Acinemas: Lyotard's Philosophy of Film
The first major survey of Lyotard's contribution to film theory, combining his original essays with new critical works by leading scholarsThis collection presents, for the first time in English, Jean-François Lyotard's major essays on film: 'Acinema', 'The Unconscious as Mis...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Edinburgh
Edinburgh University Press
[2022]
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| Zusammenfassung: | The first major survey of Lyotard's contribution to film theory, combining his original essays with new critical works by leading scholarsThis collection presents, for the first time in English, Jean-François Lyotard's major essays on film: 'Acinema', 'The Unconscious as Mise-en-scène', 'Two Metamorphoses of the Seductive in Cinema' and 'The Idea of a Sovereign Film'. Then, eight critical essays by philosophers and film theorists examine Lyotard's film work and influence across two sections: 'Approaches and Interpretations' and 'Applications and Extensions'. These works are complemented by an introductory essay by leading French scholar Jean-Michel Durafour on Lyotard's film-philosophy, an overview of Lyotard's practical film projects written by his collaborators Claudine Eizykman and Guy Fihman, and the synopsis for a later film project Memorial Immemorial, which Lyotard proposed but was not produced. Jean-François Lyotard was the most significant aesthetician of the poststructuralist generation, but this dimension of his thought is only recently beginning to receive the attention it deserves in the English-speaking world. He devoted a number of essays to film, and was involved in making several experimental short films. Lyotard's reflections on film offer a perspective which seeks to do justice to it as an art by focusing on its aesthetic, material qualities. His work in this area remains a largely untapped resource, with the potential for inaugurating exciting new directions in film-philosophy.ContributorsKiff Bamford, Leeds Beckett University, UKKeith Crome, Manchester Metropolitan University, UKJean-Michel Durafour, University Paris-Est, France Claudine Eizykman, University of Paris 8, FranceGuy Fihman, University of Paris 8, FranceJulie Gaillard, Emory University, USAJon Hackett, St Mary's University, UKVlad Ionescu, Hasselt University, BelgiumGraham Jones, Federation University, Australia Peter W. Milne, Seoul National University, South KoreaLisa Trahair, New South Wales, AustraliaSusana Viegas, Nova University of Lisbon (NOVA), Portugal and Deakin University, AustraliaJames Williams, Deakin University, Australia |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) |
| Beschreibung: | 1 Online-Ressource (240 Seiten) 5 B/W illustrations |
| ISBN: | 9781474418959 |
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| 520 | |a The first major survey of Lyotard's contribution to film theory, combining his original essays with new critical works by leading scholarsThis collection presents, for the first time in English, Jean-François Lyotard's major essays on film: 'Acinema', 'The Unconscious as Mise-en-scène', 'Two Metamorphoses of the Seductive in Cinema' and 'The Idea of a Sovereign Film'. Then, eight critical essays by philosophers and film theorists examine Lyotard's film work and influence across two sections: 'Approaches and Interpretations' and 'Applications and Extensions'. These works are complemented by an introductory essay by leading French scholar Jean-Michel Durafour on Lyotard's film-philosophy, an overview of Lyotard's practical film projects written by his collaborators Claudine Eizykman and Guy Fihman, and the synopsis for a later film project Memorial Immemorial, which Lyotard proposed but was not produced. | ||
| 520 | |a Jean-François Lyotard was the most significant aesthetician of the poststructuralist generation, but this dimension of his thought is only recently beginning to receive the attention it deserves in the English-speaking world. He devoted a number of essays to film, and was involved in making several experimental short films. Lyotard's reflections on film offer a perspective which seeks to do justice to it as an art by focusing on its aesthetic, material qualities. | ||
| 520 | |a His work in this area remains a largely untapped resource, with the potential for inaugurating exciting new directions in film-philosophy.ContributorsKiff Bamford, Leeds Beckett University, UKKeith Crome, Manchester Metropolitan University, UKJean-Michel Durafour, University Paris-Est, France Claudine Eizykman, University of Paris 8, FranceGuy Fihman, University of Paris 8, FranceJulie Gaillard, Emory University, USAJon Hackett, St Mary's University, UKVlad Ionescu, Hasselt University, BelgiumGraham Jones, Federation University, Australia Peter W. Milne, Seoul National University, South KoreaLisa Trahair, New South Wales, AustraliaSusana Viegas, Nova University of Lisbon (NOVA), Portugal and Deakin University, AustraliaJames Williams, Deakin University, Australia | ||
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| 650 | 4 | |a Motion pictures |x Philosophy | |
