Caught In-Between: Intermediality in Contemporary Eastern European and Russian Cinema
Explores the intermedial poetics of the post-communist cinemas of Eastern Europe and RussiaProvides in-depth and comparative analyses of films, with case studies covering fiction films, documentaries, avant-garde experiments, arthouse movies and mainstream cinemaCinematic case studies are drawn from...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
|
| Schriftenreihe: | Edinburgh Studies in Film and Intermediality : ESFI
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Explores the intermedial poetics of the post-communist cinemas of Eastern Europe and RussiaProvides in-depth and comparative analyses of films, with case studies covering fiction films, documentaries, avant-garde experiments, arthouse movies and mainstream cinemaCinematic case studies are drawn from Romania, Hungary, Poland, the Czech Republic, Bosnia and Herzegovina and RussiaDiscusses different strategies of intermediality and covers the analysis of a wide range of intermedial and inter-art phenomena, including the relationship between film and painting, film and sculpture, film and photography, cinema and the graphic novel, words and images and images and musicThis collection of essays explores intermediality as a new perspective in the interpretation of the cinemas that have emerged after the collapse of the former Eastern bloc. As an aesthetic based on a productive interaction of media and highlighting cinema's relationship with the other arts, intermediality always implies a state of in-betweenness which is capable of registering tensions and ambivalences that go beyond the realm of media. The comparative analyses of films from Hungary, Romania, Poland, the Czech Republic, Bosnia and Herzegovina and Russia demonstrate that intermediality can be employed in this way as a form of introspection dealing with complex issues of art and society. Appearing in a variety of sensuous or intellectual modes, intermediality can become an effective poetic strategy to communicate how the cultures of the region are caught in-between East and West, past and present, emotional turmoil and more detached self-awareness. The diverse theoretical approaches that unravel this in-betweenness contribute to the understanding of intermedial phenomena in contemporary cinema as a whole.ContributorsMelinda Blos-Jáni, Sapientia Hungarian University of TransylvaniaMalgorzata Bugaj, University of Stirling and the University of EdinburghFátima Chinita, Lisbon Polytechnic InstituteZsolt Gyenge, Moholy-Nagy University of Art and DesignHajnal Király, Eötvös Loránd UniversityBence Kránicz, Eötvös Loránd UniversityGabriel Laverdière, from Laval University, Quebec Ágnes Pethő, Sapientia Hungarian University of TransylvaniaJudit Pieldner, Sapientia Hungarian University of TransylvaniaKatalin Sándor, Babeș-Bolyai UniversityMareike Sera, Humboldt University of Berlin |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) |
| Beschreibung: | 1 Online-Ressource (254 Seiten) 45 B/W illustrations |
| ISBN: | 9781474435505 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV047921762 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 220411s2022 |||| o||u| ||||||eng d | ||
| 020 | |a 9781474435505 |9 978-1-4744-3550-5 | ||
| 024 | 7 | |a 10.1515/9781474435505 |2 doi | |
| 035 | |a (ZDB-23-DGG)9781474435505 | ||
| 035 | |a (OCoLC)1312702193 | ||
| 035 | |a (DE-599)BVBBV047921762 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-1043 |a DE-1046 |a DE-858 |a DE-Aug4 |a DE-859 |a DE-860 |a DE-473 |a DE-739 | ||
| 082 | 0 | |a 791.4309437 |2 23 | |
| 100 | 1 | |a Pethő, Ágnes |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Caught In-Between |b Intermediality in Contemporary Eastern European and Russian Cinema |c Ágnes Pethő |
| 264 | 1 | |a Edinburgh |b Edinburgh University Press |c [2022] | |
| 264 | 4 | |c © 2020 | |
| 300 | |a 1 Online-Ressource (254 Seiten) |b 45 B/W illustrations | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Edinburgh Studies in Film and Intermediality : ESFI | |
| 500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) | ||
