Animal Worlds: Film, Philosophy and Time
The first sustained exploration of the relations between cinematic time and animal lifeFocusing on a recent wave of international art cinema, Animal Worlds offers the first sustained analysis of the relations between cinematic time and animal life. Through an aesthetic of extended duration, films su...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
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| Online-Zugang: | BSB01 FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 Volltext |
| Zusammenfassung: | The first sustained exploration of the relations between cinematic time and animal lifeFocusing on a recent wave of international art cinema, Animal Worlds offers the first sustained analysis of the relations between cinematic time and animal life. Through an aesthetic of extended duration, films such as Bestiaire (2010), The Turin Horse (2011) and A Cow's Life (2012) attend to animal worlds of sentience and perception, while registering the governing of life through biopolitical regimes. Bringing together Gilles Deleuze's writings on cinema and on animals - while drawing on Jacques Derrida, Jean-Christophe Bailly, Nicole Shukin and others - the book argues that these films question the biopolitical reduction of animal life to forms of capital, opening up realms of virtuality, becoming and alternative political futures.Key featuresRevitalises Deleuze's thought for studies of animals in film, forging new connections between his writings on cinema and on animal lifeEngages with a range of key concepts: the time-image and the virtual (Deleuze), 'animal capital' (Shukin), 'pensivity' (Bailly) and the Umwelt (Uexküll)Moves between film-philosophy and critical animal studies, drawing innovative connections between these two burgeoning fields |
| Beschreibung: | 1 Online-Ressource (232 Seiten) Illustrationen |
| ISBN: | 9781474446402 |
Internformat
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| 520 | |a The first sustained exploration of the relations between cinematic time and animal lifeFocusing on a recent wave of international art cinema, Animal Worlds offers the first sustained analysis of the relations between cinematic time and animal life. Through an aesthetic of extended duration, films such as Bestiaire (2010), The Turin Horse (2011) and A Cow's Life (2012) attend to animal worlds of sentience and perception, while registering the governing of life through biopolitical regimes. Bringing together Gilles Deleuze's writings on cinema and on animals - while drawing on Jacques Derrida, Jean-Christophe Bailly, Nicole Shukin and others - the book argues that these films question the biopolitical reduction of animal life to forms of capital, opening up realms of virtuality, becoming and alternative political futures.Key featuresRevitalises Deleuze's thought for studies of animals in film, forging new connections between his writings on cinema and on animal lifeEngages with a range of key concepts: the time-image and the virtual (Deleuze), 'animal capital' (Shukin), 'pensivity' (Bailly) and the Umwelt (Uexküll)Moves between film-philosophy and critical animal studies, drawing innovative connections between these two burgeoning fields | ||
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Datensatz im Suchindex
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| dewey-full | 791.43662 |
| dewey-hundreds | 700 - The arts |
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| dewey-search | 791.436 62 |
| dewey-sort | 3791.436 262 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| format | Electronic eBook |
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| isbn | 9781474446402 |
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| spelling | McMahon, Laura Verfasser aut Animal Worlds Film, Philosophy and Time Laura McMahon Edinburgh Edinburgh University Press [2022] © 2019 1 Online-Ressource (232 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier The first sustained exploration of the relations between cinematic time and animal lifeFocusing on a recent wave of international art cinema, Animal Worlds offers the first sustained analysis of the relations between cinematic time and animal life. Through an aesthetic of extended duration, films such as Bestiaire (2010), The Turin Horse (2011) and A Cow's Life (2012) attend to animal worlds of sentience and perception, while registering the governing of life through biopolitical regimes. Bringing together Gilles Deleuze's writings on cinema and on animals - while drawing on Jacques Derrida, Jean-Christophe Bailly, Nicole Shukin and others - the book argues that these films question the biopolitical reduction of animal life to forms of capital, opening up realms of virtuality, becoming and alternative political futures.Key featuresRevitalises Deleuze's thought for studies of animals in film, forging new connections between his writings on cinema and on animal lifeEngages with a range of key concepts: the time-image and the virtual (Deleuze), 'animal capital' (Shukin), 'pensivity' (Bailly) and the Umwelt (Uexküll)Moves between film-philosophy and critical animal studies, drawing innovative connections between these two burgeoning fields Film, Media & Cultural Studies NATURE / Animals bisacsh Animals in motion pictures https://www.degruyter.com/isbn/9781474446402 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | McMahon, Laura Animal Worlds Film, Philosophy and Time Film, Media & Cultural Studies NATURE / Animals bisacsh Animals in motion pictures |
| title | Animal Worlds Film, Philosophy and Time |
| title_auth | Animal Worlds Film, Philosophy and Time |
| title_exact_search | Animal Worlds Film, Philosophy and Time |
| title_exact_search_txtP | Animal Worlds Film, Philosophy and Time |
| title_full | Animal Worlds Film, Philosophy and Time Laura McMahon |
| title_fullStr | Animal Worlds Film, Philosophy and Time Laura McMahon |
| title_full_unstemmed | Animal Worlds Film, Philosophy and Time Laura McMahon |
| title_short | Animal Worlds |
| title_sort | animal worlds film philosophy and time |
| title_sub | Film, Philosophy and Time |
| topic | Film, Media & Cultural Studies NATURE / Animals bisacsh Animals in motion pictures |
| topic_facet | Film, Media & Cultural Studies NATURE / Animals Animals in motion pictures |
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