The Truth in Photography: Oxford Literary Review Volume 32, Issue 2
From the very invention of photography in the early part of the nineteenth century right up through the most recent developments in photography through digital technology, theorists have never stopped asking whether there is in fact any truth at all in photography. The essays collected in this volum...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
|
Schriftenreihe: | Oxford Literary Review Special Issues : LRSI
|
Schlagworte: | |
Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
Zusammenfassung: | From the very invention of photography in the early part of the nineteenth century right up through the most recent developments in photography through digital technology, theorists have never stopped asking whether there is in fact any truth at all in photography. The essays collected in this volume consider this and related questions (for example, the relationship between photography and representation, history, time, narrative, memory, mourning, and so on) through the works of Walter Benjamin, Hélène Cixous, and Jacques Derrida, among others. The volume opens with a previously untranslated essay by Derrida on photography, entitled, precisely, Aletheia (Truth), and it concludes with 'Melville's Couvade', an original work of fiction on the theme of photography by David Farrell Krell |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) |
Beschreibung: | 1 Online-Ressource (128 Seiten) |
ISBN: | 9781474471237 |
DOI: | 10.1515/9781474471237 |
Internformat
MARC
LEADER | 00000nmm a2200000zc 4500 | ||
---|---|---|---|
001 | BV047921999 | ||
003 | DE-604 | ||
005 | 00000000000000.0 | ||
007 | cr|uuu---uuuuu | ||
008 | 220411s2022 |||| o||u| ||||||eng d | ||
020 | |a 9781474471237 |9 978-1-4744-7123-7 | ||
024 | 7 | |a 10.1515/9781474471237 |2 doi | |
035 | |a (ZDB-23-DGG)9781474471237 | ||
035 | |a (OCoLC)1312709453 | ||
035 | |a (DE-599)BVBBV047921999 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-1043 |a DE-1046 |a DE-858 |a DE-Aug4 |a DE-859 |a DE-860 |a DE-473 |a DE-739 | ||
082 | 0 | |a 770.1 |2 22 | |
100 | 1 | |a Naas, Michael |e Verfasser |4 aut | |
245 | 1 | 0 | |a The Truth in Photography |b Oxford Literary Review Volume 32, Issue 2 |c Michael Naas |
264 | 1 | |a Edinburgh |b Edinburgh University Press |c [2022] | |
264 | 4 | |c © 2011 | |
300 | |a 1 Online-Ressource (128 Seiten) | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
490 | 0 | |a Oxford Literary Review Special Issues : LRSI | |
500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) | ||
520 | |a From the very invention of photography in the early part of the nineteenth century right up through the most recent developments in photography through digital technology, theorists have never stopped asking whether there is in fact any truth at all in photography. The essays collected in this volume consider this and related questions (for example, the relationship between photography and representation, history, time, narrative, memory, mourning, and so on) through the works of Walter Benjamin, Hélène Cixous, and Jacques Derrida, among others. The volume opens with a previously untranslated essay by Derrida on photography, entitled, precisely, Aletheia (Truth), and it concludes with 'Melville's Couvade', an original work of fiction on the theme of photography by David Farrell Krell | ||
546 | |a In English | ||
650 | 4 | |a Literary Studies | |
650 | 7 | |a LITERARY CRITICISM / General |2 bisacsh | |
650 | 4 | |a Photography |x Philosophy | |
650 | 4 | |a Photography-Philosophy | |
650 | 4 | |a Truth | |
700 | 1 | |a Benjamin, Andrew |e Sonstige |4 oth | |
700 | 1 | |a Derrida, Jacques |e Sonstige |4 oth | |
700 | 1 | |a Farrell Krell, David |e Sonstige |4 oth | |
700 | 1 | |a Grant, Ben |e Sonstige |4 oth | |
700 | 1 | |a Judaken, Jonathan |e Sonstige |4 oth | |
700 | 1 | |a Marder, Elissa |e Sonstige |4 oth | |
700 | 1 | |a Miller, Elaine P. |e Sonstige |4 oth | |
700 | 1 | |a Naas, Michael |e Sonstige |4 oth | |
700 | 1 | |a Rainford, Lydia |e Sonstige |4 oth | |
856 | 4 | 0 | |u https://doi.org/10.1515/9781474471237 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-23-DGG | ||
999 | |a oai:aleph.bib-bvb.de:BVB01-033303589 | ||
966 | e | |u https://doi.org/10.1515/9781474471237 |l FAW01 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781474471237 |l FAB01 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781474471237 |l FCO01 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781474471237 |l FHA01 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781474471237 |l FKE01 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781474471237 |l FLA01 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781474471237 |l UPA01 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781474471237 |l UBG01 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1804183550464884736 |