| 520 | |a Explores the intermedial poetics of the post-communist cinemas of Eastern Europe and RussiaProvides in-depth and comparative analyses of films, with case studies covering fiction films, documentaries, avant-garde experiments, arthouse movies and mainstream cinemaCinematic case studies are drawn from Romania, Hungary, Poland, the Czech Republic, Bosnia and Herzegovina and RussiaDiscusses different strategies of intermediality and covers the analysis of a wide range of intermedial and inter-art phenomena, including the relationship between film and painting, film and sculpture, film and photography, cinema and the graphic novel, words and images and images and musicThis collection of essays explores intermediality as a new perspective in the interpretation of the cinemas that have emerged after the collapse of the former Eastern bloc. | ||
| 520 | |a As an aesthetic based on a productive interaction of media and highlighting cinema's relationship with the other arts, intermediality always implies a state of in-betweenness which is capable of registering tensions and ambivalences that go beyond the realm of media. The comparative analyses of films from Hungary, Romania, Poland, the Czech Republic, Bosnia and Herzegovina and Russia demonstrate that intermediality can be employed in this way as a form of introspection dealing with complex issues of art and society. Appearing in a variety of sensuous or intellectual modes, intermediality can become an effective poetic strategy to communicate how the cultures of the region are caught in-between East and West, past and present, emotional turmoil and more detached self-awareness. | ||
| 520 | |a The diverse theoretical approaches that unravel this in-betweenness contribute to the understanding of intermedial phenomena in contemporary cinema as a whole.ContributorsMelinda Blos-Jáni, Sapientia Hungarian University of TransylvaniaMalgorzata Bugaj, University of Stirling and the University of EdinburghFátima Chinita, Lisbon Polytechnic InstituteZsolt Gyenge, Moholy-Nagy University of Art and DesignHajnal Király, Eötvös Loránd UniversityBence Kránicz, Eötvös Loránd UniversityGabriel Laverdière, from Laval University, Quebec Ágnes Pethő, Sapientia Hungarian University of TransylvaniaJudit Pieldner, Sapientia Hungarian University of TransylvaniaKatalin Sándor, Babeș-Bolyai UniversityMareike Sera, Humboldt University of Berlin | ||
| 546 | |a In English | ||
| 650 | 4 | |a Film, Media & Cultural Studies | |
| 650 | 7 | |a HISTORY / Russia & the Former Soviet Union |2 bisacsh | |
| 650 | 4 | |a Motion pictures |z Europe, Eastern |x History | |
| 650 | 4 | |a Motion pictures |z Russia |x History | |
| 700 | 1 | |a Blos-Jáni, Melinda |e Sonstige |4 oth | |
| 700 | 1 | |a Bugaj, Malgorzata |e Sonstige |4 oth | |
| 700 | 1 | |a Chinita, Fátima |e Sonstige |4 oth | |
| 700 | 1 | |a Gyenge, Zsolt |e Sonstige |4 oth | |
| 700 | 1 | |a Király, Hajnal |e Sonstige |4 oth | |
| 700 | 1 | |a Kránicz, Bence |e Sonstige |4 oth | |
| 700 | 1 | |a Laverdière, Gabriel |e Sonstige |4 oth | |
| 700 | 1 | |a Pethő, Ágnes |e Sonstige |4 oth | |
| 700 | 1 | |a Pieldner, Judit |e Sonstige |4 oth | |
| 700 | 1 | |a Sera, Mareike |e Sonstige |4 oth | |
| 700 | 1 | |a Stojanova, Christina |e Sonstige |4 oth | |
| 700 | 1 | |a Sándor, Katalin |e Sonstige |4 oth | |
| 856 | 4 | 0 | |u https://www.degruyter.com/isbn/9781474435505 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-23-DGG | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-033303352 | ||
| 966 | e | |u https://www.degruyter.com/isbn/9781474435505 |l FAW01 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://www.degruyter.com/isbn/9781474435505 |l FAB01 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://www.degruyter.com/isbn/9781474435505 |l FCO01 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://www.degruyter.com/isbn/9781474435505 |l FHA01 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://www.degruyter.com/isbn/9781474435505 |l FKE01 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://www.degruyter.com/isbn/9781474435505 |l FLA01 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://www.degruyter.com/isbn/9781474435505 |l UPA01 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://www.degruyter.com/isbn/9781474435505 |l UBG01 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804183549408968704 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Pethő, Ágnes |
| author_facet | Pethő, Ágnes |
| author_role | aut |
| author_sort | Pethő, Ágnes |
| author_variant | á p áp |
| building | Verbundindex |
| bvnumber | BV047921762 |
| collection | ZDB-23-DGG |
| ctrlnum | (ZDB-23-DGG)9781474435505 (OCoLC)1312702193 (DE-599)BVBBV047921762 |