| 650 | 4 | |a Painting and motion pictures | |
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Datensatz im Suchindex
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| author | Jones, Graham |
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| dewey-tens | 790 - Recreational and performing arts |
| format | Electronic eBook |
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| illustrated | Illustrated |
| index_date | 2024-07-03T19:33:43Z |
| indexdate | 2024-07-10T09:25:12Z |
| institution | BVB |
| isbn | 9781474418959 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033303238 |
| oclc_num | 1312705740 |
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| publisher | Edinburgh University Press |
| record_format | marc |
| spelling | Jones, Graham Verfasser aut Acinemas Lyotard's Philosophy of Film Graham Jones, Ashley Woodward Edinburgh Edinburgh University Press [2022] © 2017 1 Online-Ressource (240 Seiten) 5 B/W illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) The first major survey of Lyotard's contribution to film theory, combining his original essays with new critical works by leading scholarsThis collection presents, for the first time in English, Jean-François Lyotard's major essays on film: 'Acinema', 'The Unconscious as Mise-en-scène', 'Two Metamorphoses of the Seductive in Cinema' and 'The Idea of a Sovereign Film'. Then, eight critical essays by philosophers and film theorists examine Lyotard's film work and influence across two sections: 'Approaches and Interpretations' and 'Applications and Extensions'. These works are complemented by an introductory essay by leading French scholar Jean-Michel Durafour on Lyotard's film-philosophy, an overview of Lyotard's practical film projects written by his collaborators Claudine Eizykman and Guy Fihman, and the synopsis for a later film project Memorial Immemorial, which Lyotard proposed but was not produced. Jean-François Lyotard was the most significant aesthetician of the poststructuralist generation, but this dimension of his thought is only recently beginning to receive the attention it deserves in the English-speaking world. He devoted a number of essays to film, and was involved in making several experimental short films. Lyotard's reflections on film offer a perspective which seeks to do justice to it as an art by focusing on its aesthetic, material qualities. His work in this area remains a largely untapped resource, with the potential for inaugurating exciting new directions in film-philosophy.ContributorsKiff Bamford, Leeds Beckett University, UKKeith Crome, Manchester Metropolitan University, UKJean-Michel Durafour, University Paris-Est, France Claudine Eizykman, University of Paris 8, FranceGuy Fihman, University of Paris 8, FranceJulie Gaillard, Emory University, USAJon Hackett, St Mary's University, UKVlad Ionescu, Hasselt University, BelgiumGraham Jones, Federation University, Australia Peter W. Milne, Seoul National University, South KoreaLisa Trahair, New South Wales, AustraliaSusana Viegas, Nova University of Lisbon (NOVA), Portugal and Deakin University, AustraliaJames Williams, Deakin University, Australia In English Philosophy PERFORMING ARTS / Film & Video / General bisacsh Motion pictures Aesthetics Motion pictures Philosophy Painting and motion pictures Bamford, Kiff Sonstige oth Crome, Keith Sonstige oth Durafour, Jean-Michel Sonstige oth Eizykman, Claudine Sonstige oth Fihman, Guy Sonstige oth Gaillard, Julie Sonstige oth Hackett, Jon Sonstige oth Ionescu, Vlad Sonstige oth Jones, Graham Sonstige oth Lyotard, Jean-François Sonstige oth Milne, Peter W. Sonstige oth Trahair, Lisa Sonstige oth Viegas, Susana Sonstige oth Williams, James Sonstige oth Woodward, Ashley Sonstige oth https://www.degruyter.com/isbn/9781474418959 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Jones, Graham Acinemas Lyotard's Philosophy of Film Philosophy PERFORMING ARTS / Film & Video / General bisacsh Motion pictures Aesthetics Motion pictures Philosophy Painting and motion pictures |
| title | Acinemas Lyotard's Philosophy of Film |
| title_auth | Acinemas Lyotard's Philosophy of Film |
| title_exact_search | Acinemas Lyotard's Philosophy of Film |
| title_exact_search_txtP | Acinemas Lyotard's Philosophy of Film |
| title_full | Acinemas Lyotard's Philosophy of Film Graham Jones, Ashley Woodward |
| title_fullStr | Acinemas Lyotard's Philosophy of Film Graham Jones, Ashley Woodward |
| title_full_unstemmed | Acinemas Lyotard's Philosophy of Film Graham Jones, Ashley Woodward |
| title_short | Acinemas |
| title_sort | acinemas lyotard s philosophy of film |
| title_sub | Lyotard's Philosophy of Film |
| topic | Philosophy PERFORMING ARTS / Film & Video / General bisacsh Motion pictures Aesthetics Motion pictures Philosophy Painting and motion pictures |
| topic_facet | Philosophy PERFORMING ARTS / Film & Video / General Motion pictures Aesthetics Motion pictures Philosophy Painting and motion pictures |
| url | https://www.degruyter.com/isbn/9781474418959 |
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