Vampires in Italian Cinema, 1956-1975:
Demonstrates how and why the transnational figure of the vampire was appropriated by Italian genre filmmakers between 1956 and 1975Actively engages in the ongoing academic debate about the cultural legitimacy of Italian genre cinemaCovers unpublished film production data (from the Archivio Centrale...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 URL des Erstveröffentlichers |
| Zusammenfassung: | Demonstrates how and why the transnational figure of the vampire was appropriated by Italian genre filmmakers between 1956 and 1975Actively engages in the ongoing academic debate about the cultural legitimacy of Italian genre cinemaCovers unpublished film production data (from the Archivio Centrale dello Stato in Rome), original screenplays (from the Biblioteca Luigi Chiarini in Rome), cinematic paratexts and vampire-themed paraliterature (from libraries all over Italy)Outlines the 1945-1985 historical and industrial context of Italian cinemaPositioning itself at the intersection of Italian film history, horror studies and cultural studies, this fascinating book asks why, and how, was the protean, transnational and transmedial figure of the vampire appropriated by Italian cinema practitioners between 1956 and 1975?The book outlines both the 1945-85 industrial context of Italian cinema and the political, economic and sociocultural context of the Italian Republic, from post-war reconstruction to the austerity of the mid-1970s. Using case studies of films by directors such as Mario Bava and Riccardo Freda, it also delves into lesser-known gems of Italian psychotronic cinema from the 1960s and 1970s, like L'amante del vampiro (The Vampire and the Ballerina) and Riti, magie nere e segrete orge nel Trecento . . . (The Reincarnation of Isabel).With original research into hitherto unpublished film production data, censorship data, original screenplays, trade papers, film magazines and vampire-themed paraliterature, the book strongly argues for the cultural legitimacy of Italian film genres like horror, adventure, comedy and erotica, whose study has so far been neglected in favour of the Italian auteur cinema of the 1940s neorealists and their later followers |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) |
| Beschreibung: | 1 Online-Ressource (232 Seiten) 12 B/W illustrations |
| ISBN: | 9781474458139 |
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| 520 | |a Demonstrates how and why the transnational figure of the vampire was appropriated by Italian genre filmmakers between 1956 and 1975Actively engages in the ongoing academic debate about the cultural legitimacy of Italian genre cinemaCovers unpublished film production data (from the Archivio Centrale dello Stato in Rome), original screenplays (from the Biblioteca Luigi Chiarini in Rome), cinematic paratexts and vampire-themed paraliterature (from libraries all over Italy)Outlines the 1945-1985 historical and industrial context of Italian cinemaPositioning itself at the intersection of Italian film history, horror studies and cultural studies, this fascinating book asks why, and how, was the protean, transnational and transmedial figure of the vampire appropriated by Italian cinema practitioners between 1956 and 1975?The book outlines both the 1945-85 industrial context of Italian cinema and the political, economic and sociocultural context of the Italian Republic, from post-war reconstruction to the austerity of the mid-1970s. Using case studies of films by directors such as Mario Bava and Riccardo Freda, it also delves into lesser-known gems of Italian psychotronic cinema from the 1960s and 1970s, like L'amante del vampiro (The Vampire and the Ballerina) and Riti, magie nere e segrete orge nel Trecento . . . (The Reincarnation of Isabel).With original research into hitherto unpublished film production data, censorship data, original screenplays, trade papers, film magazines and vampire-themed paraliterature, the book strongly argues for the cultural legitimacy of Italian film genres like horror, adventure, comedy and erotica, whose study has so far been neglected in favour of the Italian auteur cinema of the 1940s neorealists and their later followers | ||
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Datensatz im Suchindex
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| author | Guarneri, Michael |
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| illustrated | Illustrated |
| index_date | 2024-07-03T19:33:44Z |
| indexdate | 2024-07-10T09:25:13Z |
| institution | BVB |
| isbn | 9781474458139 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033303509 |
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| physical | 1 Online-Ressource (232 Seiten) 12 B/W illustrations |
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| publisher | Edinburgh University Press |
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| spelling | Guarneri, Michael Verfasser aut Vampires in Italian Cinema, 1956-1975 Michael Guarneri Edinburgh Edinburgh University Press [2022] © 2020 1 Online-Ressource (232 Seiten) 12 B/W illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) Demonstrates how and why the transnational figure of the vampire was appropriated by Italian genre filmmakers between 1956 and 1975Actively engages in the ongoing academic debate about the cultural legitimacy of Italian genre cinemaCovers unpublished film production data (from the Archivio Centrale dello Stato in Rome), original screenplays (from the Biblioteca Luigi Chiarini in Rome), cinematic paratexts and vampire-themed paraliterature (from libraries all over Italy)Outlines the 1945-1985 historical and industrial context of Italian cinemaPositioning itself at the intersection of Italian film history, horror studies and cultural studies, this fascinating book asks why, and how, was the protean, transnational and transmedial figure of the vampire appropriated by Italian cinema practitioners between 1956 and 1975?The book outlines both the 1945-85 industrial context of Italian cinema and the political, economic and sociocultural context of the Italian Republic, from post-war reconstruction to the austerity of the mid-1970s. Using case studies of films by directors such as Mario Bava and Riccardo Freda, it also delves into lesser-known gems of Italian psychotronic cinema from the 1960s and 1970s, like L'amante del vampiro (The Vampire and the Ballerina) and Riti, magie nere e segrete orge nel Trecento . . . (The Reincarnation of Isabel).With original research into hitherto unpublished film production data, censorship data, original screenplays, trade papers, film magazines and vampire-themed paraliterature, the book strongly argues for the cultural legitimacy of Italian film genres like horror, adventure, comedy and erotica, whose study has so far been neglected in favour of the Italian auteur cinema of the 1940s neorealists and their later followers In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh https://www.degruyter.com/isbn/9781474458139 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Guarneri, Michael Vampires in Italian Cinema, 1956-1975 Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh |
| title | Vampires in Italian Cinema, 1956-1975 |
| title_auth | Vampires in Italian Cinema, 1956-1975 |
| title_exact_search | Vampires in Italian Cinema, 1956-1975 |
| title_exact_search_txtP | Vampires in Italian Cinema, 1956-1975 |
| title_full | Vampires in Italian Cinema, 1956-1975 Michael Guarneri |
| title_fullStr | Vampires in Italian Cinema, 1956-1975 Michael Guarneri |
| title_full_unstemmed | Vampires in Italian Cinema, 1956-1975 Michael Guarneri |
| title_short | Vampires in Italian Cinema, 1956-1975 |
| title_sort | vampires in italian cinema 1956 1975 |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production |
| url | https://www.degruyter.com/isbn/9781474458139 |
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