Vampires, Race, and Transnational Hollywoods:
A consideration of vampire film production through the lens of transnational cinemaThe figure of the vampire serves as both object and mode of analysis for more than a century of Hollywood filmmaking. Never dying, shifting shape and moving at unnatural speed, as the vampire renews itself by drinking...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
|
| Schriftenreihe: | Traditions in American Cinema : TAC
|
| Schlagworte: | |
| Online-Zugang: | BSB01 FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UPA01 URL des Erstveröffentlichers |
| Zusammenfassung: | A consideration of vampire film production through the lens of transnational cinemaThe figure of the vampire serves as both object and mode of analysis for more than a century of Hollywood filmmaking. Never dying, shifting shape and moving at unnatural speed, as the vampire renews itself by drinking victims' blood, so too does Hollywood renew itself by consuming foreign styles and talent, moving to overseas locations, and proliferating in new guises.In Vampires, Race, and Transnational Hollywoods, Dale Hudson explores the movement of transnational Hollywood's vampires, between low-budget quickies and high-budget franchises, as it appropriates visual styles from German, Mexican and Hong Kong cinemas and off-shores to Canada, Philippines, and South Africa. As the vampire's popularity has swelled, vampire film and television has engaged with changing discourses around race and identity not always addressed in realist modes.Here, teen vampires comfort misunderstood youth, chador-wearing skateboarder vampires promote transnational feminism, African American and Mexican American vampires recover their repressed histories. Looking at contemporary hits like True Blood, Twilight, Underworld and The Strain, classics such as Universal's Dracula and Drácula, and miscegenation melodramas like The Cheat and The Sheik, the book reconfigures Hollywood historiography and tradition as fundamentally transnational, offering fresh interpretations of vampire media as trans-genre sites for political contestation.Read an interview with Dale Hudson on Public AffairsVisit Dale Hudson's website to find out more about his research |
| Beschreibung: | 1 Online-Ressource (296 Seiten) Illustrationen |
| ISBN: | 9781474423090 |
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| indexdate | 2024-07-10T09:25:12Z |
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| spelling | Hudson, Dale Verfasser aut Vampires, Race, and Transnational Hollywoods Dale Hudson Edinburgh Edinburgh University Press [2022] © 2017 1 Online-Ressource (296 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Traditions in American Cinema : TAC A consideration of vampire film production through the lens of transnational cinemaThe figure of the vampire serves as both object and mode of analysis for more than a century of Hollywood filmmaking. Never dying, shifting shape and moving at unnatural speed, as the vampire renews itself by drinking victims' blood, so too does Hollywood renew itself by consuming foreign styles and talent, moving to overseas locations, and proliferating in new guises.In Vampires, Race, and Transnational Hollywoods, Dale Hudson explores the movement of transnational Hollywood's vampires, between low-budget quickies and high-budget franchises, as it appropriates visual styles from German, Mexican and Hong Kong cinemas and off-shores to Canada, Philippines, and South Africa. As the vampire's popularity has swelled, vampire film and television has engaged with changing discourses around race and identity not always addressed in realist modes.Here, teen vampires comfort misunderstood youth, chador-wearing skateboarder vampires promote transnational feminism, African American and Mexican American vampires recover their repressed histories. Looking at contemporary hits like True Blood, Twilight, Underworld and The Strain, classics such as Universal's Dracula and Drácula, and miscegenation melodramas like The Cheat and The Sheik, the book reconfigures Hollywood historiography and tradition as fundamentally transnational, offering fresh interpretations of vampire media as trans-genre sites for political contestation.Read an interview with Dale Hudson on Public AffairsVisit Dale Hudson's website to find out more about his research Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Vampire films History and criticism https://www.degruyter.com/isbn/9781474423090 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Hudson, Dale Vampires, Race, and Transnational Hollywoods Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Vampire films History and criticism |
| title | Vampires, Race, and Transnational Hollywoods |
| title_auth | Vampires, Race, and Transnational Hollywoods |
| title_exact_search | Vampires, Race, and Transnational Hollywoods |
| title_exact_search_txtP | Vampires, Race, and Transnational Hollywoods |
| title_full | Vampires, Race, and Transnational Hollywoods Dale Hudson |
| title_fullStr | Vampires, Race, and Transnational Hollywoods Dale Hudson |
| title_full_unstemmed | Vampires, Race, and Transnational Hollywoods Dale Hudson |
| title_short | Vampires, Race, and Transnational Hollywoods |
| title_sort | vampires race and transnational hollywoods |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Vampire films History and criticism |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production Vampire films History and criticism |
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