Images of Apartheid Filmmaking on the Fringe in the Old South Africa
Images of Apartheid: Filmmaking on the Fringe in the Old South Africa

Provides the first study of South Africa's B-Scheme cinemaIdentifies a South African cinema of low-budget blaxploitationFeatures many interviews with South African filmmakers, conducted as part of the researchProvided audiences of the time with unique, apartheid-era adaptations of popular blaxp...

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Bibliographische Detailangaben
1. Verfasser: Waddell, Calum (VerfasserIn)
Format: Elektronisch E-Book
Sprache:English
Veröffentlicht: Edinburgh Edinburgh University Press [2022]
Schriftenreihe:Traditions in World Cinema : TWC
Schlagworte:
Film, Media & Cultural Studies
PERFORMING ARTS / Film & Video / Direction & Production
Apartheid in motion pictures
Motion pictures > South Africa > History
Online-Zugang:DE-12
DE-1043
DE-1046
DE-858
DE-859
DE-860
DE-473
DE-739
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Zusammenfassung:Provides the first study of South Africa's B-Scheme cinemaIdentifies a South African cinema of low-budget blaxploitationFeatures many interviews with South African filmmakers, conducted as part of the researchProvided audiences of the time with unique, apartheid-era adaptations of popular blaxploitation films such as Shaft (1971) and Super Fly (1972)Images of Apartheid: Filmmaking on the Fringe in the Old South Africa is an exploration of the low budget, black-action cinema that emerged in South Africa during the 1970s and led to subsequent gangster and race-conflict films that defined an era of prolific genre activity, from Joe Bullet (1973) to American Ninja 4 (1990). Contextualising and documenting the cheap, government-funded 'B-Scheme' films, largely unseen since the fall of the National Party, but also acknowledging the impact of international co-productions such as The Wild Geese (1978) and locally made provocation, including the classic Mapantsula (1988), this study is an exhaustive tour of race-representation and state-subsidised subversion. Also discussing the political turbulence of the era, Images of Apartheid argues that so-called 'ZAxploitation' should be considered within both localised and wider international paracinematic networks of genre adaptation, resulting in the identification of a uniquely South African form of trash and treasure, and schlock and awe
Beschreibung:Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022)
Beschreibung:1 Online-Ressource (280 Seiten) 20 B/W illustrations
ISBN:9781474450041

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