Traces of the Spirit: The Religious Dimensions of Popular Music
"Sylvan's thesis furnishes far more of the same valued experiences than is usually realized: ritual activity, communal ceremony, a philosophy and worldview, a code for living one's life, a cultural identity, a social structure, a sense of belonging, and crucially, Sylvan argues encoun...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
New York University Press
[2002]
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | "Sylvan's thesis furnishes far more of the same valued experiences than is usually realized: ritual activity, communal ceremony, a philosophy and worldview, a code for living one's life, a cultural identity, a social structure, a sense of belonging, and crucially, Sylvan argues encounters with the numinous."-Journal of Religion Most studies of the religious significance of popular music focus on music lyrics, offering little insight into the religious aspects of the music itself. Traces of the Spirit examines the religious dimensions of popular music subcultures, charting the influence and religious aspects of popular music in mainstream culture today and analyzing the religious significance of the audience's experiences, rituals, and worldviews. Sylvan contends that popular music subcultures serve the function of religious communities and represent a new and significant religious phenomenon. Drawing on ethnographic fieldwork using interviews and participant observation, Sylvan examines such subcultures as the Deadheads, raves and their participants, metalheads, and Hip Hop culture. Based on these case studies, he offers a comprehensive theoretical framework in which to study music and popular culture. In addition, he traces the history of West African possession religion from Africa to the diaspora to its integration into American popular music in such genres as the blues, rock and roll, and contemporary musical youth subcultures |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) |
| Beschreibung: | 1 Online-Ressource |
| ISBN: | 9781479875238 |
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Datensatz im Suchindex
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| author | Sylvan, Robin |
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| dewey-full | 781.64/112 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.64/112 |
| dewey-search | 781.64/112 |
| dewey-sort | 3781.64 3112 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
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| spelling | Sylvan, Robin Verfasser aut Traces of the Spirit The Religious Dimensions of Popular Music Robin Sylvan New York, NY New York University Press [2002] © 2002 1 Online-Ressource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) "Sylvan's thesis furnishes far more of the same valued experiences than is usually realized: ritual activity, communal ceremony, a philosophy and worldview, a code for living one's life, a cultural identity, a social structure, a sense of belonging, and crucially, Sylvan argues encounters with the numinous."-Journal of Religion Most studies of the religious significance of popular music focus on music lyrics, offering little insight into the religious aspects of the music itself. Traces of the Spirit examines the religious dimensions of popular music subcultures, charting the influence and religious aspects of popular music in mainstream culture today and analyzing the religious significance of the audience's experiences, rituals, and worldviews. Sylvan contends that popular music subcultures serve the function of religious communities and represent a new and significant religious phenomenon. Drawing on ethnographic fieldwork using interviews and participant observation, Sylvan examines such subcultures as the Deadheads, raves and their participants, metalheads, and Hip Hop culture. Based on these case studies, he offers a comprehensive theoretical framework in which to study music and popular culture. In addition, he traces the history of West African possession religion from Africa to the diaspora to its integration into American popular music in such genres as the blues, rock and roll, and contemporary musical youth subcultures In English RELIGION / General bisacsh Popular culture Religious aspects Popular music Religious aspects https://www.degruyter.com/isbn/9781479875238 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Sylvan, Robin Traces of the Spirit The Religious Dimensions of Popular Music RELIGION / General bisacsh Popular culture Religious aspects Popular music Religious aspects |
| title | Traces of the Spirit The Religious Dimensions of Popular Music |
| title_auth | Traces of the Spirit The Religious Dimensions of Popular Music |
| title_exact_search | Traces of the Spirit The Religious Dimensions of Popular Music |
| title_exact_search_txtP | Traces of the Spirit The Religious Dimensions of Popular Music |
| title_full | Traces of the Spirit The Religious Dimensions of Popular Music Robin Sylvan |
| title_fullStr | Traces of the Spirit The Religious Dimensions of Popular Music Robin Sylvan |
| title_full_unstemmed | Traces of the Spirit The Religious Dimensions of Popular Music Robin Sylvan |
| title_short | Traces of the Spirit |
| title_sort | traces of the spirit the religious dimensions of popular music |
| title_sub | The Religious Dimensions of Popular Music |
| topic | RELIGION / General bisacsh Popular culture Religious aspects Popular music Religious aspects |
| topic_facet | RELIGION / General Popular culture Religious aspects Popular music Religious aspects |
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