The Sitcom:
GBS_insertPreviewButtonPopup('ISBN:9780748637522);Even though sitcom has been a consistent staple of broadcasting the world over, rigorous academic work on it as a genre remains limited. This book examines sitcom as an industry in terms of production, audiences and texts, drawing on a range of...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
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| Schriftenreihe: | TV Genres : TVG
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | GBS_insertPreviewButtonPopup('ISBN:9780748637522);Even though sitcom has been a consistent staple of broadcasting the world over, rigorous academic work on it as a genre remains limited. This book examines sitcom as an industry in terms of production, audiences and texts, drawing on a range of examples and case studies in order to examine the genre's characteristics, social position, and pleasures. In highlighting this long-lasting and popular form of television, it offers insights into genre theory and explores how the comic aim of sitcom forms a central characteristic of the genre.Brett Mills takes a global view of sitcom, examining international examples as well as those produced by the more dominant British and American broadcasting industries, in order to explore the relationships between sitcom, nation, and identity. Sitcoms considered include Extras, My Family, Curb Your Enthusiasm, One Foot in the Grave, Peep Show, Summer Heights High, Popetown, and Friends.Key FeaturesDraws on original research into the television industry, incorporating interviews with sitcom writers, directors and producersIncludes research on audience responses to sitcom, with reference to offence, pleasure, and social changeOffers detailed textual analyses of a range of programmes, drawing on Humour Theory to explore the ways in which jokes and comic moments workOutlines the future for sitcom, considering new media developments and the changing relationships between broadcasters and audiences |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) |
| Beschreibung: | 1 Online-Ressource (194 Seiten) |
| ISBN: | 9781474471039 |
| DOI: | 10.1515/9781474471039 |
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T19:33:44Z |
| indexdate | 2024-07-10T09:25:14Z |
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| isbn | 9781474471039 |
| language | English |
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| publisher | Edinburgh University Press |
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| spelling | Mills, Brett Verfasser aut The Sitcom Brett Mills Edinburgh Edinburgh University Press [2022] © 2009 1 Online-Ressource (194 Seiten) txt rdacontent c rdamedia cr rdacarrier TV Genres : TVG Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) GBS_insertPreviewButtonPopup('ISBN:9780748637522);Even though sitcom has been a consistent staple of broadcasting the world over, rigorous academic work on it as a genre remains limited. This book examines sitcom as an industry in terms of production, audiences and texts, drawing on a range of examples and case studies in order to examine the genre's characteristics, social position, and pleasures. In highlighting this long-lasting and popular form of television, it offers insights into genre theory and explores how the comic aim of sitcom forms a central characteristic of the genre.Brett Mills takes a global view of sitcom, examining international examples as well as those produced by the more dominant British and American broadcasting industries, in order to explore the relationships between sitcom, nation, and identity. Sitcoms considered include Extras, My Family, Curb Your Enthusiasm, One Foot in the Grave, Peep Show, Summer Heights High, Popetown, and Friends.Key FeaturesDraws on original research into the television industry, incorporating interviews with sitcom writers, directors and producersIncludes research on audience responses to sitcom, with reference to offence, pleasure, and social changeOffers detailed textual analyses of a range of programmes, drawing on Humour Theory to explore the ways in which jokes and comic moments workOutlines the future for sitcom, considering new media developments and the changing relationships between broadcasters and audiences In English Film, Media & Cultural Studies ART / Popular Culture bisacsh https://doi.org/10.1515/9781474471039 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Mills, Brett The Sitcom Film, Media & Cultural Studies ART / Popular Culture bisacsh |
| title | The Sitcom |
| title_auth | The Sitcom |
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