| dewey-full | 791.4309437 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4309437 |
| dewey-search | 791.4309437 |
| dewey-sort | 3791.4309437 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05496nmm a2200685zc 4500</leader><controlfield tag="001">BV047921762</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">220411s2022 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781474435505</subfield><subfield code="9">978-1-4744-3550-5</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9781474435505</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9781474435505</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1312702193</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047921762</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1043</subfield><subfield code="a">DE-1046</subfield><subfield code="a">DE-858</subfield><subfield code="a">DE-Aug4</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791.4309437</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Pethő, Ágnes</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Caught In-Between</subfield><subfield code="b">Intermediality in Contemporary Eastern European and Russian Cinema</subfield><subfield code="c">Ágnes Pethő</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Edinburgh</subfield><subfield code="b">Edinburgh University Press</subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (254 Seiten)</subfield><subfield code="b">45 B/W illustrations</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Edinburgh Studies in Film and Intermediality : ESFI</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Explores the intermedial poetics of the post-communist cinemas of Eastern Europe and RussiaProvides in-depth and comparative analyses of films, with case studies covering fiction films, documentaries, avant-garde experiments, arthouse movies and mainstream cinemaCinematic case studies are drawn from Romania, Hungary, Poland, the Czech Republic, Bosnia and Herzegovina and RussiaDiscusses different strategies of intermediality and covers the analysis of a wide range of intermedial and inter-art phenomena, including the relationship between film and painting, film and sculpture, film and photography, cinema and the graphic novel, words and images and images and musicThis collection of essays explores intermediality as a new perspective in the interpretation of the cinemas that have emerged after the collapse of the former Eastern bloc. </subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">As an aesthetic based on a productive interaction of media and highlighting cinema's relationship with the other arts, intermediality always implies a state of in-betweenness which is capable of registering tensions and ambivalences that go beyond the realm of media. The comparative analyses of films from Hungary, Romania, Poland, the Czech Republic, Bosnia and Herzegovina and Russia demonstrate that intermediality can be employed in this way as a form of introspection dealing with complex issues of art and society. Appearing in a variety of sensuous or intellectual modes, intermediality can become an effective poetic strategy to communicate how the cultures of the region are caught in-between East and West, past and present, emotional turmoil and more detached self-awareness. </subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The diverse theoretical approaches that unravel this in-betweenness contribute to the understanding of intermedial phenomena in contemporary cinema as a whole.ContributorsMelinda Blos-Jáni, Sapientia Hungarian University of TransylvaniaMalgorzata Bugaj, University of Stirling and the University of EdinburghFátima Chinita, Lisbon Polytechnic InstituteZsolt Gyenge, Moholy-Nagy University of Art and DesignHajnal Király, Eötvös Loránd UniversityBence Kránicz, Eötvös Loránd UniversityGabriel Laverdière, from Laval University, Quebec Ágnes Pethő, Sapientia Hungarian University of TransylvaniaJudit Pieldner, Sapientia Hungarian University of TransylvaniaKatalin Sándor, Babeș-Bolyai UniversityMareike Sera, Humboldt University of Berlin</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film, Media & Cultural Studies</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">HISTORY / Russia & the Former Soviet Union</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures</subfield><subfield code="z">Europe, Eastern</subfield><subfield