Female Authorship and the Documentary Image: Theory, Practice and Aesthetics
Examines the politics of female authorship in relation to contemporary documentary practicesThis book, like its twin volume Female Authorship and Documentary Strategies, centres on pressing issues in relation to female authorship in contemporary documentary practices. Addressing the politics of repr...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Edinburgh
Edinburgh University Press
[2022]
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| Online-Zugang: | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-473 DE-739 Volltext |
| Zusammenfassung: | Examines the politics of female authorship in relation to contemporary documentary practicesThis book, like its twin volume Female Authorship and Documentary Strategies, centres on pressing issues in relation to female authorship in contemporary documentary practices. Addressing the politics of representation and authorship both behind and in front of the camera, a range of international scholars now expand the theoretical and practical framework informing the current scholarship on documentary cinema, which has so far neglected questions of gender. Female Authorship and the Documentary Image engages with the relationship between female documentary filmmakers and the documentary image. With a thematic focus on the documentary image directly, within the more traditional arenas of theory and practice and especially within the context of gaze and author theory, the book also considers more philosophical questions of aesthetics, home and identity within the contexts of female subjectivity, globalisation and trauma. The book also includes a dialogue on two key photographers, Hannah Wilke and Jo Spence, as well as an interview with Taiwanese documentary filmmakers Singing Chen and Wuna Wu.ContributorsAnna Backman Rogers, University of GothenburgChris Berry, King's College LondonElizabeth Coffman, Loyola University ChicagoSharon Daniel, University of California, Santa CruzLisa French, RMIT University Gabrielle McNally, Northern Michigan UniversitySophie Mayer, Author and Journalist Rona Murray, Lancaster University Annelies van Noortwijk, University of Groningen Aparna Sharma, UCLABelinda Smaill, Monash University Erica Stein, Marymount Manhattan CollegeCatherine Summerhayes, Australian National University (ANU) Boel Ulfsdotter, Independent ScholarNakane Wakae, Nagoya University |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) |
| Beschreibung: | 1 Online-Ressource (224 Seiten) 22 B/W illustrations |
| ISBN: | 9781474419451 |
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| spelling | Ulfsdotter, Boel 1959- Verfasser (DE-588)1154313166 aut Female Authorship and the Documentary Image Theory, Practice and Aesthetics Boel Ulfsdotter, Anna Backman Rogers Edinburgh Edinburgh University Press [2022] © 2018 1 Online-Ressource (224 Seiten) 22 B/W illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) Examines the politics of female authorship in relation to contemporary documentary practicesThis book, like its twin volume Female Authorship and Documentary Strategies, centres on pressing issues in relation to female authorship in contemporary documentary practices. Addressing the politics of representation and authorship both behind and in front of the camera, a range of international scholars now expand the theoretical and practical framework informing the current scholarship on documentary cinema, which has so far neglected questions of gender. Female Authorship and the Documentary Image engages with the relationship between female documentary filmmakers and the documentary image. With a thematic focus on the documentary image directly, within the more traditional arenas of theory and practice and especially within the context of gaze and author theory, the book also considers more philosophical questions of aesthetics, home and identity within the contexts of female subjectivity, globalisation and trauma. The book also includes a dialogue on two key photographers, Hannah Wilke and Jo Spence, as well as an interview with Taiwanese documentary filmmakers Singing Chen and Wuna Wu.ContributorsAnna Backman Rogers, University of GothenburgChris Berry, King's College LondonElizabeth Coffman, Loyola University ChicagoSharon Daniel, University of California, Santa CruzLisa French, RMIT University Gabrielle McNally, Northern Michigan UniversitySophie Mayer, Author and Journalist Rona Murray, Lancaster University Annelies van Noortwijk, University of Groningen Aparna Sharma, UCLABelinda Smaill, Monash University Erica Stein, Marymount Manhattan CollegeCatherine Summerhayes, Australian National University (ANU) Boel Ulfsdotter, Independent ScholarNakane Wakae, Nagoya University In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Documentary films History and criticism Feminism and motion pictures Women motion picture producers and directors Backman Rogers, Anna 1981- Sonstige (DE-588)1073231925 oth Berry, Chris Sonstige oth Coffman, Elizabeth Sonstige oth Daniel, Sharon Sonstige oth French, Lisa Sonstige oth Mayer, Sophie Sonstige oth McNally, Gabrielle Sonstige oth Murray, Rona Sonstige oth Nakane, Wakae Sonstige oth Noortwijk, Annelies van Sonstige oth Sharma, Aparna Sonstige oth Smaill, Belinda Sonstige oth Stein, Erica Sonstige oth Summerhayes, Catherine Sonstige oth https://www.degruyter.com/isbn/9781474419451 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Ulfsdotter, Boel 1959- Female Authorship and the Documentary Image Theory, Practice and Aesthetics Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Documentary films History and criticism Feminism and motion pictures Women motion picture producers and directors |
| title | Female Authorship and the Documentary Image Theory, Practice and Aesthetics |
| title_auth | Female Authorship and the Documentary Image Theory, Practice and Aesthetics |
| title_exact_search | Female Authorship and the Documentary Image Theory, Practice and Aesthetics |
| title_exact_search_txtP | Female Authorship and the Documentary Image Theory, Practice and Aesthetics |
| title_full | Female Authorship and the Documentary Image Theory, Practice and Aesthetics Boel Ulfsdotter, Anna Backman Rogers |
| title_fullStr | Female Authorship and the Documentary Image Theory, Practice and Aesthetics Boel Ulfsdotter, Anna Backman Rogers |
| title_full_unstemmed | Female Authorship and the Documentary Image Theory, Practice and Aesthetics Boel Ulfsdotter, Anna Backman Rogers |
| title_short | Female Authorship and the Documentary Image |
| title_sort | female authorship and the documentary image theory practice and aesthetics |
| title_sub | Theory, Practice and Aesthetics |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Documentary films History and criticism Feminism and motion pictures Women motion picture producers and directors |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production Documentary films History and criticism Feminism and motion pictures Women motion picture producers and directors |
| url | https://www.degruyter.com/isbn/9781474419451 |
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