Lesbian Cinema after Queer Theory:
A sustained analysis of twenty-first century lesbian cinema through a queer theoretical lensThe unprecedented increase in lesbian representation over the past two decades has, paradoxically, coincided with queer theory's radical transformation of the study of sexuality. In Lesbian Cinema after...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Edinburgh
Edinburgh University Press
[2022]
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| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | A sustained analysis of twenty-first century lesbian cinema through a queer theoretical lensThe unprecedented increase in lesbian representation over the past two decades has, paradoxically, coincided with queer theory's radical transformation of the study of sexuality. In Lesbian Cinema after Queer Theory, Clara Bradbury-Rance argues that this contradictory context has yielded new kinds of cinematic language through which to give desire visual form. By offering close readings of key contemporary films such as Blue Is the Warmest Colour, Water Lilies and Carol alongside a broader filmography encompassing over 300 other films released between 1927 and 2018, the book provokes new ways of understanding a changing field of representation.Bradbury-Rance resists charting a narrative of representational progress or shoring up the lesbian's categorisation in the newly available terms of the visible. Instead, she argues for a feminist framework that can understand lesbianism's queerness. Drawing on a provocative theoretical and visual corpus, Lesbian Cinema after Queer Theory reveals the conditions of lesbian legibility in the twenty-first century.In-depth case studies include:Mulholland Drive (David Lynch, 2001)Nathalie... (Anne Fontaine, 2003)Chloe (Atom Egoyan, 2009)Circumstance (Maryam Keshavarz, 2011)Water Lilies (Céline Sciamma, 2006)She Monkeys (Lisa Aschan, 2011)Blue Is the Warmest Colour (Abdellatif Kechiche, 2013)Carol (Todd Haynes, 2015)Key features:Explores lesbian cinema in the context of political, social and cultural transformations in LGBT civil rights while challenging the assumed relationship between visibility and progressExplores the gendered invisibility instituted in critical discourses of sexuality by queer theory's departure from identity politicsProposes the mutual, rather than synonymous or substitutive, use of "queer" and "lesbian" to describe sexuality on screenSituates contemporary lesbian cinema in the history of the image of the woman as theorised by feminist film theoryBrings together psychoanalysis, affect theory and theories of space and time in cinema to explore the range of ways in which contemporary cinema makes desire legible |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) |
| Beschreibung: | 1 Online-Ressource (208 Seiten) 36 B/W illustrations |
| ISBN: | 9781474435376 |
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| 520 | |a A sustained analysis of twenty-first century lesbian cinema through a queer theoretical lensThe unprecedented increase in lesbian representation over the past two decades has, paradoxically, coincided with queer theory's radical transformation of the study of sexuality. In Lesbian Cinema after Queer Theory, Clara Bradbury-Rance argues that this contradictory context has yielded new kinds of cinematic language through which to give desire visual form. By offering close readings of key contemporary films such as Blue Is the Warmest Colour, Water Lilies and Carol alongside a broader filmography encompassing over 300 other films released between 1927 and 2018, the book provokes new ways of understanding a changing field of representation.Bradbury-Rance resists charting a narrative of representational progress or shoring up the lesbian's categorisation in the newly available terms of the visible. Instead, she argues for a feminist framework that can understand lesbianism's queerness. | ||
| 520 | |a Drawing on a provocative theoretical and visual corpus, Lesbian Cinema after Queer Theory reveals the conditions of lesbian legibility in the twenty-first century.In-depth case studies include:Mulholland Drive (David Lynch, 2001)Nathalie... | ||
| 520 | |a (Anne Fontaine, 2003)Chloe (Atom Egoyan, 2009)Circumstance (Maryam Keshavarz, 2011)Water Lilies (Céline Sciamma, 2006)She Monkeys (Lisa Aschan, 2011)Blue Is the Warmest Colour (Abdellatif Kechiche, 2013)Carol (Todd Haynes, 2015)Key features:Explores lesbian cinema in the context of political, social and cultural transformations in LGBT civil rights while challenging the assumed relationship between visibility and progressExplores the gendered invisibility instituted in critical discourses of sexuality by queer theory's departure from identity politicsProposes the mutual, rather than synonymous or substitutive, use of "queer" and "lesbian" to describe sexuality on screenSituates contemporary lesbian cinema in the history of the image of the woman as theorised by feminist film theoryBrings together psychoanalysis, affect theory and theories of space and time in cinema to explore the range of ways in which contemporary cinema makes desire legible | ||