---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Naas, Michael |
author_facet | Naas, Michael |
author_role | aut |
author_sort | Naas, Michael |
author_variant | m n mn |
building | Verbundindex |
bvnumber | BV047921999 |
collection | ZDB-23-DGG |
ctrlnum | (ZDB-23-DGG)9781474471237 (OCoLC)1312709453 (DE-599)BVBBV047921999 |
dewey-full | 770.1 |
dewey-hundreds | 700 - The arts |
dewey-ones | 770 - Photography, computer art, cinematography |
dewey-raw | 770.1 |
dewey-search | 770.1 |
dewey-sort | 3770.1 |
dewey-tens | 770 - Photography, computer art, cinematography |
discipline | Kunstgeschichte |
discipline_str_mv | Kunstgeschichte |
doi_str_mv | 10.1515/9781474471237 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03573nmm a2200637zc 4500</leader><controlfield tag="001">BV047921999</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">220411s2022 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781474471237</subfield><subfield code="9">978-1-4744-7123-7</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9781474471237</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9781474471237</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1312709453</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047921999</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1043</subfield><subfield code="a">DE-1046</subfield><subfield code="a">DE-858</subfield><subfield code="a">DE-Aug4</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">770.1</subfield><subfield code="2">22</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Naas, Michael</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The Truth in Photography</subfield><subfield code="b">Oxford Literary Review Volume 32, Issue 2</subfield><subfield code="c">Michael Naas</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Edinburgh</subfield><subfield code="b">Edinburgh University Press</subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2011</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (128 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Oxford Literary Review Special Issues : LRSI</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">From the very invention of photography in the early part of the nineteenth century right up through the most recent developments in photography through digital technology, theorists have never stopped asking whether there is in fact any truth at all in photography. The essays collected in this volume consider this and related questions (for example, the relationship between photography and representation, history, time, narrative, memory, mourning, and so on) through the works of Walter Benjamin, Hélène Cixous, and Jacques Derrida, among others. The volume opens with a previously untranslated essay by Derrida on photography, entitled, precisely, Aletheia (Truth), and it concludes with 'Melville's Couvade', an original work of fiction on the theme of photography by David Farrell Krell</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Literary Studies</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">LITERARY CRITICISM / General</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Photography</subfield><subfield code="x">Philosophy</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Photography-Philosophy</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Truth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Benjamin, Andrew</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Derrida, Jacques</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Farrell Krell, David</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Grant, Ben</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Judaken, Jonathan</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Marder, Elissa</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Miller, Elaine P.</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Naas, Michael</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Rainford, Lydia</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9781474471237</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033303589</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474471237</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474471237</subfield><subfield code="l">FAB01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474471237</subfield><subfield code="l">FCO01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474471237</subfield><subfield code="l">FHA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FHA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474471237</subfield><subfield code="l">FKE01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474471237</subfield><subfield code="l">FLA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474471237</subfield><subfield code="l">UPA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474471237</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
