Visceral Screens: Mediation and Matter in Horror Cinema
Investigates how horror films have rendered the human body as a media artifact, dramatically dis-figuring it with optical effects and visual fragmentationDemonstrates how a range of different horror subgenres depict bodily mediation, from the vampire's association with optical effects to the us...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Investigates how horror films have rendered the human body as a media artifact, dramatically dis-figuring it with optical effects and visual fragmentationDemonstrates how a range of different horror subgenres depict bodily mediation, from the vampire's association with optical effects to the use of editing, colour and sound to blur or fragment bodily formsArgues that horror films do not merely reflect 'anxieties' regarding contemporary media technologies, but rather produce distinctive conceptual framings of the body and/as mediaCovers a wide range of subgenres spanning the history of the genre, addressing classic horror films alongside popular and innovative contemporary worksBalances theoretical engagement with readability, and incorporates close readings of specific filmsHorror cinema grants bodies and images a precarious hold on sense and order: from the zombie's gory disintegration to the shaky visuals of 'found footage' horror, and from the vampire's absent reflection to the spectacle of shattering glass in the Italian giallo. Addressing classic horror movies alongside popular and innovative contemporary works, Visceral Screens investigates how they have rendered the human form as a media artefact, dramatically dis-figuring it with optical effects, chromatic shifts, glitches and audiovisual fragmentation. Conducting their own anatomies of the screen, cutting into the matter of cinema, horror films revel in the breakdown of frames, patterns and figures, undermining subjectivity and meaning |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) |
| Beschreibung: | 1 Online-Ressource (216 Seiten) 20 B/W illustrations |
| ISBN: | 9781474419208 |
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| spelling | Cameron, Allan Verfasser aut Visceral Screens Mediation and Matter in Horror Cinema Allan Cameron Edinburgh Edinburgh University Press [2022] © 2021 1 Online-Ressource (216 Seiten) 20 B/W illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) Investigates how horror films have rendered the human body as a media artifact, dramatically dis-figuring it with optical effects and visual fragmentationDemonstrates how a range of different horror subgenres depict bodily mediation, from the vampire's association with optical effects to the use of editing, colour and sound to blur or fragment bodily formsArgues that horror films do not merely reflect 'anxieties' regarding contemporary media technologies, but rather produce distinctive conceptual framings of the body and/as mediaCovers a wide range of subgenres spanning the history of the genre, addressing classic horror films alongside popular and innovative contemporary worksBalances theoretical engagement with readability, and incorporates close readings of specific filmsHorror cinema grants bodies and images a precarious hold on sense and order: from the zombie's gory disintegration to the shaky visuals of 'found footage' horror, and from the vampire's absent reflection to the spectacle of shattering glass in the Italian giallo. Addressing classic horror movies alongside popular and innovative contemporary works, Visceral Screens investigates how they have rendered the human form as a media artefact, dramatically dis-figuring it with optical effects, chromatic shifts, glitches and audiovisual fragmentation. Conducting their own anatomies of the screen, cutting into the matter of cinema, horror films revel in the breakdown of frames, patterns and figures, undermining subjectivity and meaning In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Horror films-History and criticism https://www.degruyter.com/isbn/9781474419208 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Cameron, Allan Visceral Screens Mediation and Matter in Horror Cinema Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Horror films-History and criticism |
| title | Visceral Screens Mediation and Matter in Horror Cinema |
| title_auth | Visceral Screens Mediation and Matter in Horror Cinema |
| title_exact_search | Visceral Screens Mediation and Matter in Horror Cinema |
| title_exact_search_txtP | Visceral Screens Mediation and Matter in Horror Cinema |
| title_full | Visceral Screens Mediation and Matter in Horror Cinema Allan Cameron |
| title_fullStr | Visceral Screens Mediation and Matter in Horror Cinema Allan Cameron |
| title_full_unstemmed | Visceral Screens Mediation and Matter in Horror Cinema Allan Cameron |
| title_short | Visceral Screens |
| title_sort | visceral screens mediation and matter in horror cinema |
| title_sub | Mediation and Matter in Horror Cinema |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Horror films-History and criticism |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production Horror films-History and criticism |
| url | https://www.degruyter.com/isbn/9781474419208 |
| work_keys_str_mv | AT cameronallan visceralscreensmediationandmatterinhorrorcinema |