The Cinema of Basil Dearden and Michael Relph:
GBS_insertPreviewButtonPopup('ISBN:9780748632893);This book offers the first full systematic assessment and evaluation of the cinema of this important filmmaking partnership. Dearden and Relph came together at the famous Ealing Studios in the wartime period and became the most prolific producti...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | GBS_insertPreviewButtonPopup('ISBN:9780748632893);This book offers the first full systematic assessment and evaluation of the cinema of this important filmmaking partnership. Dearden and Relph came together at the famous Ealing Studios in the wartime period and became the most prolific production team at the studio, contributing such popular and critically acclaimed films as The Captive Heart (1946), The Blue Lamp (1950) and Pool of London (1951). Later in the 1950s, Dearden and Relph branched out into independent production and became particularly associated with a cycle of controversial social problem films that included Sapphire (1959) and Victim (1961).This new study takes an extensive view of the cinema of Basil Dearden and Michael Relph. It considers in detail their contribution to the celebrated achievements of wartime cinema at Ealing, brings a new focus to their post-war films that addressed masculine adjustment in a period of rapid change, takes a fresh look at the prominent group of social problem films within their work, and offers an original study of their later period of filmmaking for the international market in the 1960s. Attention is also given to the significant place of comedy in their cinema and Michael Relph's considerable achievements as an art director. The book will be of interest to all students of film history and a general readership that takes a keen interest in British cinema. |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) |
| Beschreibung: | 1 Online-Ressource (376 Seiten) 41 B/W illustrations |
| ISBN: | 9780748632527 |
| DOI: | 10.1515/9780748632527 |
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Datensatz im Suchindex
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| id | DE-604.BV047920834 |
| illustrated | Illustrated |
| index_date | 2024-07-03T19:33:40Z |
| indexdate | 2024-07-10T09:25:09Z |
| institution | BVB |
| isbn | 9780748632527 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033302425 |
| oclc_num | 1312701403 |
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| physical | 1 Online-Ressource (376 Seiten) 41 B/W illustrations |
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| publisher | Edinburgh University Press |
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| spelling | Burton, Alan Verfasser aut The Cinema of Basil Dearden and Michael Relph Alan Burton, Tim O'Sullivan Edinburgh Edinburgh University Press [2022] © 2009 1 Online-Ressource (376 Seiten) 41 B/W illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) GBS_insertPreviewButtonPopup('ISBN:9780748632893);This book offers the first full systematic assessment and evaluation of the cinema of this important filmmaking partnership. Dearden and Relph came together at the famous Ealing Studios in the wartime period and became the most prolific production team at the studio, contributing such popular and critically acclaimed films as The Captive Heart (1946), The Blue Lamp (1950) and Pool of London (1951). Later in the 1950s, Dearden and Relph branched out into independent production and became particularly associated with a cycle of controversial social problem films that included Sapphire (1959) and Victim (1961).This new study takes an extensive view of the cinema of Basil Dearden and Michael Relph. It considers in detail their contribution to the celebrated achievements of wartime cinema at Ealing, brings a new focus to their post-war films that addressed masculine adjustment in a period of rapid change, takes a fresh look at the prominent group of social problem films within their work, and offers an original study of their later period of filmmaking for the international market in the 1960s. Attention is also given to the significant place of comedy in their cinema and Michael Relph's considerable achievements as an art director. The book will be of interest to all students of film history and a general readership that takes a keen interest in British cinema. In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion pictures Great Britain History 20th century Burton, Alan Sonstige oth Dearden, James Sonstige oth O'Sullivan, Tim Sonstige oth Relph, Simon Sonstige oth https://doi.org/10.1515/9780748632527 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Burton, Alan The Cinema of Basil Dearden and Michael Relph Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion pictures Great Britain History 20th century |
| title | The Cinema of Basil Dearden and Michael Relph |
| title_auth | The Cinema of Basil Dearden and Michael Relph |
| title_exact_search | The Cinema of Basil Dearden and Michael Relph |
| title_exact_search_txtP | The Cinema of Basil Dearden and Michael Relph |
| title_full | The Cinema of Basil Dearden and Michael Relph Alan Burton, Tim O'Sullivan |
| title_fullStr | The Cinema of Basil Dearden and Michael Relph Alan Burton, Tim O'Sullivan |
| title_full_unstemmed | The Cinema of Basil Dearden and Michael Relph Alan Burton, Tim O'Sullivan |
| title_short | The Cinema of Basil Dearden and Michael Relph |
| title_sort | the cinema of basil dearden and michael relph |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion pictures Great Britain History 20th century |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / History & Criticism Motion pictures Great Britain History 20th century |
| url | https://doi.org/10.1515/9780748632527 |
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