id | DE-604.BV047921999 |
illustrated | Not Illustrated |
index_date | 2024-07-03T19:33:44Z |
indexdate | 2024-07-10T09:25:14Z |
institution | BVB |
isbn | 9781474471237 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033303589 |
oclc_num | 1312709453 |
open_access_boolean | |
owner | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
owner_facet | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
physical | 1 Online-Ressource (128 Seiten) |
psigel | ZDB-23-DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UPA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG |
publishDate | 2022 |
publishDateSearch | 2022 |
publishDateSort | 2022 |
publisher | Edinburgh University Press |
record_format | marc |
series2 | Oxford Literary Review Special Issues : LRSI |
spelling | Naas, Michael Verfasser aut The Truth in Photography Oxford Literary Review Volume 32, Issue 2 Michael Naas Edinburgh Edinburgh University Press [2022] © 2011 1 Online-Ressource (128 Seiten) txt rdacontent c rdamedia cr rdacarrier Oxford Literary Review Special Issues : LRSI Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) From the very invention of photography in the early part of the nineteenth century right up through the most recent developments in photography through digital technology, theorists have never stopped asking whether there is in fact any truth at all in photography. The essays collected in this volume consider this and related questions (for example, the relationship between photography and representation, history, time, narrative, memory, mourning, and so on) through the works of Walter Benjamin, Hélène Cixous, and Jacques Derrida, among others. The volume opens with a previously untranslated essay by Derrida on photography, entitled, precisely, Aletheia (Truth), and it concludes with 'Melville's Couvade', an original work of fiction on the theme of photography by David Farrell Krell In English Literary Studies LITERARY CRITICISM / General bisacsh Photography Philosophy Photography-Philosophy Truth Benjamin, Andrew Sonstige oth Derrida, Jacques Sonstige oth Farrell Krell, David Sonstige oth Grant, Ben Sonstige oth Judaken, Jonathan Sonstige oth Marder, Elissa Sonstige oth Miller, Elaine P. Sonstige oth Naas, Michael Sonstige oth Rainford, Lydia Sonstige oth https://doi.org/10.1515/9781474471237 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Naas, Michael The Truth in Photography Oxford Literary Review Volume 32, Issue 2 Literary Studies LITERARY CRITICISM / General bisacsh Photography Philosophy Photography-Philosophy Truth |
title | The Truth in Photography Oxford Literary Review Volume 32, Issue 2 |
title_auth | The Truth in Photography Oxford Literary Review Volume 32, Issue 2 |
title_exact_search | The Truth in Photography Oxford Literary Review Volume 32, Issue 2 |
title_exact_search_txtP | The Truth in Photography Oxford Literary Review Volume 32, Issue 2 |
title_full | The Truth in Photography Oxford Literary Review Volume 32, Issue 2 Michael Naas |
title_fullStr | The Truth in Photography Oxford Literary Review Volume 32, Issue 2 Michael Naas |
title_full_unstemmed | The Truth in Photography Oxford Literary Review Volume 32, Issue 2 Michael Naas |
title_short | The Truth in Photography |
title_sort | the truth in photography oxford literary review volume 32 issue 2 |
title_sub | Oxford Literary Review Volume 32, Issue 2 |
topic | Literary Studies LITERARY CRITICISM / General bisacsh Photography Philosophy Photography-Philosophy Truth |
topic_facet | Literary Studies LITERARY CRITICISM / General Photography Philosophy Photography-Philosophy Truth |
url | https://doi.org/10.1515/9781474471237 |
work_keys_str_mv | AT naasmichael thetruthinphotographyoxfordliteraryreviewvolume32issue2 AT benjaminandrew thetruthinphotographyoxfordliteraryreviewvolume32issue2 AT derridajacques thetruthinphotographyoxfordliteraryreviewvolume32issue2 AT farrellkrelldavid thetruthinphotographyoxfordliteraryreviewvolume32issue2 AT grantben thetruthinphotographyoxfordliteraryreviewvolume32issue2 AT judakenjonathan thetruthinphotographyoxfordliteraryreviewvolume32issue2 AT marderelissa thetruthinphotographyoxfordliteraryreviewvolume32issue2 AT millerelainep thetruthinphotographyoxfordliteraryreviewvolume32issue2 AT rainfordlydia thetruthinphotographyoxfordliteraryreviewvolume32issue2 |