Ecce Monstrum: Georges Bataille and the Sacrifice of Form
In the 1930s, Georges Bataille proclaimed a "ferociously religious" sensibility characterized by simultaneous ecstasy and horror. Ecce Monstrum investigates the content and implications of this religious sensibility by examining Bataille's insistent linking of monstrosity and the sacr...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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New York, NY
Fordham University Press
[2022]
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | In the 1930s, Georges Bataille proclaimed a "ferociously religious" sensibility characterized by simultaneous ecstasy and horror. Ecce Monstrum investigates the content and implications of this religious sensibility by examining Bataille's insistent linking of monstrosity and the sacred. Extending and sometimes challenging major interpretations of Bataille by thinkers like Denis Hollier and Rosalind Krauss the book reveals how his writings betray the monstrous marks of the affective and intellectual contradictions he seeks to produce in his readers. Charting a new approach to recent debates concerning Bataille's formulation of the informe ("formless"), the author demonstrates that the motif of monstrosity is keyed to Bataille's notion of sacrifice--an operation that ruptures the integrality of the individual form. Bataille enacts a "monstrous" mode of reading and writing in his approaches to other thinkers and artists--a mode that is at once agonistic and intimate. Ecce Monstrum examines this monstrous mode of reading and writing through investigations of Bataille's "sacrificial" interpretations of Kojève's Hegel and Friedrich Nietzsche; his contentious relationship with Simone Weil and its implications for his mystical and writing practices; his fraught affiliation with surrealist André Breton and his attempt to displace surrealism with "hyperchristianity"; and his peculiar relations to artist Hans Bellmer, whose work evokes Bataille's "religious sensibility." With its wide-ranging analyses, this book offers insights of interest to scholars of religion, philosophers, art historians, and students of French intellectual history and early modernism |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) |
| Beschreibung: | 1 Online-Ressource (372 Seiten) 5 Illustrations, black and white |
| ISBN: | 9780823291434 |
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| isbn | 9780823291434 |
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| spelling | Biles, Jeremy Verfasser aut Ecce Monstrum Georges Bataille and the Sacrifice of Form Jeremy Biles New York, NY Fordham University Press [2022] © 2009 1 Online-Ressource (372 Seiten) 5 Illustrations, black and white txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) In the 1930s, Georges Bataille proclaimed a "ferociously religious" sensibility characterized by simultaneous ecstasy and horror. Ecce Monstrum investigates the content and implications of this religious sensibility by examining Bataille's insistent linking of monstrosity and the sacred. Extending and sometimes challenging major interpretations of Bataille by thinkers like Denis Hollier and Rosalind Krauss the book reveals how his writings betray the monstrous marks of the affective and intellectual contradictions he seeks to produce in his readers. Charting a new approach to recent debates concerning Bataille's formulation of the informe ("formless"), the author demonstrates that the motif of monstrosity is keyed to Bataille's notion of sacrifice--an operation that ruptures the integrality of the individual form. Bataille enacts a "monstrous" mode of reading and writing in his approaches to other thinkers and artists--a mode that is at once agonistic and intimate. Ecce Monstrum examines this monstrous mode of reading and writing through investigations of Bataille's "sacrificial" interpretations of Kojève's Hegel and Friedrich Nietzsche; his contentious relationship with Simone Weil and its implications for his mystical and writing practices; his fraught affiliation with surrealist André Breton and his attempt to displace surrealism with "hyperchristianity"; and his peculiar relations to artist Hans Bellmer, whose work evokes Bataille's "religious sensibility." With its wide-ranging analyses, this book offers insights of interest to scholars of religion, philosophers, art historians, and students of French intellectual history and early modernism In English ART / European bisacsh https://www.degruyter.com/isbn/9780823291434 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Biles, Jeremy Ecce Monstrum Georges Bataille and the Sacrifice of Form ART / European bisacsh |
| title | Ecce Monstrum Georges Bataille and the Sacrifice of Form |
| title_auth | Ecce Monstrum Georges Bataille and the Sacrifice of Form |
| title_exact_search | Ecce Monstrum Georges Bataille and the Sacrifice of Form |
| title_exact_search_txtP | Ecce Monstrum Georges Bataille and the Sacrifice of Form |
| title_full | Ecce Monstrum Georges Bataille and the Sacrifice of Form Jeremy Biles |
| title_fullStr | Ecce Monstrum Georges Bataille and the Sacrifice of Form Jeremy Biles |
| title_full_unstemmed | Ecce Monstrum Georges Bataille and the Sacrifice of Form Jeremy Biles |
| title_short | Ecce Monstrum |
| title_sort | ecce monstrum georges bataille and the sacrifice of form |
| title_sub | Georges Bataille and the Sacrifice of Form |
| topic | ART / European bisacsh |
| topic_facet | ART / European |
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