The Sculptural Body in Victorian Literature: Encrypted Sexualities

Explores Victorian writers' erotic investment in statuesTheorises the function of the sculptural body in Victorian poetry and proseOffers thorough readings of sculpture in Victorian texts and contextsExamines a wide range of works by well-known and lesser-known writers of the period (e.g. Thoma...

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Bibliographische Detailangaben
1. Verfasser: Pulham, Patricia (VerfasserIn)
Format: Elektronisch E-Book
Sprache:English
Veröffentlicht: Edinburgh Edinburgh University Press [2022]
Schriftenreihe:Edinburgh Critical Studies in Victorian Culture : ECSVC
Schlagworte:
Online-Zugang:DE-1046
DE-1043
DE-858
DE-859
DE-860
DE-739
DE-473
Volltext
Zusammenfassung:Explores Victorian writers' erotic investment in statuesTheorises the function of the sculptural body in Victorian poetry and proseOffers thorough readings of sculpture in Victorian texts and contextsExamines a wide range of works by well-known and lesser-known writers of the period (e.g. Thomas Hardy, John Ruskin, Oscar Wilde, Walter Pater, Vernon Lee, Olive Custance, Arthur O'Shaughnessy)Extends the British focus to encompass nineteenth-century European and American writings This book argues that, in Victorian literature, desires which cannot be openly acknowledged are often buried and encrypted in the marble bodies of statues. Examining sculpture's ubiquity in Victorian galleries and museums Pulham observes that, while touch is prohibited in these cultural locations, Victorian texts offer 'safe' spaces where statues may be kissed or caressed using metaphors of tactility that work at the intersections of touch and vision to permit the recovery of forbidden love
Beschreibung:Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022)
Beschreibung:1 Online-Ressource (240 Seiten) 14 B/W illustrations 4 colour illustrations 14 black and white & 4 colour illustrations
ISBN:9780748693436

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