la Colección FRAC conversación: Sigismond de Vajay, Juan Sorrentino, Adriana Rosenberg |
| title_fullStr | La suite mirada sobre los artistas de la Colección FRAC conversación: Sigismond de Vajay, Juan Sorrentino, Adriana Rosenberg |
| title_full_unstemmed | La suite mirada sobre los artistas de la Colección FRAC conversación: Sigismond de Vajay, Juan Sorrentino, Adriana Rosenberg |
| title_short | La suite |
| title_sort | la suite mirada sobre los artistas de la coleccion frac |
| title_sub | mirada sobre los artistas de la Colección FRAC |
| topic | Fond Régional d'Art Contemporain (DE-588)4444858-2 gnd Sammlung (DE-588)4128844-0 gnd Kunst (DE-588)4114333-4 gnd |
| topic_facet | Fond Régional d'Art Contemporain Sammlung Kunst Ausstellungskatalog Fundación Proa 01.07.2021-31.10.2021 Buenos Aires Bildband |
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