French Blockbusters: Cultural Politics of a Transnational Cinema
Rethinks the transnational dimensions of the contemporary French film industryThe digitised spectacles conjured by a word like 'blockbuster' may create a certain cognitive dissonance with received ideas about French cinema - long celebrated as a model for philosophical, economic and aesthe...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
|
| Schriftenreihe: | Traditions in World Cinema : TWC
|
| Schlagworte: | |
| Online-Zugang: | DE-1046 DE-1043 DE-858 DE-859 DE-860 DE-739 DE-473 Volltext |
| Zusammenfassung: | Rethinks the transnational dimensions of the contemporary French film industryThe digitised spectacles conjured by a word like 'blockbuster' may create a certain cognitive dissonance with received ideas about French cinema - long celebrated as a model for philosophical, economic and aesthetic resistance to globalised popular culture. While the Gallic 'cultural exception' remains a forceful current to this day, this book shows how the onslaught of Hollywood mega-franchises and new media platforms since the 1980s has also provoked an overtly commercialised response from French producers eager to redefine the stakes and scope of their own traditions.Cutting a swath through recent French-produced cinema, French Blockbusters offers the first book-length consideration of the theoretical implications, historical impact and cultural consequences of recent popular films that are rapidly changing what it means to make - or to see - a 'French' film today. From English-language action vehicles like Valerian and the City of a Thousand Planets (Besson, 2017) to revisionist historical films like Of Gods and Men (Beauvois, 2011) and crowd-pleasing comedies like Intouchables (Toledano & Nakache, 2011), the variously filiated 'local blockbusters' from contemporary France brim with the seeds of cultural contradiction, but also with the energy of a counter-history |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) |
| Beschreibung: | 1 Online-Ressource (256 Seiten) 26 B/W illustrations |
| ISBN: | 9781474424240 |
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| 520 | |a Rethinks the transnational dimensions of the contemporary French film industryThe digitised spectacles conjured by a word like 'blockbuster' may create a certain cognitive dissonance with received ideas about French cinema - long celebrated as a model for philosophical, economic and aesthetic resistance to globalised popular culture. While the Gallic 'cultural exception' remains a forceful current to this day, this book shows how the onslaught of Hollywood mega-franchises and new media platforms since the 1980s has also provoked an overtly commercialised response from French producers eager to redefine the stakes and scope of their own traditions.Cutting a swath through recent French-produced cinema, French Blockbusters offers the first book-length consideration of the theoretical implications, historical impact and cultural consequences of recent popular films that are rapidly changing what it means to make - or to see - a 'French' film today. From English-language action vehicles like Valerian and the City of a Thousand Planets (Besson, 2017) to revisionist historical films like Of Gods and Men (Beauvois, 2011) and crowd-pleasing comedies like Intouchables (Toledano & Nakache, 2011), the variously filiated 'local blockbusters' from contemporary France brim with the seeds of cultural contradiction, but also with the energy of a counter-history | ||
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Datensatz im Suchindex
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| author | Michael, Charlie |
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| bvnumber | BV047921692 |
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| format | Electronic eBook |
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| illustrated | Illustrated |
| index_date | 2024-07-03T19:33:43Z |
| indexdate | 2025-02-19T17:34:25Z |
| institution | BVB |
| isbn | 9781474424240 |
| language | English |
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| oclc_num | 1312698162 |
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| physical | 1 Online-Ressource (256 Seiten) 26 B/W illustrations |
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| spelling | Michael, Charlie Verfasser aut French Blockbusters Cultural Politics of a Transnational Cinema Charlie Michael Edinburgh Edinburgh University Press [2022] © 2019 1 Online-Ressource (256 Seiten) 26 B/W illustrations txt rdacontent c rdamedia cr rdacarrier Traditions in World Cinema : TWC Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) Rethinks the transnational dimensions of the contemporary French film industryThe digitised spectacles conjured by a word like 'blockbuster' may create a certain cognitive dissonance with received ideas about French cinema - long celebrated as a model for philosophical, economic and aesthetic resistance to globalised popular culture. While the Gallic 'cultural exception' remains a forceful current to this day, this book shows how the onslaught of Hollywood mega-franchises and new media platforms since the 1980s has also provoked an overtly commercialised response from French producers eager to redefine the stakes and scope of their own traditions.Cutting a swath through recent French-produced cinema, French Blockbusters offers the first book-length consideration of the theoretical implications, historical impact and cultural consequences of recent popular films that are rapidly changing what it means to make - or to see - a 'French' film today. From English-language action vehicles like Valerian and the City of a Thousand Planets (Besson, 2017) to revisionist historical films like Of Gods and Men (Beauvois, 2011) and crowd-pleasing comedies like Intouchables (Toledano & Nakache, 2011), the variously filiated 'local blockbusters' from contemporary France brim with the seeds of cultural contradiction, but also with the energy of a counter-history In English Film, Media & Cultural Studies HISTORY / Europe / France bisacsh Blockbusters (Motion pictures) France History 20th century Motion pictures Political aspects France Transnationalism in motion pictures Gimello-Mesplomb, Frédéric Sonstige oth https://www.degruyter.com/isbn/9781474424240 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Michael, Charlie French Blockbusters Cultural Politics of a Transnational Cinema Film, Media & Cultural Studies HISTORY / Europe / France bisacsh Blockbusters (Motion pictures) France History 20th century Motion pictures Political aspects France Transnationalism in motion pictures |
| title | French Blockbusters Cultural Politics of a Transnational Cinema |
| title_auth | French Blockbusters Cultural Politics of a Transnational Cinema |
| title_exact_search | French Blockbusters Cultural Politics of a Transnational Cinema |
| title_exact_search_txtP | French Blockbusters Cultural Politics of a Transnational Cinema |
| title_full | French Blockbusters Cultural Politics of a Transnational Cinema Charlie Michael |
| title_fullStr | French Blockbusters Cultural Politics of a Transnational Cinema Charlie Michael |
| title_full_unstemmed | French Blockbusters Cultural Politics of a Transnational Cinema Charlie Michael |
| title_short | French Blockbusters |
| title_sort | french blockbusters cultural politics of a transnational cinema |
| title_sub | Cultural Politics of a Transnational Cinema |
| topic | Film, Media & Cultural Studies HISTORY / Europe / France bisacsh Blockbusters (Motion pictures) France History 20th century Motion pictures Political aspects France Transnationalism in motion pictures |
| topic_facet | Film, Media & Cultural Studies HISTORY / Europe / France Blockbusters (Motion pictures) France History 20th century Motion pictures Political aspects France Transnationalism in motion pictures |
| url | https://www.degruyter.com/isbn/9781474424240 |
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