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Datensatz im Suchindex
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| author | Bradbury-Rance, Clara |
| author_facet | Bradbury-Rance, Clara |
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| dewey-full | 791.436526643 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
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| dewey-search | 791.436526643 |
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| illustrated | Illustrated |
| index_date | 2024-07-03T19:33:43Z |
| indexdate | 2024-07-10T09:25:13Z |
| institution | BVB |
| isbn | 9781474435376 |
| language | English |
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| spelling | Bradbury-Rance, Clara Verfasser aut Lesbian Cinema after Queer Theory Clara Bradbury-Rance Edinburgh Edinburgh University Press [2022] © 2019 1 Online-Ressource (208 Seiten) 36 B/W illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) A sustained analysis of twenty-first century lesbian cinema through a queer theoretical lensThe unprecedented increase in lesbian representation over the past two decades has, paradoxically, coincided with queer theory's radical transformation of the study of sexuality. In Lesbian Cinema after Queer Theory, Clara Bradbury-Rance argues that this contradictory context has yielded new kinds of cinematic language through which to give desire visual form. By offering close readings of key contemporary films such as Blue Is the Warmest Colour, Water Lilies and Carol alongside a broader filmography encompassing over 300 other films released between 1927 and 2018, the book provokes new ways of understanding a changing field of representation.Bradbury-Rance resists charting a narrative of representational progress or shoring up the lesbian's categorisation in the newly available terms of the visible. Instead, she argues for a feminist framework that can understand lesbianism's queerness. Drawing on a provocative theoretical and visual corpus, Lesbian Cinema after Queer Theory reveals the conditions of lesbian legibility in the twenty-first century.In-depth case studies include:Mulholland Drive (David Lynch, 2001)Nathalie... (Anne Fontaine, 2003)Chloe (Atom Egoyan, 2009)Circumstance (Maryam Keshavarz, 2011)Water Lilies (Céline Sciamma, 2006)She Monkeys (Lisa Aschan, 2011)Blue Is the Warmest Colour (Abdellatif Kechiche, 2013)Carol (Todd Haynes, 2015)Key features:Explores lesbian cinema in the context of political, social and cultural transformations in LGBT civil rights while challenging the assumed relationship between visibility and progressExplores the gendered invisibility instituted in critical discourses of sexuality by queer theory's departure from identity politicsProposes the mutual, rather than synonymous or substitutive, use of "queer" and "lesbian" to describe sexuality on screenSituates contemporary lesbian cinema in the history of the image of the woman as theorised by feminist film theoryBrings together psychoanalysis, affect theory and theories of space and time in cinema to explore the range of ways in which contemporary cinema makes desire legible In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Lesbians in motion pictures https://www.degruyter.com/isbn/9781474435376 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Bradbury-Rance, Clara Lesbian Cinema after Queer Theory Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Lesbians in motion pictures |
| title | Lesbian Cinema after Queer Theory |
| title_auth | Lesbian Cinema after Queer Theory |
| title_exact_search | Lesbian Cinema after Queer Theory |
| title_exact_search_txtP | Lesbian Cinema after Queer Theory |
| title_full | Lesbian Cinema after Queer Theory Clara Bradbury-Rance |
| title_fullStr | Lesbian Cinema after Queer Theory Clara Bradbury-Rance |
| title_full_unstemmed | Lesbian Cinema after Queer Theory Clara Bradbury-Rance |
| title_short | Lesbian Cinema after Queer Theory |
| title_sort | lesbian cinema after queer theory |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Lesbians in motion pictures |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General Lesbians in motion pictures |
| url | https://www.degruyter.com/isbn/9781474435376 |
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