code="x">History</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures</subfield><subfield code="z">Russia</subfield><subfield code="x">History</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Blos-Jáni, Melinda</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Bugaj, Malgorzata</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Chinita, Fátima</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Gyenge, Zsolt</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Király, Hajnal</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Kránicz, Bence</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Laverdière, Gabriel</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Pethő, Ágnes</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Pieldner, Judit</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Sera, Mareike</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Stojanova, Christina</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Sándor, Katalin</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9781474435505</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033303352</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/isbn/9781474435505</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/isbn/9781474435505</subfield><subfield code="l">FAB01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/isbn/9781474435505</subfield><subfield code="l">FCO01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/isbn/9781474435505</subfield><subfield code="l">FHA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FHA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/isbn/9781474435505</subfield><subfield code="l">FKE01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/isbn/9781474435505</subfield><subfield code="l">FLA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/isbn/9781474435505</subfield><subfield code="l">UPA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/isbn/9781474435505</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV047921762 |
| illustrated | Illustrated |
| index_date | 2024-07-03T19:33:43Z |
| indexdate | 2024-07-10T09:25:13Z |
| institution | BVB |
| isbn | 9781474435505 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033303352 |
| oclc_num | 1312702193 |
| open_access_boolean | |
| owner | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
| owner_facet | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
| physical | 1 Online-Ressource (254 Seiten) 45 B/W illustrations |
| psigel | ZDB-23-DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UPA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Edinburgh University Press |
| record_format | marc |
| series2 | Edinburgh Studies in Film and Intermediality : ESFI |
| spelling | Pethő, Ágnes Verfasser aut Caught In-Between Intermediality in Contemporary Eastern European and Russian Cinema Ágnes Pethő Edinburgh Edinburgh University Press [2022] © 2020 1 Online-Ressource (254 Seiten) 45 B/W illustrations txt rdacontent c rdamedia cr rdacarrier Edinburgh Studies in Film and Intermediality : ESFI Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) Explores the intermedial poetics of the post-communist cinemas of Eastern Europe and RussiaProvides in-depth and comparative analyses of films, with case studies covering fiction films, documentaries, avant-garde experiments, arthouse movies and mainstream cinemaCinematic case studies are drawn from Romania, Hungary, Poland, the Czech Republic, Bosnia and Herzegovina and RussiaDiscusses different strategies of intermediality and covers the analysis of a wide range of intermedial and inter-art phenomena, including the relationship between film and painting, film and sculpture, film and photography, cinema and the graphic novel, words and images and images and musicThis collection of essays explores intermediality as a new perspective in the interpretation of the cinemas that have emerged after the collapse of the former Eastern bloc. As an aesthetic based on a productive interaction of media and highlighting cinema's relationship with the other arts, intermediality always implies a state of in-betweenness which is capable of registering tensions and ambivalences that go beyond the realm of media. The comparative analyses of films from Hungary, Romania, Poland, the Czech Republic, Bosnia and Herzegovina and Russia demonstrate that intermediality can be employed in this way as a form of introspection dealing with complex issues of art and society. Appearing in a variety of sensuous or intellectual modes, intermediality can become an effective poetic strategy to communicate how the cultures of the region are caught in-between East and West, past and present, emotional turmoil and more detached self-awareness. The diverse theoretical approaches that unravel this in-betweenness contribute to the understanding of intermedial phenomena in contemporary cinema as a whole.ContributorsMelinda Blos-Jáni, Sapientia Hungarian University of TransylvaniaMalgorzata Bugaj, University of Stirling and the University of EdinburghFátima Chinita, Lisbon Polytechnic InstituteZsolt Gyenge, Moholy-Nagy University of Art and DesignHajnal Király, Eötvös Loránd UniversityBence Kránicz, Eötvös Loránd UniversityGabriel Laverdière, from Laval University, Quebec Ágnes Pethő, Sapientia Hungarian University of TransylvaniaJudit Pieldner, Sapientia Hungarian University of TransylvaniaKatalin Sándor, Babeș-Bolyai UniversityMareike Sera, Humboldt University of Berlin In English Film, Media & Cultural Studies HISTORY / Russia & the Former Soviet Union bisacsh Motion pictures Europe, Eastern History Motion pictures Russia History Blos-Jáni, Melinda Sonstige oth Bugaj, Malgorzata Sonstige oth Chinita, Fátima Sonstige oth Gyenge, Zsolt Sonstige oth Király, Hajnal Sonstige oth Kránicz, Bence Sonstige oth Laverdière, Gabriel Sonstige oth Pethő, Ágnes Sonstige oth Pieldner, Judit Sonstige oth Sera, Mareike Sonstige oth Stojanova, Christina Sonstige oth Sándor, Katalin Sonstige oth https://www.degruyter.com/isbn/9781474435505 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Pethő, Ágnes Caught In-Between Intermediality in Contemporary Eastern European and Russian Cinema Film, Media & Cultural Studies HISTORY / Russia & the Former Soviet Union bisacsh Motion pictures Europe, Eastern History Motion pictures Russia History |
| title | Caught In-Between Intermediality in Contemporary Eastern European and Russian Cinema |
| title_auth | Caught In-Between Intermediality in Contemporary Eastern European and Russian Cinema |
| title_exact_search | Caught In-Between Intermediality in Contemporary Eastern European and Russian Cinema |
| title_exact_search_txtP | Caught In-Between Intermediality in Contemporary Eastern European and Russian Cinema |
| title_full | Caught In-Between Intermediality in Contemporary Eastern European and Russian Cinema Ágnes Pethő |
| title_fullStr | Caught In-Between Intermediality in Contemporary Eastern European and Russian Cinema Ágnes Pethő |
| title_full_unstemmed | Caught In-Between Intermediality in Contemporary Eastern European and Russian Cinema Ágnes Pethő |
| title_short | Caught In-Between |
| title_sort | caught in between intermediality in contemporary eastern european and russian cinema |
| title_sub | Intermediality in Contemporary Eastern European and Russian Cinema |
| topic | Film, Media & Cultural Studies HISTORY / Russia & the Former Soviet Union bisacsh Motion pictures Europe, Eastern History Motion pictures Russia History |
| topic_facet | Film, Media & Cultural Studies HISTORY / Russia & the Former Soviet Union Motion pictures Europe, Eastern History Motion pictures Russia History |
| url | https://www.degruyter.com/isbn/9781474435505 |
| work_keys_str_mv | AT pethoagnes caughtinbetweenintermedialityincontemporaryeasterneuropeanandrussiancinema AT blosjanimelinda caughtinbetweenintermedialityincontemporaryeasterneuropeanandrussiancinema AT bugajmalgorzata caughtinbetweenintermedialityincontemporaryeasterneuropeanandrussiancinema AT chinitafatima caughtinbetweenintermedialityincontemporaryeasterneuropeanandrussiancinema AT gyengezsolt caughtinbetweenintermedialityincontemporaryeasterneuropeanandrussiancinema AT kiralyhajnal caughtinbetweenintermedialityincontemporaryeasterneuropeanandrussiancinema AT kraniczbence caughtinbetweenintermedialityincontemporaryeasterneuropeanandrussiancinema AT laverdieregabriel caughtinbetweenintermedialityincontemporaryeasterneuropeanandrussiancinema AT pieldnerjudit caughtinbetweenintermedialityincontemporaryeasterneuropeanandrussiancinema AT seramareike caughtinbetweenintermedialityincontemporaryeasterneuropeanandrussiancinema AT stojanovachristina caughtinbetweenintermedialityincontemporaryeasterneuropeanandrussiancinema AT sandorkatalin caughtinbetweenintermedialityincontemporaryeasterneuropeanandrussiancinema |